Birmingham: The Old Crown In Digbeth Photos (Part 1)

Image © Frank Parker

On Monday the 11th of September, 2023,  I visited the Old Crown in High Street, Digbeth, Birmingham, for the first time in my life, as part of Birmingham Heritage Week.  

Being a Brummie, born and bred, I have passed this pub a lot of times, especially as I got older and I always wondered what it would be like inside.  Although as an adult I could have popped in at any time I never got around to it until now.   I am pleased I saw, as part of Heritage Week, that this Medieval pub was presenting an exhibition on the 655-year history of Birmingham’s oldest pub.  It included never-before-seen photos and illustrations of the Grade-II* listed venue, as well as giving away a booklet by Carl Chinn.

I couldn’t really look around and appreciate how historic it is as much as I would have liked and take better shots inside of the old features because it was packed (and noisy) but I managed to take some decent enough photos to share.  Sadly, and bloody annoyingly, 19 photos didn’t turn out at all.   It had been a long day for me, coming from Edgbaston after doing a lot of walking around Cannon Hill Park (also another Heritage Week event) and it was a very hot day so my phone was heating up, on charge and playing up by now so that would explain that mystery.  It is just my usual bad luck but that’s a subject for another day!

I would have liked to have taken better ones outside too but there are seemingly never-ending roadworks going on and fences everywhere so the options to take decent photos, including crossing to the other side which is completely blocked off, makes it all very restricting indeed.

As someone who battles mental health problems daily, it wasn’t easy being there on my own and my anxiety was very high but it is a nice pub to go to and I am glad I went.  I hope to take some better photos one day, however, at £5.50 for a pint of lager shandy, I won’t be going there that often!

The Old Crown In Digbeth Photos (Part 1)

Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Looking towards the side of The Old Crown in Digbeth. Taken on 09/09/23.
Image © Frank Parker

Looking towards The Old Crown in Digbeth. Taken on 09/09/23.

Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker

The Old Crown in Digbeth. Taken on 09/09/23.

Image © Frank Parker
Image © Frank Parker

Looking towards the side of The Old Crown in Digbeth. Taken on 09/09/23. 

Image © Frank Parker

The Old Crown sign at The Old Crown in Digbeth. Taken on 09/09/23.

Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker
Image © Frank Parker

The interior of The Old Crown in Digbeth. Taken on 09/09/23. 

Blog Posts

Notes And Links

 

Birmingham: The Old Crown In Digbeth

Image © Frank Parker

On Monday the 11th of September, 2023,  I visited the Old Crown in High Street, Digbeth, Birmingham, for the first time in my life, as part of Birmingham Heritage Week.  The pub was celebrating its 165th birthday over the weekend.

Being a Brummie, born and bred, I have passed this pub a lot of times, especially as I got older and I always wondered what it would be like inside.  Although as an adult I could have popped in at any time I never got around to it until now.   I am pleased I saw, as part of Heritage Week, that this Medieval pub was presenting an exhibition on the 655-year history of Birmingham’s oldest pub.  It included never-before-seen photos and illustrations of the Grade-II* listed venue, as well as giving away a booklet by Carl Chinn. 

I couldn’t really look around and appreciate how historic it is as much as I would have liked and take better shots inside of the old features because it was packed (and noisy) but I managed to take some decent enough photos to share.  Sadly, and bloody annoyingly, 19 photos didn’t turn out at all.   It had been a long day for me, coming from Edgbaston after doing a lot of walking around Cannon Hill Park (also another Heritage Week event) and it was a very hot day so my phone was heating up, on charge and playing up by now so that would explain that mystery.  It is just my usual bad luck but that’s a subject for another day!

I would have liked to have taken better ones outside too but there are seemingly never-ending roadworks going on and fences everywhere so the options to take decent photos, including crossing to the other side which is completely blocked off, makes it all very restricting indeed.

As someone who battles mental health problems daily, it wasn’t easy being there on my own and my anxiety was very high but it is a nice pub to go to and I am glad I went.  I hope to take some better photos one day, however, at £5.50 for a pint of lager shandy, I won’t be going there that often!

 

Photos Of The Old Crown, Digbeth

Click here to see photographic memories of my time there.

About The Old Crown, Digbeth

The Old Crown pub is in Deritend and is a Grade II* listed building retaining its black and white timber frame.  Almost all of the present building dates from the early 16th century. 

The Old Crown is Birmingham’s oldest secular building and has existed since 1368. 

It is Birmingham’s oldest inn with Queen Elizabeth I staying here in 1575 on her way home from Kenilworth Castle. 

Rooms are individually decorated with a mix of en-suite and shared bathrooms.  Facilities include TV, tea and coffee, towels and free wifi.   

The pub has a restaurant and there are various local eateries a short walk away and award-winning purveyors of street food, Digbeth Dining Club, takes place just two minutes away.  The Old Crown is situated a 10-minute walk from the city centre and has many local attractions within easy reach.

Having stood the test of time during the English Civil War the pub & events garden now stands proud in the heart of Digbeth, Birmingham’s thriving creative quarter.

History Of The Old Crown

It is believed the building was constructed between 1450 and 1500 with some evidence dating to 1492 (the same year the Saracen’s Head in nearby Kings Norton was completed).  John Leland visited the town during his tours of England and Wales upon entering Birmingham, in 1538 noted the building, as a “mansion house of tymber”.   It is thought to have been originally built as the Guildhall and School of St. John, Deritend.  This Guild owned a number of other buildings throughout Warwickshire, including the Guildhall in Henley in Arden.  The building was purchased in 1589, by John Dyckson, alias Bayleys who, in the 1580’s, had been buying a number of properties and lands in Deritend and in Bordesley.

Described as a tenement and garden, running alongside Heath Mill Lane, the building remained in the Dixon alias Baylis (later Dixon) family for the next hundred years.

In the original deed, John Dyckson is described as a Caryer, which in the West Midlands at this time, when roads were nothing more than hollow-ways and bridle paths, implied that he owned several trains of pack-horses.  These would have needed stabling, and Dixon would have needed warehouse space to store goods awaiting dispatch and arrived goods awaiting collection.  Such facilities would be useful to other travellers, and it may well be that the use of the house as an Inn, dates from this time.  Indeed, since England was in the grip of a patriotic pother over the failed Armada the previous year, it would have been opportune to adopt the name The Crown.  However, the earliest documentary evidence of the building’s use as an Inn is from 1626.  In a marriage settlement dated the 21st of December, 1666 it was noted by the sign of the Crowne

Heated skirmishes were fought around the building when Prince Rupert’s forces raided Birmingham during the English Civil War.

The building was converted into two houses in 1684 and then converted into three houses in 1693.  It remained three houses until the 19th century.   In 1851, Joshua Toulmin Smith saved the Old Crown from demolition when the Corporation proposed demolishing the building in order to improve the street.   Again in 1856 and 1862, the Corporation proposed to demolish the building and Smith saved the building each time.

In 1991 a local pub company owned by the Brennan family bought the Old Crown.  In the summer of 1994, Pat Brennan and his youngest son, Peter, were doing repairs and clearing out the old sheds to the rear of the property when they found the old well, which had been closed off for more than 100 years.  Now restored, it is situated at the rear entrance of the pub.   At the end of May 1998, under the guidance of Pat and Ellen Brennan and their sons Patrick, Gary and Peter, after the family’s £2 million investment into Birmingham’s most famous hostelry, The Old Crown was restored to its former glory and reopened.

Image © Frank Parker

The History of The Old Crown sign inside the pub.

Image © Frank Parker

Looking towards The Old Crown, Digbeth, Birmingham.  Taken on 09/09/23.

Image © Oosoom via Wikipedia

The Old Crown in 2006.

Construction Of The Old Crown

The building is 71 feet, 4 inches (21.74 meters) wide and 20 feet, 2 inches (6.15 meters) deep on the ground floor.  On the first floor, which overhangs the front, it is 21 feet, 9 inches (6.63 meters) deep.   When built, the original building had a central hall with a length of 40 feet (12 meters) and a width of 20 feet (6 meters).  Below this were a number of arched cellars. On the upper floor were just four rooms.  The building had a courtyard to its rear which contained a well.  It was 26 feet (8 meters) deep and surrounded by large stones.  The well was excavated and deepened to produce a total depth of 38 feet (12 meters).  The new section of the well was lined with square bricks.  At the top, it was 2 feet 7 inches, (787.4 millimetres) at its narrowest diameter and 2 feet, 9 in (838.2 millimetres) at its widest diameter.  It widened to around 4 feet (1.2 meters) at the bottom.  The well was cleaned in 1863 and Smith added an iron gate to the top of it to preserve it whilst keeping it accessible.

Image © Frank Parker

The Old Crown well.  Taken on 09/09/23.

Read more about The Old Crown here.

The above article is
sourced from The Old Crown website in the About The Old Crown section.  The rest is from  Wikipedia and is subject to change. 

Opening Times

Monday to Thursday: 12:00 p.m. to 23:30 p.m.

Food service until 9:00 p.m.

Friday to Saturday: 12:00 p.m. to 0:30 a.m.

Food service until 9:00 p.m.

Sunday: 12:00 p.m. to 23:00 p.m.

Food service until 5:45 p.m.

Bookings

The Old Crown, winner of the Best Traditional Pub at the 2019 Midland Food and Drink Hospitality Awards, has 10 bedrooms and 1 apartment available to book. 

Bookings are not compulsory but highly recommended, especially for weekends, due to how busy they are.  They always hold some space for walk-ins, so please feel free to come down even if your preferred date is full, and they will do their best to seat you.

Some dates will show as unavailable in their booking calendar due to events that are yet to be released.  

Although they do not have on-site parking, there are a number of local car parks (2 located on the High Street, visible from the hotel), feel free to enquire with them for more details or directions.

To book a room or send them an enquiry via e-mail click here.

Sign up for their newsletter and be the first to find out about these events when they are announced.

Address

High St

Deritend

Birmingham

B12 0LD

Telephone

0121 248 1368.

E-Mail

Blog Posts

Links

Images on this page of The Old Crown are the copyright of Frank Parker unless otherwise stated.

The image above of The Old Crown in 2006 is the copyright of Wikipedia user Oosoom.   It comes with a Creative Commons licence (CC BY-SA 3.0). 

The Old Crown – Official website.

The Old Crown on Facebook.

The Old Crown on Twitter.

The Old Crown on Instagram.

The Old Crown on YouTube.

Creative Commons – Official website.  They offer better sharing, advancing universal access to knowledge and culture, and fostering creativity, innovation, and collaboration. 

 

Films

Image © of Bence Szemerey via Pixabay

Everyone loves watching a good film albeit at the cinema or at home on the television etc.  With a collection of over 1000 DVDs that includes a LOT of films, it is clear to see that this is another big passion of mine.

I can’t remember the very first film I went to see at the pictures but it was in the mid-1970’s and it possibly could have been the Disney animation adaptation of Robin Hood.  Visits to the cinema over the decades as a child and older, with family have always held special memories for me. 

Watching a film on the telly is always good but nothing beats the experience and sound quality of watching it on the big screen.  Having a home cinema has always been a dream of mine but that probably won’t ever happen but one day I would like to get a decent surround sound system and projector with a large screen or a large telly to watch films on.  I will say never say never on that one!

I like most film genres with my favourite being Horror and Science Fiction ones.  I have favourite actors and actresses the same as anyone else does and they will be shown on this page.  I am not going to list every film I have watched in my lifetime, that would be IMPOSSIBLE to remember but I will list films I have watched and enjoyed that I think are worth watching for someone else but of course, your opinions may differ from mine, that’s life.

About Film

A film, also called a movie, motion picture, moving picture, picture, photoplay, or flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. Flick is, in general, a slang term, first recorded in 1926.  It originates in the verb flicker, owing to the flickering appearance of early films.  These images are generally accompanied by sound and, more rarely, other sensory stimulations.   The word cinema, short for cinematography, is often used to refer to filmmaking and the film industry, and the art form that is the result of it. 

The History Of Film

Precursors

The art of film has drawn on several earlier traditions in fields such as oral storytelling, literature, theatre, and visual arts.  Forms of art and entertainment that have already featured moving or projected images include shadowgraphy (probably used since prehistoric times), camera obscura (a natural phenomenon that has possibly been used as an artistic aid since prehistoric times), shadow puppetry (possibly originated around 200 BCE in Central Asia, India, Indonesia or China) and the magic lantern (developed in the 1650’s,  this multi-media phantasmagoria shows that magic lanterns were popular from 1790 throughout the first half of the 19th century and could feature mechanical slides, rear projection, mobile projectors, superimposition, dissolving views, live actors, smoke that was sometimes used to project images upon, odours, sounds, and even electric shocks).

Before Celluloid

The stroboscopic animation principle was introduced in 1833 with the stroboscopic disc (better known as the phenakisticope) and later applied in the zoetrope (since 1866), the flip book (since 1868), and the praxinoscope (since 1877) before it became the basic principle for cinematography.

Image © of Simon Ritter von Stampfer via Wikipedia

Prof. Stampfer’s Stroboscopische Scheibe No. X., created on the 22nd of June, 1833.  This is side Nr. 10 of the reworked second series of Stampfer’s stroboscopic disc published by Trentsensky & Vieweg in the same year.

Experiments with early phenakisticope-based animation projectors were made at least as early as 1843 and publicly screened in 1847.  Jules Duboscq marketed phenakisticope projection systems in France from circa 1853 until the 1890’s.

Photography was introduced in 1839, but initially, photographic emulsions needed such long exposures that the recording of moving subjects seemed impossible.  At least as early as 1844, a photographic series of subjects posed in different positions was created to either suggest a motion sequence or document a range of different viewing angles.  The advent of stereoscopic photography, with early experiments in the 1840’s and commercial success since the early 1850’s, raised interest in completing the photographic medium with the addition of means to capture colour and motion.  In 1849, Joseph Plateau published the idea to combine his invention of the phenakisticope with the stereoscope, as suggested to him by stereoscope inventor Charles Wheatstone, and to use photographs of plaster sculptures in different positions to be animated in the combined device.  In 1852, Jules Duboscq patented such an instrument as the Stereoscope-fantascope, ou Bioscope, but he only marketed it very briefly, without success.  One Bioscope disc with stereoscopic photographs of a machine is in the Plateau collection of Ghent University, but no instruments or other discs have yet been found.

By the late 1850’s the first examples of instantaneous photography came about and provided hope that motion photography would soon be possible, but it took a few decades before it was successfully combined with a method to record a series of sequential images in real-time.  In 1878, Eadweard Muybridge eventually managed to take a series of photographs of a running horse with a battery of cameras in a line along the track and published the results as The Horse in Motion on cabinet cards.  Muybridge, as well as Etienne-Jules Marey, Ottomar Anschütz, and many others, would create many more chronophotography studies.  Muybridge had the contours of dozens of his chronophotographic series traced onto glass discs and projected them with his zoopraxiscope in his lectures from 1880 to 1895.

Image © of Eadweard Muybridge via Wikipedia

An animation of the retouched Sallie Garner card from The Horse in Motion series by Eadweard Muybridge.  The series was from 1878 – 1879. 

Anschutz made his first instantaneous photographs in 1881.  He developed a portable camera that allowed shutter speeds as short as 1/1000 of a second in 1882.  The quality of his pictures was generally regarded to be much higher than that of the chronophotography works of Muybridge and Etienne-Jules Marey.  In 1886, Anschutz developed the Electrotachyscope, an early device that displayed short motion picture loops with 24 glass plate photographs on a 1.5-meter-wide rotating wheel that was hand-cranked to the speed of circa 30 frames per second.  Different versions were shown at many international exhibitions, fairs, conventions, and arcades from 1887 until at least 1894.  Starting in 1891, some 152 examples of a coin-operated peep-box Electrotachyscope model were manufactured by Siemens & Halske in Berlin and sold internationally.  Nearly 34,000 people paid to see it at the Berlin Exhibition Park in the summer of 1892.  Others saw it in London or at the 1893 Chicago World’s Fair.  On the 25th of November 1894, Anschutz introduced an Electrotachyscope projector with a 6 x 8 meter screening in Berlin.  Between the 22nd of February and the 30th of March 1895, a total of circa 7,000 paying customers came to view a 1.5-hour show of some 40 scenes at a 300-seat hall in the old Reichstag building in Berlin.

Image © unknown via Wikipedia

A picture of Ottomar’s Anschutz’s electrotachyscope, first published in Scientific American on the 16th of November, 1889.

Emile Reynaud already mentioned the possibility of projecting the images of the Praxinoscope in his 1877 patent application.  He presented a praxinoscope projection device at the Societe Francaise de Photographie on the 4th of June 1880 but did not market his praxinoscope before 1882.  He then further developed the device into the Theatre Optique which could project longer sequences with separate backgrounds, patented in 1888.  He created several movies for the machine by painting images on hundreds of gelatin plates that were mounted into cardboard frames and attached to a cloth band.  From the 28th of October 1892 to March 1900 Reynaud gave over 12,800 shows to a total of over 500,000 visitors at the Grevin Museu in Paris.

First Motion Pictures

By the end of the 1880’s, the introduction of lengths of celluloid photographic film and the invention of motion picture cameras, which could photograph a rapid sequence of images using only one lens, allowed the action to be captured and stored on a single compact reel of film.

Movies were initially shown publicly to one person at a time through peep show devices such as the Electrotachyscope, Kinetoscope, and the Mutoscope.  Not much later, exhibitors managed to project films on large screens for theatre audiences.

The first public screenings of films at which admission was charged were made in 1895 by the American Woodville Latham and his sons, using films produced by their Eidoloscope company, by the Skladanowsky brothers, and by the arguably better known  French brothers Auguste and Louis Lumiere with ten of their own productions.  Private screenings had preceded these by several months, with Latham’s slightly predating the others.

Roundhay Garden Scene is a short silent motion picture filmed by French inventor Louis Le Prince at Oakwood Grange in Roundhay, Leeds, in northern England on the 14th of October 1888.

Pauvre Pierrot or Poor Pete as it is known in English is a French short animated film directed by Charles-Emile Reynaud in 1891 and was released in 1892. 

Georges Melies’ Le Voyage dans la Lune or A Trip to the Moon as it is known in English is an early narrative film and also an early science fiction film, released in 1902.

The Bond is a two-reel propaganda film created by Charlie Chaplin at his own expense for the Liberty Loan Committee to help sell U.S. Liberty Bonds during World War I, released in 1918. 

Early Evolution

The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques.  Typical films showed employees leaving a factory gate, people walking in the street, and the view from the front of a trolley as it traveled a city’s Main Street.  According to legend, when a film showed a locomotive at high speed approaching the audience, the audience panicked and ran from the theater.  Around the turn of the 20th century, films started stringing several scenes together to tell a story.  The filmmakers who first put several shots or scenes discovered that, when one shot follows another, that act establishes a relationship between the content in the separate shots in the minds of the viewer.  It is this relationship that makes all film storytelling possible.  In a simple example, if a person is shown looking out a window, whatever the next shot shows, it will be regarded as the view the person was seeing.  Each scene was a single stationary shot with the action occurring before it.  The scenes were later broken up into multiple shots photographed from different distances and angles.  Other techniques such as camera movement were developed as effective ways to tell a story with film.  Until sound film became commercially practical in the late 1920’s, motion pictures were purely visual art, but these innovative silent films had gained a hold on the public imagination.  Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit the mood of the film at any given moment. By the early 1920’s, most films came with a prepared list of sheet music to be used for this purpose, and complete film scores were composed for major productions.

The rise of European cinema was interrupted by the outbreak of World War I, while the film industry in the United States flourished with the rise of Hollywood, typified most prominently by the innovative work of D. W. Griffith in The Birth of a Nation (1915) and Intolerance (1916).  However, in the 1920’s, European filmmakers such as Eisenstein, F. W. Murnau, and Fritz Lang, in many ways inspired by the meteoric wartime progress of film through Griffith, along with the contributions of Charles Chaplin, Buster Keaton, and others, quickly caught up with American film-making and continued to further advance the medium.

Sound

In the 1920’s, the development of electronic sound recording technologies made it practical to incorporate a soundtrack of speech, music, and sound effects synchronized with the action on the screen.  The resulting sound films were initially distinguished from the usual silent moving pictures or movies by calling them talking pictures or talkies.  The revolution they wrought was swift.  By 1930, silent film was practically extinct in the US and already being referred to as the old medium.

The evolution of sound in cinema began with the idea of combining moving images with existing phonograph sound technology.  Early sound-film systems, such as Thomas Edison’s Kinetoscope and the Vitaphone used by Warner Bros., laid the groundwork for synchronized sound in film.  The Vitaphone system, produced alongside Bell Telephone Company and Western Electric, faced initial resistance due to expensive equipping costs, but sound in cinema gained acceptance with movies like Don Juan (1926) and The Jazz Singer (1927).

American film studios, while Europe standardized on Tobis-Klangfilm and Tri-Ergon systems.  This new technology allowed for greater fluidity in film, giving rise to more complex and epic movies like King Kong (1933).

As the television threat emerged in the 1940’s and 1950’s, the film industry needed to innovate to attract audiences.  In terms of sound technology, this meant the development of surround sound and more sophisticated audio systems, such as Cinerama’s seven-channel system.  However, these advances required a large number of personnel to operate the equipment and maintain the sound experience in cinemas.

In 1966, Dolby Laboratories introduced the Dolby A noise reduction system, which became a standard in the recording industry and eliminated the hissing sound associated with earlier standardization efforts.  Dolby Stereo, a revolutionary surround sound system, followed and allowed cinema designers to take acoustics into consideration when designing cinemas.  This innovation enabled audiences in smaller venues to enjoy comparable audio experiences to those in larger city cinemas.

Today, the future of sound in film remains uncertain, with potential influences from artificial intelligence, remastered audio, and personal viewing experiences shaping its development.  However, it is clear that the evolution of sound in cinema has been marked by continuous innovation and a desire to create more immersive and engaging experiences for audiences.

Colour

A significant technological advancement in the film industry was the introduction of natural colour, where colour was captured directly from nature through photography, as opposed to being manually added to black-and-white prints using techniques like hand-coloring or stencil-coloring.  Early colour processes often produced colours that appeared far from natural.  Unlike the rapid transition from silent films to sound films, colour’s replacement of black-and-white happened more gradually.

The crucial innovation was the three-strip version of the Technicolor process, first used in animated cartoons in 1932.  The process was later applied to live-action short films, specific sequences in feature films, and finally, to an entire feature film, Becky Sharp, in 1935.  Although the process was expensive, the positive public response, as evidenced by increased box office revenue, generally justified the additional cost.  Consequently, the number of films made in color gradually increased year after year.

The 1950’s: The Growing Influence Of Television

In the early 1950’s, the proliferation of black-and-white television started seriously depressing North American cinema attendance.  In an attempt to lure audiences back into cinemas, bigger screens were installed, widescreen processes, polarised 3D projection, and stereophonic sound were introduced, and more films were made in colour, which soon became the rule rather than the exception.  Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960’s, but they marked the end of an era.  Colour television receivers had been available in the U.S. since the mid-1950’s, but at first, they were very expensive and few broadcasts were in colour.  During the 1960’s, prices gradually came down, colour broadcasts became common, and sales boomed.  The overwhelming public verdict in favour of colour was clear.  After the final flurry of black-and-white films had been released in mid-decade, all Hollywood studio productions were filmed in colour, with the usual exceptions made only at the insistence of star filmmakers such as Peter Bogdanovich and Martin Scorsese.

The 1960’s And Later

The decades following the decline of the studio system in the 1960’s saw changes in the production and style of film.  Various New Wave movements (including the French New Wave, New German Cinema wave, Indian New Wave, Japanese New Wave, New Hollywood, and Egyptian New Wave) and the rise of film-school-educated independent filmmakers contributed to the changes the medium experienced in the latter half of the 20th century.  Digital technology has been the driving force for change throughout the 1990’s and into the 2000’s.  Digital 3D projection largely replaced earlier problem-prone 3D film systems and has become popular in the early 2010’s. 

Image © unknown via Wikipedia

Salah Zulfikar, one of the most popular actors in the golden age of Egyptian Cinema.

Etymology And Alternative Terms

The name film originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures.

The most common term in Europe is film while in the United States,  movie is preferred.

Archaic terms include animated pictures and animated photography. Common terms for the field, in general, include the big screen, the silver screen, the movies, and cinema.  The last of these is commonly used, as an overarching term, in scholarly texts and critical essays.  In the early years, the word sheet was sometimes used instead of screen.

Recording And Transmission Of The Film

The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of C.G.I. and computer animation, or by a combination of some or all of these techniques, and other visual effects.

Before the introduction of digital production, a series of still images were recorded on a strip of chemically sensitised celluloid (photographic film stock), usually at a rate of 24 frames per second.  The images are transmitted through a movie projector at the same rate as they were recorded, with a Geneva drive ensuring that each frame remains still during its short projection time.  A rotating shutter causes stroboscopic intervals of darkness, but the viewer does not notice the interruptions due to flicker fusion.  The apparent motion on the screen is the result of the fact that the visual sense cannot discern the individual images at high speeds, so the impressions of the images blend with the dark intervals and are thus linked together to produce the illusion of one moving image.  An analogous optical soundtrack (a graphic recording of the spoken words, music, and other sounds) runs along a portion of the film exclusively reserved for it and is not projected.

Contemporary films are usually fully digital through the entire process of production, distribution, and exhibition.

Film Theory

Film theory seeks to develop concise and systematic concepts that apply to the study of film as art.  The concept of film as an art-form began in 1911 with Ricciotto Canudo’s manifest The Birth of the Sixth Art.  The Moscow Film School, the oldest film school in the world, was founded in 1919, in order to teach about and research film theory.  Formalist film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized how film differed from reality and thus could be considered a valid fine art.  Andre Bazin reacted against this theory by arguing that film’s artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory.  More recent analysis spurred by Jacques Lacan’s psychoanalysis and Ferdinand de Saussure’s semiotics among other things has given rise to psychoanalytic film theory, structuralist film theory, feminist film theory, and others.  On the other hand, critics from the analytical philosophy tradition, influenced by Wittgenstein, try to clarify misconceptions used in theoretical studies and produce analysis of a film’s vocabulary and its link to a form of life.

Image © Janke via Wikipedia

The Bolex H16 Reflex camera.

Language

Film is considered to have its own language.  James Monaco wrote a classic text on film theory, titled How to Read a Film, that addresses this.  Director Ingmar Bergman famously said, “Andrei Tarkovsky for me is the greatest director, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.”  An example of the language is a sequence of back and forth images of one speaking actor’s left profile, followed by another speaking actor’s right profile, then a repetition of this, which is a language understood by the audience to indicate a conversation.  This describes another theory of film, the 180-degree rule, as a visual story-telling device with an ability to place a viewer in a context of being psychologically present through the use of visual composition and editing.  The Hollywood style includes this narrative theory, due to the overwhelming practice of the rule by movie studios based in Hollywood, California, during film’s classical era.  Another example of cinematic language is having a shot that zooms in on the forehead of an actor with an expression of silent reflection that cuts to a shot of a younger actor who vaguely resembles the first actor, indicating that the first person is remembering a past self, an edit of compositions that causes a time transition.

Montage

Read more about Montage here.

Montage is a film editing technique in which separate pieces of film are selected, edited, and assembled to create a new section or sequence within a film.  This technique can be used to convey a narrative or to create an emotional or intellectual effect by juxtaposing different shots, often for the purpose of condensing time, space, or information.  Montage can involve flashbacks, parallel action, or the interplay of various visual elements to enhance the storytelling or create symbolic meaning.

The concept of montage emerged in the 1920’s, with pioneering Soviet filmmakers such as Sergei Eisenstein and Lev Kuleshov developing the theory of montage. Eisenstein’s film Battleship Potemkin (1925) is a prime example of the innovative use of montage, where he employed complex juxtapositions of images to create a visceral impact on the audience. 

As the art of montage evolved, filmmakers began incorporating musical and visual counterpoint to create a more dynamic and engaging experience for the viewer.  The development of scene construction through mise-en-scène, editing, and special effects led to more sophisticated techniques that can be compared to those utilized in opera and ballet.

The French New Wave movement of the late 1950’s and 1960’s also embraced the montage technique, with filmmakers such as Jean-Luc Godard and François Truffaut using montage to create distinctive and innovative films.  This approach continues to be influential in contemporary cinema, with directors employing montage to create memorable sequences in their films.

In contemporary cinema, montage continues to play an essential role in shaping narratives and creating emotional resonance.  Filmmakers have adapted the traditional montage technique to suit the evolving aesthetics and storytelling styles of modern cinema:

Rapid editing and fast-paced montages: With the advent of digital editing tools, filmmakers can now create rapid and intricate montages to convey information or emotions quickly.  Films like Darren Aronofsky’s Requiem for a Dream (2000) and Edgar Wright’s Shaun of the Dead (2004) employ fast-paced editing techniques to create immersive and intense experiences for the audience.

Music video influence: The influence of music videos on film has led to the incorporation of stylized montage sequences, often accompanied by popular music.  Films like Guardians of the Galaxy (2014) and Baby Driver (2017) use montage to create visually striking sequences that are both entertaining and narratively functional.

Sports and training montages: The sports and training montage has become a staple in modern cinema, often used to condense time and show a character’s growth or development.  Examples of this can be found in films like Rocky (1976), The Karate Kid (1984), and Million Dollar Baby (2004).

Cross-cutting and parallel action: Contemporary filmmakers often use montage to create tension and suspense by cross-cutting between parallel storylines.  Christopher Nolan’s Inception (2010) and Dunkirk (2017) employ complex cross-cutting techniques to build narrative momentum and heighten the audience’s emotional engagement.

Thematic montage: Montage can also be used to convey thematic elements or motifs in a film.  Wes Anderson’s The Royal Tenenbaums (2001) employs montage to create a visual language that reflects the film’s themes of family, nostalgia, and loss.

As the medium of film continues to evolve, montage remains an integral aspect of visual storytelling, with filmmakers finding new and innovative ways to employ this powerful technique.

Film Criticism

Film criticism is the analysis and evaluation of films.  In general, these works can be divided into two categories, academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media.  Film critics working for newspapers, magazines, and broadcast media mainly review new releases.  Normally they only see any given film once and have only a day or two to formulate their opinions.  Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain genres.  Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic’s overall judgment of a film.  The plot summary and description of a film and the assessment of the director’s and screenwriters’ work that makes up the majority of most film reviews can still have an important impact on whether people decide to see a film.  For prestige films such as most dramas and art films, the influence of reviews is important.  Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance.

The impact of a reviewer on a given film’s box office performance is a matter of debate.  Some observers claim that movie marketing in the 2000’s is so intense, well-coordinated and well financed that reviewers cannot prevent a poorly written or filmed blockbuster from attaining market success.  However, the cataclysmic failure of some heavily promoted films which were harshly reviewed, as well as the unexpected success of critically praised independent films indicates that extreme critical reactions can have considerable influence.  Other observers note that positive film reviews have been shown to spark interest in little-known films.  Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film.  However, this usually backfires, as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result.  Journalist film critics are sometimes called film reviewers.  Critics who take a more academic approach to films, through publishing in film journals and writing books about films using film theory or film studies approaches, study how film and filming techniques work, and what effect they have on people.  Rather than having their reviews published in newspapers or appearing on television, their articles are published in scholarly journals or up-market magazines.  They also tend to be affiliated with colleges or universities as professors or instructors.

In 1986, Roger Ebert, winner of the Pulitzer Prize for Criticism said, “If a movie can illuminate the lives of other people who share this planet with us and show us not only how different they are but, how even so, they share the same dreams and hurts, then it deserves to be called great.”

Industry

Read more about Industry here. Read more about World Cinema

The making and showing of motion pictures became a source of profit almost as soon as the process was invented.  Upon seeing how successful their new invention, and its product, was in their native France, the Lumieres quickly set about touring the Continent to exhibit the first films privately to royalty and publicly to the masses.  In each country, they would normally add new, local scenes to their catalogue and, quickly enough, found local entrepreneurs in the various countries of Europe to buy their equipment and photograph, export, import, and screen additional product commercially.  The Oberammergau Passion Play of 1898 was the first commercial motion picture ever produced.  Other pictures soon followed, and motion pictures became a separate industry that overshadowed the vaudeville world.  Dedicated theaters and companies formed specifically to produce and distribute films, while motion picture actors became major celebrities and commanded huge fees for their performances. By 1917 Charlie Chaplin had a contract that called for an annual salary of one million dollars.  From 1931 to 1956, film was also the only image storage and playback system for television programming until the introduction of videotape recorders.

In the United States, much of the film industry is centered around Hollywood, California.  Other regional centers exist in many parts of the world, such as Mumbai-centered Bollywood, the Indian film industry’s Hindi cinema which produces the largest number of films in the world.  Though the expense involved in making films has led cinema production to concentrate under the auspices of movie studios, recent advances in affordable film making equipment have allowed independent film productions to flourish.

Profit is a key force in the industry, due to the costly and risky nature of filmmaking; many films have large cost overruns, an example being Kevin Costner’s Waterworld.  Yet many filmmakers strive to create works of lasting social significance.  The Academy Awards (also known as the Oscars) are the most prominent film awards in the United States, providing recognition each year to films, based on their artistic merits (but it has got so woke lately that is questionable indeed).   There is also a large industry for educational and instructional films made in lieu of or in addition to lectures and texts.   Revenue in the industry is sometimes volatile due to the reliance on blockbuster films released in movie theaters.  The rise of alternative home entertainment has raised questions about the future of the cinema industry, and Hollywood employment has become less reliable, particularly for medium and low-budget films.

World Cinema

Read more about World Cinema here.

World cinema is a term in film theory that refers to films made outside of the American motion picture industry, particularly those in opposition to the aesthetics and values of commercial American cinema.  The Third Cinema of Latin America and various national cinemas are commonly identified as part of world cinema.  The term has been criticized for Americentrism and for ignoring the diversity of different cinematic traditions around the world.

Image © unknown via Wikipedia

Most productive cinemas around the world based on IMDb (as of 2009).  Over 10,000 titles (green), over 5,000 (yellow), over 1,000 (blue).

Associated Fields

Read more about Film theory here, Product placement here, and Propaganda here.

Derivative academic fields of study may both interact with and develop independently of filmmaking, as in film theory and analysis.  Fields of academic study have been created that are derivative or dependent on the existence of film, such as film criticism, film history, divisions of film propaganda in authoritarian governments, or psychological on subliminal effects (e.g., of a flashing soda can during a screening).  These fields may further create derivative fields, such as a movie review section in a newspaper or a television guide.  Sub-industries can spin off from film, such as popcorn makers, and film-related toys (e.g., Star Wars figures).  Sub-industries of pre-existing industries may deal specifically with film, such as product placement and other advertising within films.

Terminology

The terminology used for describing motion pictures varies considerably between British and American English.  In British usage, the name of the medium is film.  The word movie is understood but seldom used.  Additionally, the pictures (plural) is used semi-frequently to refer to the place where movies are exhibited, while in American English this may be called the movies, but it is becoming outdated.  In other countries, the place where movies are exhibited may be called a cinema or movie theatre.  By contrast, in the United States, movie is the predominant form.  Although the words film and movie are sometimes used interchangeably, film is more often used when considering artistic, theoretical, or technical aspects.  The term movies more often refers to entertainment or commercial aspects, such as where to go for a fun evening on a date.  For example, a book titled How to Understand a Film would probably be about the aesthetics or theory of film, while a book entitled Let’s Go to the Movies would probably be about the history of entertaining movies and blockbusters.

Further terminology is used to distinguish various forms and media used in the film industry.  Motion pictures and moving pictures are frequently used terms for film and movie productions specifically intended for theatrical exhibition, such as, for instance, Star Wars. DVD and videotape are video formats that can reproduce a photochemical film.  A reproduction based on such is called a transfer.  After the advent of theatrical film as an industry, the television industry began using videotape as a recording medium.  For many decades, the tape was solely an analogue medium onto which moving images could be either recorded or transferred.  Film and filming refer to the photochemical medium that chemically records a visual image and the act of recording respectively.  However, the act of shooting images with other visual media, such as with a digital camera, is still called filming and the resulting works are often called films as interchangeable with movies, despite not being shot on film.  Silent films need not be utterly silent but are films and movies without an audible dialogue, including those that have a musical accompaniment.  The word, Talkies, refers to the earliest sound films created to have audible dialogue recorded for playback along with the film, regardless of a musical accompaniment.  Cinema either broadly encompasses both films and movies, or it is roughly synonymous with film and theatrical exhibition, and both are capitalised when referring to a category of art.  The silver screen refers to the projection screen used to exhibit films and, by extension, is also used as a metonym for the entire film industry.

Widescreen refers to a larger width to height in the frame, compared to earlier historic aspect ratios.  A feature-length film, or feature film, is of a conventional full length, usually 60 minutes or more, and can commercially stand by itself without other films in a ticketed screening.  A short is a film that is not as long as a feature-length film, often screened with other shorts, or preceding a feature-length film.  An independent is a film made outside the conventional film industry.

In U.S. usage, one talks of a screening or projection of a movie or video on a screen at a public or private theatre.  In British English, a film showing happens at a cinema, never a theatre, which is a different medium and place altogether.  A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theatre usually refers to a place where live, non-recorded action or combination thereof occurs from a podium or other type of stage, including the amphitheatre.  Theatres can still screen movies in them, though the theatre would be retrofitted to do so.  One might propose going to the cinema when referring to the activity, or sometimes to the pictures in British English, whereas the U.S. expression is usually going to the movies.  A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a digital projector.  But, cinemas may also show theatrical movies from their home video transfers that include Blu-ray Disc, DVD, and videocassette when they possess sufficient projection quality or based upon need, such as movies that exist only in their transferred state, which may be due to the loss or deterioration of the film master and prints from which the movie originally existed.  Due to the advent of digital film production and distribution, physical film might be absent entirely.  A double feature is a screening of two independently marketed, stand-alone feature films.  A viewing is a watching of a film.  Sales and at the box office refer to tickets sold at a theatre, or more currently, rights sold for individual showings.  A release is the distribution and often simultaneous screening of a film.  A preview is a screening in advance of the main release.

Any film may also have a sequel, which portrays events following those in the film.  Bride of Frankenstein is an early example.  When there are more films than one with the same characters, story arcs, or subject themes, these movies become a series, such as the James Bond series.  And, existing outside a specific story timeline usually, does not exclude a film from being part of a series.  A film that portrays events occurring earlier in a timeline with those in another film, but is released after that film, is sometimes called a prequel, an example being Butch and Sundance: The Early Days.

The credits, or end credits, are a list that gives credit to the people involved in the production of a film.  Films from before the 1970’s usually start a film with credits, often ending with only a title card, saying The End or some equivalent, often an equivalent that depends on the language of the production.  From then onward, a film’s credits usually appear at the end of most films.  However, films with credits that end a film often repeat some credits at or near the start of a film and therefore appear twice, such as that film’s acting leads, while less frequently some appearing near or at the beginning only appear there, not at the end, which often happens to the director’s credit.  The credits appearing at or near the beginning of a film are usually called titles or beginning titles.  A post-credits scene is a scene shown after the end of the credits.  Ferris Bueller’s Day Off has a post-credit scene in which Ferris tells the audience that the film is over and they should go home.

A film’s cast refers to a collection of the actors and actresses who appear, or star, in a film.  A star is an actor or actress, often a popular one, and in many cases, a celebrity who plays a central character in a film.  Occasionally the word can also be used to refer to the fame of other members of the crew, such as a director or other personality, such as Martin Scorsese.  A crew is usually interpreted as the people involved in a film’s physical construction outside cast participation, and it could include directors, film editors, photographers, grips, gaffers, set decorators, prop masters, and costume designers.  A person can both be part of a film’s cast and crew, such as Woody Allen, who directed and starred in Take the Money and Run.

A film goer, movie goer, or film buff is a person who likes or often attends films and movies, and any of these, though more often the latter, could also see oneself as a student of films and movies.  Intense interest in films, film theory, and film criticism, is known as cinephilia.  A film enthusiast is known as a cinephile or cineaste.

Preview

Read more about Test screening here.

A preview performance refers to a showing of a film to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself.  Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections based on the audience response.  One example of a film that was changed after a negative response from the test screening is 1982’s First Blood.  After the test audience responded very negatively to the death of protagonist John Rambo (a Vietnam veteran) at the end of the film, the company wrote and re-shot a new ending in which the character survives.

Trailer And Teaser

Read more about the Film trailer here.

Trailers or previews are advertisements for films that will be shown in 1 to 3 months at a cinema.  Back in the early days of cinema, with cinemas that had only one or two screens, only certain trailers were shown for the films that were going to be shown there.  Later, when cinemas added more screens or new cinemas were built with a lot of screens, all different trailers were shown even if they were not going to play that film in that cinema.  Film studios realised that the more trailers that were shown (even if it was not going to be shown in that particular cinema) the more patrons would go to a different cinema to see the film when it came out.  The term trailer comes from their having originally been shown at the end of a film.  That practice did not last long because patrons tended to leave the theatre after the films ended, but the name stuck.  Trailers are now shown before the film, or when the first film in a double feature begins.  Film trailers are also common on DVD’s and Blu-ray Discs, as well as on the Internet and mobile devices.  Trailers are created to be engaging and interesting for viewers.  As a result, in the Internet era, viewers often seek out trailers to watch them.  Of the ten billion videos watched online annually in 2008, film trailers ranked third, after news and user-created videos.  Teasers are a much shorter preview or advertisement that lasts only 10 to 30 seconds.  Teasers are used to get patrons excited about a film coming out in the next six to twelve months.  Teasers may be produced even before the film production is completed.

The Role Of Film In Culture

Films are cultural artefacts created by specific cultures, facilitating intercultural dialogue.  It is considered to be an important art form that provides entertainment and historical value, often visually documenting a period of time.  The visual basis of the medium gives it a universal power of communication, often stretched further through the use of dubbing or subtitles to translate the dialogue into other languages. Just seeing a location in a film is linked to higher tourism to that location, demonstrating how powerful the suggestive nature of the medium can be.

Education And Propaganda

Read more about Educational films here and Propaganda films here.

Film is used for a range of goals, including education and propaganda due to its ability to effectively intercultural dialogue.  When the purpose is primarily educational, a film is called an educational film.  Examples are recordings of academic lectures and experiments, or a film based on a classic novel.  Film may be propaganda, in whole or in part, such as the films made by Leni Riefenstahl in Nazi Germany, U.S. war film trailers during World War II, or artistic films made under Stalin by Sergei Eisenstein.  They may also be works of political protest, as in the films of Andrzej Wajda, or more subtly, the films of Andrei Tarkovsky.  The same film may be considered educational by some, and propaganda by others as the Film is used for a range of goals, including education and propaganda due to its ability to effectively intercultural dialogue. When the purpose is primarily educational, a film is called an educational film. Examples are recordings of academic lectures and experiments, or a film based on a classic novel. Film may be propaganda, in whole or in part, such as the films made by Leni Riefenstahl in Nazi Germany, U.S. war film trailers during World War II, or artistic films made under Stalin by Sergei Eisenstein. They may also be works of political protest, as in the films of Andrzej Wajda, or more subtly, the films of Andrei Tarkovsky.  The same film may be considered educational by some, and propaganda by others as the categorisation of a film can be subjective.

Production

Read more about Filmmaking here

At its core, the means to produce a film depend on the content the filmmaker wishes to show, and the apparatus for displaying it e.g. the zoetrope merely requires a series of images on a strip of paper.  Film production can, therefore, take as little as one person with a camera, or even without a camera, as in Stan Brakhage’s 1963 film Mothlight, or thousands of actors, extras, and crew members for a live-action, feature-length epic.  The necessary steps for almost any film can be boiled down to conception, planning, execution, revision, and distribution.  The more involved the production, the more significant each of the steps becomes.  In a typical production cycle of a Hollywood-style film, these main stages are defined as development, pre-production, production, post-production and distribution.

This production cycle usually takes three years.  The first year is taken up with development.  The second year comprises preproduction and production.  The third year, post-production and distribution.  The bigger the production, the more resources it takes, and the more important financing becomes.  Most feature films are artistic works from the creators’ perspective, e.g., film directors, cinematographers, screenwriters and for-profit business entities for the production companies.

Crew

Read more about the Film crew here.

A film crew is a group of people hired by a film company, and employed during the production or photography phase, for the purpose of producing a film or motion picture.  Crew is distinguished from cast, who are the actors who appear in front of the camera or provide voices for characters in the film.  The crew interacts with but is also distinct from the production staff, consisting of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in the pre-production or post-production phases, such as screenwriters and film editors.  Communication between production and crew generally passes through the director and his/her staff of assistants.  Medium-to-large crews are generally divided into departments with well-defined hierarchies and standards for interaction and cooperation between the departments.  Other than acting, the crew handles everything in the photography phase such as props and costumes, shooting, sound, electrics, i.e., lights, sets, and production special effects.  Caterers (known in the film industry as craft services) are usually not considered part of the crew.

Technology

Read more about Cinema Techniques here.

Film stock consists of transparent celluloid, acetate, or polyester base coated with an emulsion containing light-sensitive chemicals.  Cellulose nitrate was the first type of film base used to record motion pictures, but due to its flammability was eventually replaced by safer materials.  Stock widths and the film format for images on the reel have had a rich history, though most large commercial films are still shot on (and distributed to theatres) as 35 mm prints.  Originally moving picture film was shot and projected at various speeds using hand-cranked cameras and projectors; though 1000 frames per minute (162/3 frame/s) is generally cited as a standard silent speed, research indicates most films were shot between 16 frame/s and 23 frame/s and projected from 18 frame/s on up (often reels included instructions on how fast each scene should be shown).  When synchronised sound film was introduced in the late 1920’s, a constant speed was required for the sound head.  24 frames per second was chosen because it was the slowest (and thus cheapest) speed which allowed for sufficient sound quality.  The standard was set with Warner Bros.’s The Jazz Singer and their Vitaphone system in 1927.  Improvements since the late 19th century include the mechanisation of cameras which allows them to record at a consistent speed and quiet camera design thus allowing sound recorded on-set to be usable without requiring large blimps to encase the camera, the invention of more sophisticated filmstocks and lenses, allowing directors to film in increasingly dim conditions, and the development of synchronized sound, allowing sound to be recorded at exactly the same speed as its corresponding action.  The soundtrack can be recorded separately from shooting the film, but many parts of the soundtrack are usually recorded simultaneously for live-action pictures.

As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography.  It can be used to present a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations and often has importance as primary historical documentation.  However, historic films have problems in terms of preservation and storage, and the motion picture industry is exploring many alternatives.  Most films on cellulose nitrate base have been copied onto modern safety films. Some studios save colour films through the use of separation masters which are three B&W negatives each exposed through red, green, or blue filters (essentially a reverse of the Technicolor process).  Digital methods have also been used to restore films, although their continued obsolescence cycle makes them (as of 2006) a poor choice for long-term preservation.  Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue).  Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates; black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.

Some films in recent decades have been recorded using analogue video technology similar to that used in television production.  Modern digital video cameras and digital projectors are gaining ground as well.  These approaches are preferred by some film-makers, especially because footage shot with digital cinema can be evaluated and edited with non-linear editing systems (N.L.E.) without waiting for the film stock to be processed.  The migration was gradual, and as of 2005, most major motion pictures were still shot on film.

Independent

Read more about Independent film here.

Independent filmmaking often takes place outside Hollywood or other major studio systems.  An independent film (or indie film) is a film initially produced without financing or distribution from a major film studio.  Creative, business and technological reasons have all contributed to the growth of the indie film scene in the late 20th and early 21st century.  On the business side, the costs of big-budget studio films also lead to conservative choices in cast and crew.  There is a trend in Hollywood towards co-financing (over two-thirds of the films put out by Warner Bros. in 2000 were joint ventures, up from 10% in 1987).  A hopeful director is almost never given the opportunity to get a job on a big-budget studio film unless he or she has significant industry experience in film or television.  Also, the studios rarely produce films with unknown actors, particularly in lead roles.

Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film.  The advent of consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video in the early 1990’s, have lowered the technology barrier to film production significantly. Both production and post-production costs have been significantly lowered.  In the 2000’s, the hardware and software for post-production could be installed in a commodity-based personal computer.  Technologies such as DVD’s, FireWire connections and a wide variety of professional and consumer-grade video editing software make film-making relatively affordable.

Since the introduction of digital video D.V. technology, the means of production have become more democratised.  Filmmakers can conceivably shoot a film with a digital video camera and edit the film, create and edit the sound and music, and mix the final cut on a high-end home computer.  However, while the means of production may be democratised, financing, distribution, and marketing remain difficult to accomplish outside the traditional system.  Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution.  The arrival of internet-based video websites such as YouTube and Veoh has further changed the filmmaking landscape, enabling indie filmmakers to make their films available to the public.

Image © unknown via Wikipedia

The Lumiere Brothers were among the first filmmakers.

Open Content Film

Read more about Open content film here.

An open-content film is much like an independent film, but it is produced through open collaborations.  Its source material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright.  Like independent filmmaking, open source filmmaking takes place outside Hollywood or other major studio systems.  For example, the film Balloon was based on a real event during the Cold War.

Fan Film

Read more about Fan films here.

A fan film is a film or video inspired by a film, television program, comic book or a similar source, created by fans rather than by the source’s copyright holders or creators.  Fan filmmakers have traditionally been amateurs, but some of the most notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels.  Fan films vary tremendously in length, from short faux-teaser trailers for non-existent motion pictures to rarer full-length motion pictures.

Distribution

Read more about Film distribution here and Film release here.

Film distribution is the process through which a film is made available for viewing by an audience.  This is normally the task of a professional film distributor, who would determine the marketing strategy of the film, the media by which a film is to be exhibited or made available for viewing, and may set the release date and other matters.  The film may be exhibited directly to the public either through a cinema (historically the main way films were distributed) or television for personal home viewing including on DVD-Video or Blu-ray Disc, video-on-demand, online downloading, television programs through broadcast syndication etc.  Other ways of distributing a film include rental or personal purchase of the film in a variety of media and formats, such as VHS tape or DVD, or Internet downloading or streaming using a computer.

Animation

Read more about Animation here.

Animation is a technique in which each frame of a film is produced individually, whether generated as a computer graphic (by photographing a drawn image), or by repeatedly making small changes to a model unit (see
claymation and stop motion), and then photographing the result with a special animation camera.  When the frames are strung together and the resulting film is viewed at a speed of 16 or more frames per second, there is an illusion of continuous movement (due to the phi phenomenon).  Generating such a film is very labour-intensive and tedious, though the development of computer animation has greatly sped up the process. Because animation is very time-consuming and often very expensive to produce, the majority of animation for television and films comes from professional animation studios.  However, the field of independent animation has existed at least since the 1950’s, with animation being produced by independent studios and sometimes by a single person.  Several independent animation producers have gone on to enter the professional animation industry.

Limited animation is a way of increasing production and decreasing the costs of animation by using shortcuts in the animation process.  This method was pioneered by U.P.A. and popularized by Hanna-Barbera in the United States, and by Osamu Tezuka in Japan, and adapted by other studios as cartoons moved from movie theatres to television.  Although most animation studios are now using digital technologies in their productions, there is a specific style of animation that depends on film.  Camera-less animation, made famous by filmmakers like Norman McLaren, Len Lye, and Stan Brakhage, is painted and drawn directly onto pieces of film, and then run through a projector.

 

Image © Janke via Wikipedia

Further Information

Blog Posts

Films: Angel Studios.

Films: Sound Of Freedom.

Films: Tim Ballard.

Notes And Links

Article source: Wikipedia and is subject to change.

Bence Szemerey on Pexels
– The image shown at the top of this page is the copyright of Bence Szemerey.  You can find more great work from the photographer Bence and lots more free stock photos at Pexels.

The Prof. Stampfer’s Stroboscopische Scheibe No. X animation above is the copyright of Simon Ritter von Stampfer and is in the public domain.

The Horse In Motion animation above is the copyright of Eadweard Muybridge and is in the public domain.

The image above of a picture of Ottomar’s Anschutz’s electrotachyscope is  copyright unknown as is in the public domain.

The video above of Roundhay Garden Scene is in the public domain.  You can read more about the film by clicking here.

The video above of Pauvre Pierrot is in the public domain.  You can read more about the film by clicking here.

The video above of Le voyage dans la lune is in the public domain.  You can read more about the film by clicking here.

The video above of The Bond is in the public domain.  You can read more about the film by clicking here.

The image above of a picture of Salah Zulfikar, is  copyright unknown as is in the public domain.

The image above of The Bolex H16 Reflex camera is the copyright of Wikipedia user Janke and is in the public domain.   

The image above of The Most Productive Cinemas Around The World is copyright unknown via Wikipedia.   It comes with a Creative Commons licence (CC BY-SA 3.0).

The image above of The Lumiere Brothers is copyright unknown as is in the public domain.

The image above of an Animated Horse is the copyright of Wikipedia user Janke and is in the public domain.  It comes with a Creative Commons licence (CC BY-SA 2.5).

Creative Commons – Official website.  They offer better sharing, advancing universal access to knowledge and culture, and fostering creativity, innovation, and collaboration. 

IMDb – Official website.   IMDb is an online database of information related to films, television series, podcasts, home videos, video games, and streaming content online, including cast, production crew and personal biographies, plot summaries, trivia, ratings, and fan and critical reviews.   

IMDb on Facebook.

IMDb on Twitter.

IMDb on YouTube.

Wikipedia – Official website.  Wikipedia is a free online encyclopedia that anyone can edit in good faith. Its purpose is to benefit readers by containing information on all branches of knowledge.  Hosted by the Wikimedia Foundation, it consists of freely editable content, whose articles also have numerous links to guide readers to more information.

Birmingham City: My First Home Game Of The 2023/24 Season Against Millwall On 02/09/2023

Image © Stuart Smith

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1978 when Jim Smith was the manager.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here

Saturday the 2nd of September, 2023 was like any other day for me when I am stuck in the house on a match day.  I wake up, spend at least an hour in bed to let my brain catch up with the rest of my body, get up, have my breakfast, kill time, and watch the game on the telly.  Today was going to be a different day and a whole lot better for it.

Before The Match

As the game was a 12.30 p.m. kick-off, I woke up earlier than normal for a Saturday, at about 9.15 a.m. and it is just as well I did.  Around 15 minutes later my sister Julie rang me to ask if I was available in 30 minutes.  I said yes and asked why.  She told me my nephew Craig had a spare ticket and asked if I wanted to go. That was a no-brainer, ha ha.  I got out of bed around 9.45 a.m., had a quick shave, and was about to have a cup of tea and my breakfast when Craig arrived at 10 a.m. It was time to go to the church of Birmingham City supporters and I was buzzing.  St. Andrew’s hhyhbere we come.

We had left early so Craig could get a decent parking spot near the ground because traffic is atrocious around the Blues ground on a match day.

The journey was trouble free and after we parked we walked to The Royal George, a well-known, sought-out pub for Blues fans.  It was here where Tom Wagner and Tom Brady visited on Saturday, August 12th, 2023, before they attended their first Blues home game ever against Leeds United.

There we met Craig’s friend Stuart, who was with his son Alfie, and we collected our tickets.  Craig brought me my first pint of the day.  This was my breakfast! I would like to say it was a nice pint of lager shandy but it wasn’t, It tasted musty and off but I drank it anyway, it would have been rude not to.

Image © Frank Parker

Looking towards the Royal George, Small Heath, Birmingham.

After we all had a drink and chat we headed toward where we were going to sit, The Gil Merrick Stand which is next to The Main Stand.  Nearby is a poster of Blues most well-known goalkeeper and past manager, whom the stand is named after. There was an inflatable that was free to have a go at, where kids could try to score in different holes of different value points but regardless of what they scored, they got a free lollipop.  It is a nice way to keep the kids busy before they enter the ground and Alfie enjoyed having a go.   When we eventually move to a new ground (it is inevitable) the club needs to lay on more things for the kids to do than this though.  By this is a place to get a drink and a bite to eat.  This is fine for drinks if you are an adult but not so for kids.  Stuart couldn’t get Alfie a soft drink and this needs to be sorted out in the future.  This is not me nitpicking, just being honest and I have no doubt, that as we grow and grow, Tom Wagner will rectify all this. Craig got me another pint, just lager this time and we all had another chat. There was live entertainment via a man with his guitar and there is no doubt at all that since the new owners have been in charge, the match day experience and the atmosphere outside of the ground certainly has improved for the better.

With drinks down the hatch, Craig and Stuart kindly paid for a match programme between them (I always like to get a souvenir and this has improved a lot since I last got one) we entered the ground and climbed the seamless never ending steps to get to our seats.  This was a task Craig handled well being he was on crutches due to a recent injury playing football himself!

Image © Frank Parker

The Gill Merrick Stand entrance, St. Andrew’s.

Image © Frank Parker

A Gil Merrick poster outside The Gill Merrick Stand, St. Andrew’s.

Image © Frank Parker

The Main Stand, St. Andrew’s.

Image © B.C.F.C. via Twitter

Blues News v Millwall match programme 02/09/2023.

We settled into our seats at about 11.45 p.m., and not long after we all had a selfie.  It is said the camera never lies and this is clearly so by the bloody mark on my Blues top, ha ha.  Oh well, it is a great photo for memory’s sake anyway.

I took some photos of the ground, including the players warming up.  

Image © Stuart Smith

Inside St. Andrew’s, in the Gil Merrick Stand, for my first home game of the 2023/24 season with Craig, Alfie, And Stuart. 

Image © Frank Parker

Blues entering the pitch for a warm-up v Millwall at St. Andrew’s.

Image © Frank Parker
Image © Frank Parker

Blues players warming up v Millwall at St. Andrew’s.

Image © Frank Parker

Blues and Millwall players warming up at St. Andrew’s.

Image © Frank Parker

The big screen between The Main Stand and The Gil Merrick Stand inside St. Andrew’s.

Image © Frank Parker

Inside St. Andrew’s.

Image © Frank Parker

The Main Stand, inside St. Andrew’s.

Image © Frank Parker

The Tilton, inside St. Andrew’s.

Image © Frank Parker

The Kop, inside St. Andrew’s.

Image © Frank Parker

Beau Brummie at St. Andrew’s.

Just before the 12:30 p.m. kick-off, there was a short pyro display and blue and white smoke to thrill the crowd.  This is a new thing obviously American influenced by Tom Wagner and Tom Brady and I like it.  As long as they don’t bring cheerleaders into the game then a bit of razzamatazz does no harm to the game and adds some excitement to the atmosphere in the ground.  

This was the Blues team starting today.  Our new loan signing Cody Drameh goes straight in the first 11 to make his home debut with another new loan signing, Emmanuel Aiwu taking his place on the bench.

Image © B.C.F.C.

Blues v Millwall starting line-up.

First Half

Blues were kicking toward The Gil Merrick Stand so it would have been nice to have seen us score a goal being we had a nice, clear view of the net.  Alas, that wasn’t to be. Millwall scored an early goal against the run of play after a decent enough start from us and that knocked our confidence for almost 15 minutes.  John Ruddy should have saved their free kick. His form was off today and his passing was poor. We picked up the pace toward the end of the first half but again, against the run of play they scored a second goal but it was ruled out by a delayed offside call.  We had a late penalty decision when Keshi Anderson was fowled in their box.  This was taken by Scott Hogan that should have taken us level at the break but it didn’t turn out that way.   The penalty was weak and was easily saved by Matija Sarkic (who was on loan to us last season).

It wasn’t just Ruddy’s passing that was not good enough first half, the whole team followed suit and should have done better.  We didn’t deserve to be a goal down at the break.  We made Millwall look better than they were. The first half was very frustrating to watch indeed.  

I filmed a short clip of gameplay early in the first half.  Click here to see it.  As with the Pyro clip above it is clear I am no Steven Spielberg, ha ha, but it is all about sharing the experience of it all.

Image © Frank Parker

Blues and Millwall players leaving the pitch at half-time at St. Andrew’s.

Image © Frank Parker

Blues players leaving the pitch at half-time v Millwall at St. Andrew’s.

Half Time

Birmingham City 0 – Millwall 1.

Not a lot went on at the interval or at least I never noticed.  I was busy on my phone and chatting.  Stuart brought me a Coke and before you knew it, it was time to get back to our seats for the kick-off with Blues playing towards The Tilton End.

Second Half.

Blues played much better this time with plenty of chances to score but only one went in, a 53rd-minute goal from Jay Stansfield, making it two goals in two games.  I didn’t see the goal that well being it was down the other end and my eyesight isn’t the best but after seeing it in the match highlights it was a good goal with a great assist from Juninho Bacuna.  

As much as you do get a much better view watching Blues on telly, NOTHING beats being at St. Andrew’s and soaking in the great atmosphere. I wish it could be more often.

Stuart and Alfie left 10 minutes early to avoid the traffic.  I want to say thank you to Alfie for sharing his sweets today, that was kind of him.

Me and Craig stayed until the end, hoping for another late winner that never happened. 

Blues battled until the ref blew the final whistle, as we always do.  I would like to state that said referee, Josh Smith, was very favourable to the Millwall players with his decisions but that seems to be the norm for most refs when anyone plays us.  

Full Time

Birmingham City 1 – Millwall 1.

Regarding the crowd, the atmosphere in the ground was good but could have been better.  When it was loud it was loud but the crowd was too quiet at times and the Millwall fans were heard too much for my liking. 

Regarding the game, I felt like it was two points lost for us.  However, I am NOT complaining, the fact that we could feel disappointed with a draw when in the not-so-distant past we would have snapped that up is a sign of how improved we have become on the pitch.  Games like this would have ended up in a loss after starting from a goal behind and it is a credit to John Eustace for the good work he has done since being manager under dire circumstances.  If you want to call him head coach, you can but I am old school so I will call him our manager. 

After The Match

Me and Craig slowly made our way out of the ground and made our way to his car.  As mentioned above the traffic around the ground on match day is shocking, especially as it is on the 97 bus route, and it was a challenge just to get onto the road.  Slowly we made our way out of Small Heath and Craig dropped me back home thus ending my time at my first home game of the 2023/24 football season. 

Some of the best days in life are the ones that include unexpected surprises and today was one of them and I am very grateful to Craig for thinking of me.  

As we head into the international break Blues are undefeated in the league and are sitting in 4th place which is EXCELLENT.  I just hope what happened last season when we went into the break on form and then returned doesn’t happen again! 

Here is the top of the table after all Championship games were played today and match highlights. 

Image © BCFC

Blues league position in the Championship on 02/09/2023.

 

KEEP RIGHT ON.

Blog Posts

Notes And Links

The selfie image shown at the top of this page is the copyright of Stuart Smith.  All other photos are copyrighted to me except the match programme, starting line-up, and league position photos which are the copyright of  Birmingham City F.C. and have come from Blues social media pages and website.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Birmingham City: Summer Transfers For The 2023/24 Season

B.C.F.C. Badge
Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1978 when Jim Smith was the manager.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here

Thirteen players have been bought in this summer, either on a full contract or on loan.  

Unlike in the past when the clueless Chinese owned us and Harry Redknapp was the manager and spent money like a kid in a sweet shop (as exciting and crazy as it was at the time) Blues have been able to do all this within Financial Fair Play Regulations thanks to the savvy business experience of Tom Wagner (Knighthead / Shelby Companies).

All these signings are a great asset to a squad that will be utilised a lot during a tough league like the Championship and a special mention has to go to Technical Director Craig Gardner for his huge part in getting the deals over the line.  Well done Craig.

Image © B.C.F.C. via BCFC The Project on Facebook

New summer signings for the 2023/24 season.

Summer Transfers: 2023 – 2024 Season 

Click on the player’s name to read their profile.  This will take you to Birmingham City’s official website. 

Click here to see our full first team squad for the 2023/24 season.

Defenders 

Number 2: Ethan Laird.

Image © B.C.F.C.

Read more about Laird here.

Number 3: Lee Buchanan

Image © B.C.F.C.

Read more about Buchanan here.

Number 5: Dion Sanderson.

Image © B.C.F.C.

Read more about Sanderson here.

Number 12: Cody Drameh

Loan Player

Read more about Drameh here.

Number 44: Emmanuel Aiwu. 

Loan Player

Read more about Aiwu here.

Number 26: Kevin Long.

Image © B.C.F.C.

Read more about Long here.

Midfielders 

Number 6: Krystian Bielik.

Image © B.C.F.C.

Read more about Bielik here.

Number 11: Koji Miyoshi.

Image © B.C.F.C.

Read more about Miyoshi here.

Number 14: Keshi Anderson.

Image © B.C.F.C.

Read more about Anderson here.

Number 17: Siriki Dembele.

Image © B.C.F.C.

Read more about Dembele here.

Forwards

Number 8: Tyler Roberts.

Image © B.C.F.C.

Read more about Roberts here.

Number 28: Jay Stansfield.

Loan Player

Read more about Stansfield here.

Loan Player

Read more about Burke here.

Blog Posts

Notes And Links

The Birmingham City Club logo shown at the top of this page and photos of our players is the copyright of Birmingham City F.C. and has come from Blues social media pages and website, as has the subsequent information. The new summer signings for the 2023/24 season image came from The BCFC Project via Facebook.  Anything else is from Wikipedia.

Wikipedia content is subject to change.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

BCFC The Project on Facebook – This is their official Facebook page.

Birmingham City: Fixtures, Results And Goal Scorers For The 2023/24 Season

B.C.F.C. Badge
Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1978 when Jim Smith was the manager.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here.

Below you will find all the Championship and Cup fixtures, results and goal scorers for the 2023/24 season.  Results are shown in red and clicking on the link will take you to the Blues website to give you further match details such as team line up etc. and also give you our current league table position.

Fixtures are subject to change and those changes will be noted on this page.  Games live on Sky Sports are also shown in red.

2023 – 2024 Season Fixtures

Image © B.C.F.C.

Birmingham City’s Championship and Cup fixtures for the 2023/24 season.  Subject to change.

2023 – 2024 Season Results

Click on the links below for the match details to each game.

August

Championship: Saturday, August 5th, 2023 at Swansea.com Stadium, Swansea.

Swansea City 1 – Birmingham City 1 (Dembele – 45th minute).  

League Cup – 1st Round: Tuesday, August 8th, 2023 at The Completely-Suzuki Stadium, Cheltenham. 

Cheltenham 0 – Birmingham City 2  (Bacuna – 24th and 32nd minutes). 

Championship: Saturday, August 12th, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 1 – Leeds United 0  (Jutkiewicz – 91st minute). 

Championship: Saturday, August 19th, 2023 at Ashton Gate Stadium, Bristol.

Bristol City 0 – Birmingham City 2 (Miyoshi – 48th minute and Jutkiewicz – 84th minute). 

Championship: Saturday, August 26th, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 2 – Plymouth Argyle 1 (Hogan – 8th Minute and Stansfield – 95th minute).

League Cup – 2nd Round: Tuesday, August 29th, 2023 at St. Andrew’s Stadium, Birmingham. 

Birmingham City 1 – Cardiff City 3 (Hogan – 70th Minute).

September

Championship: Saturday, September 2nd, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 1 – Millwall 1 (Stansfield – 53rd minute).

Championship: Saturday, September 16th, 2023 at Vicarage Road, Watford. 

Watford 2 – Birmingham City 0.

Championship: Tuesday,  September 19th, 2023 at Deepdale, Preston.

Preston North End 2 –  Birmingham City 1 (Stansfield – 46th minute).

Championship: Friday,  September 22nd, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 0 – Queens Park Rangers 0

Championship: Saturday, September 30th, 2023 at Carrow Road, Norwich.

Norwich City 2 – Birmingham City 0.

October

Championship: Tuesday,  October 3rd, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 4 –  Huddersfield Town 1 (Dembele – 3rd and 64th minutes, Myoshi – 23rd minute and James – 95th minute). 

Championship: Friday,  October 6th, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 3 – West Bromwich Albion 1 (Bacuna – 23rd minute, Sanderson 38th minute and Gardner – 87th minute). 

Championship: Saturday, October 21st, 2023 at Riverside Stadium, Middlesbrough.

Middlesbrough 1 – Birmingham City 0

Championship: Wednesday, October 25th, 2023  at St. Andrew’s Stadium, Birmingham.

Birmingham City 0  – Hull City 2.

Championship: Saturday, October 28th, 2023 at Saint Mary’s Stadium, Southampton.

Southampton 3 – Birmingham City 1 (Stansfield – 58th minute).

November

Championship: Saturday,  November 4th, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 2 – Ipswich Town 2 (Stansfield – 13th minute).

Championship: Saturday, November 11th, 2023 at Stadium of Light, Sunderland.

Sunderland 3 –  Birmingham City 1 (Miyoshi – 30th minute). 

Championship: Saturday, November 25th, 2023  at St. Andrew’s Stadium, Birmingham.

Birmingham City 2 – Sheffield Wednesday 1 (Bacuna – 48th minute and James – 81st minute). 

Championship: Wednesday,
November 29th, 2023  at Ewood Park, Blackburn.

Blackburn Rovers 4 – Birmingham City 2 (Dembele – 63rd minute and 78th minute). 

December

Championship: Saturday, December 2nd, 2023  at St. Andrew’s Stadium, Birmingham.

Birmingham City 0 – Rotherham United 0

Championship: Friday, December 8th, 2023  at The Coventry Building Society Arena, Coventry.

Coventry City 2 – Birmingham City 0.

Championship: Wednesday, December 13th, 2023  at Cardiff City Stadium, Cardiff.

Cardiff City 0 – Birmingham City 1 (Bacuna – 48th minute).

Championship: Monday, December 18th, 2023  at St. Andrew’s Stadium, Birmingham.

Birmingham City 2 –  Leicester City 3 (James – 14th minute and 74th minute).

Championship: Saturday, December 23rd, 2023  at Home Park, Plymouth.

Plymouth Argyle 3 – Birmingham City 3 (Stansfield – 15th minute, James 39th minute and Bacuna 62nd minute).

Championship: Tuesday, December 26th 2023  (Boxing Day) at St. Andrew’s Stadium, Birmingham.

Birmingham City 1 – Stoke City 3 (Stansfield – 69th minute).

Championship: Friday, December 29th 2023  at St. Andrew’s Stadium, Birmingham.

Birmingham City 0 – Bristol City 0.

January

Championship: Monday, January 1st, 2024 (New Year’s Day) at Elland Road, Leeds.

Leeds United 3 – Birmingham City 0.

F.A. Cup – 3rd Round:  Saturday, January 6th, 2024 at The MKM Stadium, Hull. 

Hull City 1 – Birmingham City 1. (Jutkiewicz – 18th minute). 

Championship: Saturday, January 13th, 2024  at St. Andrew’s Stadium, Birmingham.

Birmingham City 2 – Swansea City 2. (Dembele – 38th minute and James 95th minute).

F.A. Cup – 3rd Round Replay:  Tuesday, January 16th, 2024 at St. Andrews Stadium, Birmingham. 

Birmingham City 2 – Hull City 1. (Stansfield – 66th minute and Miyoshi 93rd minute).

Championship: Saturday, January 20th, 2024 at bet365 Stadium, Stoke.

Stoke City 1 – Birmingham City 2. (Stansfield – 10th minute and Bacuna 49th minute).

F.A. Cup – 4th Round: Saturday, January 27th, 2024 at King Power Stadium, Leicester.

Leicester City 3 – Birmingham City 0.

February

Championship: Saturday, February 3rd, 2024 at The Hawthorns, West Bromwich.

West Bromwich Albion 1 – Birmingham City 0.

Championship: Friday, February 9th, 2024 at Hillsborough, Sheffield.

Sheffield Wednesday 2 – Birmingham City 0.

Championship: Tuesday, February 13th, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 1 – Blackburn Rovers 0 (Dozzell – 77th minute).

Championship: Saturday,
February 17th, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 2 – Sunderland 1 (James – 60th minute and Miyoshi 80th minute).

Championship: Saturday, February 24th, 2024 at Portman Road, Ipswich.

Ipswich Town 3 – Birmingham City 1 (James – 46th minute).

March

Championship: Saturday, March 2nd, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 3 – Southampton 4 (Miyoshi – 2nd minute, Stansfield – 41st minute and Bacuna 77th minute).

Championship: Tuesday,
March 5th, 2024 at The MKM Stadium, Hull.

Hull City 1 – Birmingham City 1 (Jutkiewicz – 82nd minute).

Championship: Saturday, March 9th, 2024 at The Den, London.

Millwall 1 – Birmingham City 0.

Championship: Tuesday, March 12th, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Blues 0 – Middlesbrough 1.

Championship: Saturday, March 16th, 2023 at St. Andrew’s Stadium, Birmingham.

Birmingham City 0 – Watford 1.

Championship: Friday, March 29th, 2024 at MATRADE Loftus Road, London.

Queens Park Rangers 2 – Birmingham City 1 (Bacuna 62nd minute).

April

Championship: Saturday, April 1st, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 1 – Preston North End 0 (Stansfield – 68th minute).

Championship: Saturday, April 6th, 2024 at King Power Stadium, Leicester.

Leicester City 2 – Birmingham City 1 (Stansfield – 45th minute).

Championship: Wednesday, April 10th, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 0 – Cardiff City 1.

Championship: Saturday, April 13th,
2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 3 – Coventry City 0 (Thomas [Own Goal] – 12th minute, Sunjic – 41st minute and Stansfield – 59th minute).

Championship: Saturday, April 20th, 2024 at AESSEAL New York Stadium, Rotherham.

Rotherham United 0 – Birmingham City 0.

Championship: Saturday, April 27th 2024 at John Smith’s Stadium, Huddersfield.

Huddersfield Town 1 – Birmingham City 1 (Miyoshi – 44th minute).

May

Championship: Saturday, May 4th, 2024 at St. Andrew’s @ Knighthead Park, Birmingham.

Birmingham City 1 – Norwich City 0 (Seung-Ho – 55th minute).

Blues finish 22nd and are relagated to League One.

2023 – 2024 Season Goal Scorers

Championship Games

TOP SCORER: Jay Stansfield = 12.

Jordan James = 8.

Junhino Bacuna = 7.

Siriki Dembele = 6.

Koji Miyoshi = 6.

Lukas Jutkiewicz = 3. 

Gary Gardner = 1.

Scott Hogan = 1.

Dion Sanderson = 1. 

Andre Dozzell = 1.

Ivan Sunjic = 1. 

Paik Seung-Ho =1.

Cup Games

TOP SCORER: Junhino Bacuna = 2.

Scott Hogan = 1.

Lukas Jutkiewicz = 1.

Jay Stansfield = 1.

Koji Miyoshi – 1. 

All Games

TOP SCORER: Jay Stansfield = 13.

Junhino Bacuna = 9.

Jordan James = 8.

Koji Miyoshi = 7.

Siriki Dembele = 6.

Lukas Jutkiewicz = 4. 

Scott Hogan = 2.

Gary Gardner = 1.

Dion Sanderson = 1. 

Andre Dozzell = 1.

Ivan Sunjic = 1. 

Paik Seung-Ho =1. 

2024 – 2025 Season Fixture Dates Announced

 

Fixtures for Blues’ 2024/25 League One season will be released on Wednesday the 26th of June at 9 am.

These will begin on Saturday the 10th of August 2024, with the regular league schedule concluding on Saturday the 3rd of May 2025.  The 46 rounds of matches will take place across 36 weekends, six midweeks and four bank holidays.

Meanwhile, the Carabao Cup will begin in mid-August and the Group Stage of the Bristol Street Motors Trophy, involving Sky Bet League One, Sky Bet League Two and 16 invited Under-21s Premier League teams, will start in early September.

The Men’s First Team will travel to Austria from Monday the 8th of July until Sunday the 14th of July in preparation for 2024/25, with details of pre-season games, including one during the tour, to be confirmed in due course.

Details for the above will be shown on separate pages for the new season.

Blog Posts

Notes And Links

The Birmingham City Club logo shown at the top of this page is the copyright of Birmingham City F.C. and came from their social media pages.  

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Nike – Official website.

Undefeated – Official website.  

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Birmingham City: A Tribute To Trevor Francis

Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1979 when Jim Smith was the manager.  I was 13 at the time.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here.

The 24th of July 2023 was a day of shock and sadness for those associated with Birmingham City Football Club, Trevor Francis had died. Trevor wore the number 10 shirt and was certainly the most well-known player for B.C.F.C. and adored by many.  You can read more about him here.

I never got to see him play in person.  I was only in my early teens when I started supporting Blues and could only dream of going to St. Andrews but I saw him on television work his magic on the pitch.  He was at the end of his Blues career when I first started following Jim Smith and the Lads.  I can’t exactly recall when it was but it was around the time he was sold to Nottingham Forest as the first million player in British history.  I continued to watch him for Forest cementing my love for them and their manager Brian Clough.  Forest automatically became my second team until Clough retired in 1993. 

R.I.P.

Tributes From The Club 

On the 24th of July 2023 there was an announcement by Birmingham City informing the passing of Trevor Francis.  The Blues badge was changed to black as a mark of respect to the great man.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © Unknown
Image © Unknown

The above two photos were posted on Jude Bellingham’s Twitter account on 24/07/23.  This is what he  wrote:

“A very sad day for @BCFC and all of football. Beyond legendary, a trailblazer, a great and an icon of the game. The only thing that could exceed his quality and accolades on the pitch was his class off it. Thank you for all the guidance and the benchmarks you set. Rest in peace, King Trevor! “ 💙

Image © of B.C.F.C.

Players and staff from Blues Men’s and Women’s First Team paying their respects to Trevor Francis on 25/07/23.

On 27/07/23 there was an announcement from Blues that there would be a Trevor Francis Book of Condolence at the Library of Birmingham on the 28th and 29th of July.  This should have been longer than two days in my opinion.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Garry Cook signs the Trevor Francis Book of Condolence at the Library of Birmingham on 29/07/23.

Image © of B.C.F.C.

Blues players paying their respects to Trevor Francis at Peterborough United on 29/07/23.

Image © of B.C.F.C.

Blues fans at Peterborough United on 29/07/23.

Birmingham City Fans Tribute Area 

Click here to watch John Eustace and Darren Carter lay a reef in respect of Trevor Francis. This was the start of many flowers, scarves etc. that were placed in the designated area towards the Ticket Office at St. Andrew’s for fans to pay tribute to a club legend from 24/07/23 – 07/08/23.  The tributes are now safely in storage.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Fan tributes left for Trevor Francis at St. Andrews.

Videos From The Club 

The following videos (not including shorts) are from Birmingham City’s YouTube page and appear in order they were first shown.  There are too many videos of such a legend elsewhere to show here but search in your favourite browser and see for yourself what a great man he was.

Club Celebration 

On the 11th of August, 2023, the club announced that they will be celebrating Trevor Francis’s life at the first home game of the 2023/24 season against Leeds United. 

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Jasper Carrott pays tribute to his good friend Trevor Francis.

Image © of B.C.F.C.
Image © of B.C.F.C.

A celebration to Trevor Francis at Blues first home game of the 2023/24 season against Leeds United.  

Trevor Francis Statue Announcement  

Trevor Francis Statue Announcement
Image © of B.C.F.C.

Trevor Francis statue announcement.

On the 24th of July, 2024,  Birmingham City made an announcement about the commission of a Trevor Francis statue by  Douglas Jennings M.R.B.S., a globally acclaimed portrait sculptor.

Read more here.

Read more about Francis here.

Read more about Jennings here.

Garry Cook Pays Tribute To The Late, Great Trevor Francis

Click here for Chief Executive Officer Garry Cook’s tribute to the late, great Trevor Francis. 

Trevor Francis Memorial Match V Rangers

On the 24th of July, 2024, one year after Trevor’s passing, Birmingham City hosted Rangers in the first Trevor Francis Memorial Match.

To read about the match, click here.

You can see photos from that match by clicking here.

For Chris Davies’s interview after the match, click here.

For Ethan Laird’s interview after the match, click here.

For match highlights, click here.

Birmingham City Legend Trevor Francis
Image © of B.C.F.C.

Birmingham City legend Trevor Francis.

Trevor Francis In His Birmingham City And Rangers Tops
Image © of B.C.F.C.

Trevor Francis in his Birmingham City and Rangers tops.

Rest In Peace Trevor and thanks for all the great memories and your service to Birmingham City.

KEEP RIGHT ON

Blog Posts

Notes And Links

The image shown at the top of this page is copyright of Birmingham City F.C.  

The images of Trevor Francis and Jude Bellingham with Trevor Francis are copyright unknown.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Wikipedia – Official website.  Its purpose is to benefit readers by acting as a widely accessible and free encyclopedia that contains information on all branches of knowledge. Funded and hosted by the Wikimedia Foundation, Wikipedia consists of freely editable content whose articles also provide numerous links to guide readers to related pages with more information. 

Birmingham Mail – Official website.  The Birmingham Mail is a newspaper based in Birmingham, England but distributed around Birmingham, the Black Country, Solihull and parts of Warwickshire, Worcestershire and Staffordshire. 

Birmingham City: Trevor Francis

Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion, and Birmingham City is it.  I have been supporting them since 1979, when Jim Smith was the manager.  I was 13 at the time.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here.

The 24th of July 2023 was a day of shock and sadness for those associated with Birmingham City Football Club on the news that Trevor Francis had died. Trevor wore the number 8 shirt and was certainly the most well-known player for B.C.F.C., adored by many.  You can read my tribute post to him here.

I never got to see him play in person.  I was only in my early teens when I started supporting Blues and could only dream of going to St. Andrews, but I saw him on television work his magic on the pitch.  He was at the end of his Blues career when I first started following Jim Smith and the Lads.  I can’t exactly recall when it was, but it was around the time he was sold to Nottingham Forest as the first million-pound player in British history.  I continued to watch him for Forest, cementing my love for them and their manager, Brian Clough.  Forest automatically became my second team until Clough retired in 1993. 

R.I.P. Trevor. 

Image © of B.C.F.C.

About Trevor Francis 

Trevor Francis was an English footballer who played as a forward for a number of clubs in England, the United States, Italy, Scotland and Australia.  In 1979 he became Britain’s first £1 million player following his transfer from Birmingham City to Nottingham Forest.  He scored the winning goal for Forest in the 1979 European Cup final against Malmö.  He won the European Cup again with the club the following year.  At international level, he played for England 52 times between 1976 and 1986, scoring 12 goals, and played at the 1982 FIFA World Cup.

Between 1988 and 2003, Trevor was a football manager with Queens Park Rangers, Sheffield Wednesday, Birmingham City and Crystal Palace.

Image © of Hans van Dijk via Wikipedia

Trevor Francis in Amsterdam on the 22nd Of April 1980.  He was playing for Nottingham Forest at the time.

Early Life And Education

Trevor John Francis was born on the 19th of April 1954, in Plymouth, Devon, and educated at Plymouth’s Public Secondary School for Boys.  He was an agile and skilful forward and joined Birmingham City as a schoolboy.

Club Career

Birmingham City

Trevor quickly rose in status, making his debut for Birmingham City’s first team in 1970, aged just 16.  His talent was noted when, before his 17th birthday, he scored four goals in a match against Bolton Wanderers.  He ended his first season with 15 goals from just 22 games.  Birmingham City manager at the time, Freddie Goodwin, compared Trevor to both Jimmy Greaves and Denis Law.

On the 30th of October 1976, he scored one of Birmingham’s most famous goals, when he turned away from the touchline and cut inside two Queens Park Rangers defenders, constantly being forced backwards before suddenly unleashing a 25-yard (23 meters) shot. 

Detroit Express

Trevor negotiated a loan from Birmingham in 1978 to play for the Detroit Express in the North American Soccer League where he scored 22 goals in 19 league matches and was named to the N.A.S.L. first XI alongside Franz Beckenbauer and Giorgio Chinaglia before returning home to the Midlands.

Nottingham Forest

Nottingham Forest, the reigning First Division champions and League Cup holders managed by Brian Clough, put in a bid for Trevor which totalled just over £1 million.  No player had ever been sold between English clubs for a seven-figure fee before, and the deal was sealed, with Trevor famously being introduced to the media by a manager impatient to play squash.  Clough was in his red gym kit and carrying a racquet as he addressed the press conference.

While recognised as the first British million-pound player, the actual transfer fee for the player was £1,150,000, including a 15% commission to the Football League.  Clough wrote in his autobiography that the fee was £999,999, as he wanted to ensure the million-pound milestone did not go to the player’s head, although Trevor says that was a tongue-in-cheek remark by Clough.

Nottingham Forest retained the League Cup shortly afterwards without the cup-tied Francis and made progress in the European Cup to the extent that they reached the semi-finals, although Francis was not eligible to play in the competition until the final.  They won their semi-final, and in May 1979 Forest took on Swedish club Malmö in the final in Munich, and a major instalment of the huge investment money was repaid just before half time.

The ball was spread to Forest’s winger John Robertson wide on the left and he took on two defenders at once to reach the byline and curl an awkward, outswinging cross towards the far post.  Francis had already begun to sprint into position, but even so, he had to increase his pace in order to reach the cross as it dropped and ended up throwing himself low at the ball.  He connected with his head and the ball diverted powerfully into the roof of the net.  Forest won the match 1–0 and footage of the goal was used in the opening titles to Match of the Day for some years afterwards.  A giant picture of Francis stooping to head the ball remains on display in the main entrance and reception area of Forest’s City Ground stadium.

Even though the season ended there, Francis duly headed back to Detroit for another summer playing in the N.A.S.L., where once again he was named to the first XI alongside Johan Cruyff (Los Angeles Aztecs) and Giorgio Chinaglia (New York Cosmos), despite playing only half the season.  In his brief career in America, Francis scored 36 goals in 33 regular season matches and had 18 assists.

At Nottingham Forest Clough frequently played Francis on the right wing, rather than in his preferred position as a central attacker.  Francis was in the side which lost the 1980 League Cup Final to Wolverhampton Wanderers but missed the European Cup Final against Hamburg due to an injury to his Achilles tendon.  Somehow the success of his Forest career never quite reflected his huge fee.  He scored only 14 league goals in the 1979 – 80 season and 6 in the next 18 games that he played for Forest.  Although still a regular for England, his Achilles injury prevented him from being in the squad for the 1980 European Championships.

Manchester City

The injury kept Trevor out of the game for over six months.  He was sold to Manchester City in September 1981, this time for £1.2 million.  The deal caused behind-the-scenes friction at Manchester City.  During negotiations, City chairman Peter Swales informed manager John Bond that the club could not afford the transfer fee.  Bond then issued an ultimatum, which was if Trevor did not sign, Bond would resign.  Francis made a promising start at the club, scoring two goals against Stoke City on his debut, but over the course of the season, he was frequently injured.  In total, he scored 12 goals in 26 games and made the England squad for the 1982 World Cup.

Back at his club, financial problems were again an issue.  Trevor’s contract gave him a salary of £100,000 plus bonuses, which the club could no longer afford to pay to a player who regularly sustained injuries.

Sampdoria

Later that summer, Trevor was approached by Italian club Sampdoria, who paid Manchester City £700,000 for his services.  He helped win the 1984–85 Coppa Italia, in the same team as Scotland midfielder Graeme Souness.  It was the first time that Sampdoria had won the competition.

Atalanta

Trevor joined Atalanta in 1986.  He played 21 league games and scored once in his only season, but added two goals in nine games in the Coppa Italia. Atalanta lost the final to Napoli.  He was the second Englishman at the Bergamo-based club after Gerry Hitchens, and by the time of his death, their only other English-born player was Ademola Lookman.

Rangers

Trevor returned to Britain in September 1987 to join Rangers under Graeme Souness.  Numerous English players were brought to the Scottish club by Souness as English clubs had been banned from European competition since the Heysel disaster.  Trevor cost just £75,000, signed on a pay-as-you-play basis, and won the 1987 – 88 Scottish League Cup, scoring a penalty in the shoot-out.

Queens Park Rangers

Trevor signed for Queens Park Rangers on a free transfer in March 1988 and helped the team finish fifth in the First Division.  He scored 10 goals from 26 appearances in the first half of the 1988 – 89 season and took over as player-manager in December 1988 when Jim Smith moved to Newcastle United, but a knee injury in January 1989 put an end to his playing season.  He marked his return to the field in September 1989 with a hat-trick against Aston Villa, but was replaced as manager by Don Howe in November 1989 and his playing contract was paid up a few days later.

During his time at Queens Park Rangers, Trevor completed a brief loan in 1988 with an Australian National Soccer League team, Wollongong City, as part of businessman Harry Michaels’ attempt to market football in Australia.  Michaels had previously funded the loans of Alan Brazil and Paul Mariner, whom Francis was to replace, and had discussions with Norman Whiteside, Nigel Clough and Michel Platini about playing for the New South Wales-based team.

Sheffield Wednesday

Trevor left Queens Park Rangers in February 1990 to play for Sheffield Wednesday.  Despite gaining a good reputation amongst supporters, he could not help the club avoid relegation to the second tier under manager Ron Atkinson for the 1990 – 91 season.  However, that season he helped Wednesday win the League Cup, although he was a non-playing substitute in the final, and also gained promotion back to the top flight.

International Career

Trevor played for England 52 times between 1977 and 1986 and scored 12 goals.  In 1977, he was given his first England cap by Don Revie, in a 2 – 0 loss against the Netherlands.  After missing out on Euro 1980 due to an Achilles injury, Trevor was named in the England squad for the 1982 World Cup in Spain.  In the first round of the tournament, he scored in the group games against Czechoslovakia and Kuwait.  England was eliminated after goalless draws against both the host nation and West GermanyIn the spring of 1986, he made his 52nd and final appearance for England in a victory over Scotland and was subsequently not selected for the 1986 World Cup in Mexico.

Managerial Career

Sheffield Wednesday

After the departure of Ron Atkinson, Trevor took over as manager of Sheffield Wednesday with popular support from the club and supporters.  He guided Wednesday to a third-place finish in 1992.  The following year, Wednesday reached the F.A. Cup and League Cup finals, losing both to Arsenal, the former after a replay.  In 1994, Francis finally retired as a player, shortly before his 40th birthday.  He was dismissed as manager a year later after Wednesday finished 13th in the Premiership.

In February 1992, Trevor brought former French international Eric Cantona back from a poor discipline-enforced hiatus in his career by inviting him for a trial at Sheffield Wednesday.  However, as the snowy conditions meant that he could only evaluate Cantona on Astro Turf, Francis requested an extension to the trial to see whether Cantona could play on grass.  An outraged Cantona walked out on The Owls and was signed (without a trial) by Leeds United, inspiring first them and then Manchester United to success.  In a 2012 interview, Trevor said that he had agreed to take Cantona on as a favour to Trevor’s former agent, Dennis Roach, and Michel Platini, who he knew from his time playing in Italy when they approached him about taking on Cantona, and that it was intended as an opportunity for Cantona to put himself in the shop window.  Wednesday had only recently been promoted back to the top flight, with most of the squad still being on Second Division-level wages, and the club could not afford to sign him.

Birmingham City

Trevor was hired as Birmingham City manager in 1996, with the club in the First Division.  He guided Birmingham to a 10th and 7th-place finish in his first two seasons, missing out on the playoffs on goal difference in the latter.  Finishes of 4th, 4th and 5th in the next three seasons resulted in playoff entry, losing each time.

Trevor led Blues to the 2001 League Cup Final, where they lost on penalties to Liverpool.  He was dismissed in October of that year.  BBC Sport wrote, “Francis, the player, was legendary. Francis, the manager, is the nearly man.”

Crystal Palace

Trevor was manager of Crystal Palace from November 2001 to April 2003.  He was appointed by Crystal Palace chairman, Simon Jordan to replace Steve Bruce who had resigned as Crystal Palace manager with the intention of taking the manager’s role at Birmingham City.  Litigation followed with Bruce being placed on gardening leave.  Of the appointment, Jordan said, “The last two or three weeks have not been easy.  I’m bored of Steve Bruce and Birmingham, and what I’m interested in is Trevor Francis and Crystal Palace.”  At the time, Trevor said that he had turned down four jobs before accepting the role at Crystal Palace.  Under his managership, Palace defeated a Gerard Houllier managed Liverpool in an F.A. Cup fourth-round replay at Anfield in February 2003 and beat Palace’s main rivals, Brighton & Hove Albion, 5 – 0 in October 2002.  However, after the team’s second failure to achieve promotion to the Premier League, Simon Jordan dismissed him, stating, “People know I am very unhappy with the selection of our players under Francis. We have a very strong squad and we should have done a lot better this season – a lot of lessons need to be learned from injury prevention and transfer policy.”

Personal Life

Trevor married Helen in 1974.  The couple had two children together.  On the 5th of April 2017, it was reported that Helen Francis had died.

On the 13th of April 2012, Trevor was reported to be recovering in hospital from a suspected heart attack.

Trevordied of a heart attack at his home near Marbella, Spain, on July 24th, 2023.  He was 69.  

Image © Christophe95 via Wikipedia

Trevor Francis in 2009.

Career And Managerial Statistics

Click here to read about Trevor’s club, international and managerial statistics.

Honours

Player

Birmingham City

Football League Second Division runner-up: 1971 – 72.

Detroit Express

American Conference Central Division: 1978.

Nottingham Forest

European Cup: 1978 – 79 and 1979 – 80.

European Super Cup: 1979.

Football League Cup: runner-up 1979 – 80.

Sampdoria

Coppa Italia: 1984 – 85.

Rangers

Scottish League Cup: 1987 – 88.

Sheffield Wednesday

Football League Cup: 1990 – 91.

Individual

P.F.A. First Division Team of the Year: 1976 – 77, 1977 – 78, and 1981 – 82.

Coppa Italia top scorer: 1984 – 85 (9 goals).

Manager

Sheffield Wednesday

F.A. Cup runner-up: 1992–93.

Football League Cup runner-up: 1992 – 93.

Birmingham City

Football League Cup runner-up: 2000 – 01.

Individual

Premier League Manager of the Month: December 1993.

Read more about Trevor Francis’ Wikipedia page here.

Tribute

Visit my A Tribute To Trevor Francis post here.

Blog Posts

Notes And Links

The image shown at the top of this page is copyright of Birmingham City F.C.  

The image above of Trevor Francis In Amsterdam In 1980 is the copyright of  Hans van Dijk via Wikipedia.  It comes with a Creative Commons licence (CC0 1.0and is in the Public Domain. 

The image above of Trevor Francis in 2009 is the copyright of Wikipedia user Christophe95.  It comes with a Creative Commons licence (CC BY-SA 3.0).  You can find more great work from him by clicking here.

The above links in the Before Knighthead section will take you to Wikipedia and its content is subject to change.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Wikipedia – Official website.  Its purpose is to benefit readers by acting as a widely accessible and free encyclopedia that contains information on all branches of knowledge. Funded and hosted by the Wikimedia Foundation, Wikipedia consists of freely editable content whose articles also provide numerous links to guide readers to related pages with more information. 

Birmingham Mail – Official website.  The Birmingham Mail is a newspaper based in Birmingham, England but distributed around Birmingham, the Black Country, Solihull and parts of Warwickshire, Worcestershire and Staffordshire. 

Birmingham City: A New Era Begins

B.C.F.C. Badge
Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1978 when Jim Smith was the manager.  He is my favourite manager to date.   I am a blue nose ’til I die. 

You can read lots more about Blues by clicking here.

I haven’t been so excited about a new football season starting as I have been for the 2023/24 one in a VERY long time. 

The Chinese owners were the worse thing to happen to this club and I thought the Kumar brothers were bad.  What followed (despite a  cup win) was eventual relegation from the Premier League and misery for sixteen years.  Blues fans always had hope in their hearts that the good times will return again and now, thanks to Tom Wagner, they will.  It will take time and patience but their is no doubt that the road is long and there will always be joys and sorrows too but there is something POSITIVE for a change to look forward to at the end of the road and I, for one, CAN’T WAIT and you can see the new owners input and progress below.

I look positively to the days, months and years ahead to see where the new owners take us from here.  One thing for sure is it will be onwards and upwards and that is no less than anyone involved with Birmingham City deserve.

Before Knighthead 

Small Heath Football Club became a limited company in 1888.  The board was made up of local businessmen and dignitaries for the next 77 years.

In 1965 the club was sold to Clifford Coombs.  By the mid-1980’s the club was in financial trouble (a recurring pattern in the many years to follow). Control passed to Ken Wheldon and he sold it to the Kumar brothers in April 1989.

In March 1993, David Sullivan brought B.C.F.C. from the Kumars and St. Andrews got modernised (although that turned out to be shoddy work in the end).  As much as I resent Sullivan for selling us on to Carson Yeung and Grandtop International Holdings Limited in July 2007, it can not be denied that he and David Gold and his brother Ralph Gold saved us from administration.

Yeung turned out to be corrupt and the rest of the Chinese owners seemed no better.  They all were without a clue or care about how to run a football club. Yeung was sent to prison and Grandtop International Holdings Limited took full ownership of the club and renamed themselves Birmingham International Holdings Limited.

In June 2022 an attempt to buy the club was made by a group fronted by Laurence Bassini, involving financier Keith Harris using money loaned by David Sullivan and thankfully nothing became from that.

In July 2023 a consortium led by Paul Richardson and Maxi López announced that they were close to completing the purchase of a stake in the club, and later confirmed that they were providing operating funds but pulled out in December citing a failure to agree on revisions to the original terms of agreement.  Following that in April 2023, Richardson, López and their proposed chief executive, Matt Southall, were sanctioned by the English Football League after admitting to breaching take-over regulations without approval.  That turned out to be a blessing in disguise.

This brings us up to  April 2023 and Birmingham Sports Holdings confirmed letters of intent had been signed to sell 24% of their shares in Birmingham City and the 21.64% owned by Oriental Rainbow, as well as the whole of St. Andrews which they 100% owned to a then-unnamed potential purchaser.  In July 2023 the purchaser was named to be Shelby Companies Ltd, a subsidiary of asset management company Knighthead Capital Management fronted by Tom Wagner, Knighthead’s co-founder and co-C.E.O. 

The Next Chapter With Knighthead

From this point onwards you can read all about the new owners, news etc. on and off the pitch and how it affects Birmingham City during the 2023/24 season, the season the next chapter began for Blues.  To keep up with all the news from the club click here.

May 2023

A Letter To Supporters From Tom Wagner – 08/05/2023

Image © of B.C.F.C.

A letter from Tom Wagner.  

On the 8th of May, 2023, Knighthead Co-Founder and Co-C.E.O. Tom Wagner confirmed that, through its affiliate, Shelby Companies Limited, it has exchanged contracts with the majority owners of Birmingham City Football Club including Birmingham Sports Holdings Limited subject to approval from the Hong Kong Stock Exchange and customary regulatory authority approvals in the U.K. Approvals are anticipated within the coming weeks.

You can read his full letter here.

This is fantastic to hear but until this is official I hold it with trepidation as we Blues fans have been let down so many times up until now!

June 2023

Announcement Regarding Prospective Ownership Of Blues  

The Birmingham Mail announced on the 27th of June 2023 the prospective ownership of Blues by Tom Wagner. 

 

Image © of Getty Images

Garry Cook and Tom Wagner at St. Andrews in June 2023.

July 2023

Announcement Regarding Official Take Over By Knighthead And Shelby Companies

Tony Mowbray's Medical Leave And Gary Rowett's Return As Interim Manager Announcement
Image © of B.C.F.C.

Take over announcement. 

On the 14th of July 2023, there was a club announcement by the club and it was official, Knighthead and Shelby Companies would acquire full ownership and control of St. Andrew’s and 45.64% ownership of Birmingham City Limited.  It was confirmed that Tom Wagner will be the Chairman Of The Board and Garry Cook will be C.E.O.

EXCELLENT NEWS!

Tom Wagner’s First Interview With Blues T.V. 

Tom Wagner, Knighthead Co-Founder and Co-C.E.O., talks about a new direction for the Club after Knighthead Capital Management L.L.C. acquired Birmingham City Football Club.

This excellent first interview with Blues T.V. is a pleasure to watch.  It is nice to see an owner be so open and sound like he knows what he wants and what he is doing.   This is an astute businessman and I look forward to what he will do for us all at Birmingham City and welcome him to the club. 

August 2023

Garry Cook’s First Interview With Blues T.V. 

As with Tom Wagner’s above, this excellent interview is a pleasure to watch.  Cook is another businessman who knows what he is doing and I also look forward to what he can do for  Birmingham City and welcome him. 

Tom Brady Joins Birmingham City

Image © of B.C.F.C.

Brady announcement. 

As if the wonderful news of new owners wasn’t enough to take in for Blues fans and the fact we have been dealing well in the transfer market for the new season and actually buying players instead of having loads of loans, the club made another announcement that one of the world’s greatest sportsmen ever, seven-time Super Bowl champion Tom Brady was joining as Chairman of the advisory board.

Click here to watch Brady’s message to the fans

Tom Wagner Visits The Training Ground For The First Time 

On the 11th of August, 2023, Chairman of the Board, Tom Wagner, and the Knighthead team visited the Elite Performance Innovation Centre for the first time to meet the players and management staff during training.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Tom Wagner greets staff and players at Blues training ground.

Tom Wagner, Garry Cook And Tom Brady Attend Blues First Home Game Of The 2023/24 Season Versus Leeds United

On Saturday, August 12th, 2023, Tom Wagner, Garry Cook and Tom Brady attended Blues first home game of the 2023/24 season against Leeds United. This was Blues highest home crowd since 2020.

Apart from showing their TRUE support for the fans and Birmingham City (they did more for morale for Blues in the first four weeks since they took over than the previous Chinese owners ever did in sixteen years) they were also here to join in with the celebration of club legend Trevor Francis and pay tribute to him. 

Tom Wagner mixes with some of Blues younger supporters.

Image © of B.C.F.C.

Tom Wagner signing a young Blues supporters top.

Image © of B.C.F.C.

Tom Wagner with a young Blues supporter.

Image © of B.C.F.C.

Tom Wagner at his first match at St. Andrews versus Leeds United.

Image © of B.C.F.C.
Image © of B.C.F.C.

Tom Brady arrives at St. Andrew’s for the first time. 

Image © of B.C.F.C.

Tom Brady signing young Blues supporters tops.

Image © of B.C.F.C.

Tom Wagner, Garry Cook and Tom Brady showing their passion at their first match at St. Andrews versus Leeds United at full time. Tom is showing passion like a proper owner should.   

Image © of B.C.F.C.

Tom Wagner, Garry Cook and Tom Brady showing their passion at their first match at St. Andrews versus Leeds United at full time.

Image © of B.C.F.C.
Image © of B.C.F.C.

Tom Wagner showing passion at his first match at St. Andrews versus Leeds United at full time. 

Image © of B.C.F.C.

Tom Wagner and Tom Brady after their first match together at St. Andrews versus Leeds United.

Tom Wagner and Tom Brady talk about a special day at St. Andrew’s. 

These two men are enjoyable to watch and know what they are talking about. 

A Letter To Supporters From Garry Cook – 13/08/2023

Image © of B.C.F.C.

A letter from Garry Cook.  

On the 14th of August, 2023, following the first home game of the 2023/24 season against Leeds United, Garry Cook wrote a letter to Birmingham City supporters thanking the fans for their support at our first home game against Leeds United.  He also highlighted the important work that will go on off the pitch.  You can read it here

Image © of B.C.F.C.

Safe standing at St. Andrews announcement.  

On the 17th of August, 2023, just a few hours after it was shown elsewhere on social media, Blues made an announcement stating the contractor, the Buckingham Group, who were responsible for working on the lower tiers of the Tilton and Kop stands (with safe standing shown above) have gone into administration.

There was a time, during the dark days of the previous owners that I would be very concerned about this but I have no doubt Tom Wagner is quickly working on this to get a replacement contractor a.s.a.p. and it just shows his commitment to Blues supporters in how much we are being kept in the loop of everything involved with the club at all times.  

A Letter To Supporters From Garry Cook – 24/08/2023

Image © of B.C.F.C.

Garry Cook.

On the 24th of August, 2023, Garry Cook wrote another letter to the fans, this time regarding the lack of stock of our replica kits.  He also informed them that the third kit would be coming soon.   You can read it here

I love the way the new owners care about their supporters and are keeping us in the loop.  It certainly makes a refreshing change.

September 2023

Announcement Regarding Mace

Image © of B.C.F.C.

Mace announcment.

On the 11th of September, 2023, Blues made an announcement stating that a new contractor had been found to carry on the work following the Buckingham Group’s administration.  The company’s name is Mace. The work will recommence at 9 a.m. on Monday the 11th of September 2023 is now expected to be completed before the end of November 2023.

This is great news for all Blues fans and we look forward to St. Andrew’s capacity being close to 30,000 when it is completed.  

Tom Wagner Attends Preston North End Versus Birmingham City  

On Tuesday, September 19th, 2023,  Tom Wagner, was in the away end watching Blues play against Preston North End.  He even brought them drinks at half time. This is FANTASTIC and this man as my TOTAL RESPECT.  What a PROPER owner we have here. 

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © @barbs_paul via Twitter

Tom Wagner in the away end with the Blues fans watching Preston North End v Birmingham City.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © @AndyThrupp via Twitter

Tom Wagner buying the Blues fans food and drinks at half time and having photos with them at the Preston North End v Birmingham City match.

Tom Wagner And Garry Cook Attend Birmingham City Versus Queens Park Rangers  

On Friday, September 22nd, 2023,  Tom Wagner and Garry Cook watched Blues play against Queens Park Rangers.

The club were supporting Help Harry Help Others for this game and helping to raise funds for them.  The founder of the charity is Harry Moseley (who started his campaign back in 2003 by making bracelets), with help from his mom Georgina.  It raises money for cancer victims.  You can read all about the charity here.  There are more links in the Notes And Links section at the bottom of this page. 

The day before the match John Eustace and Dion Sanderson informed Blues fans about Help Harry Help Others and the connection with the game.  You can see the short video here.

Bracelets were made for everyone who attended the match and details on how to donate were supplied with each one. 

If you want to donate £3 you can do so by texting HARRY3 to 70800 or you can contribute here.

Help Harry Help Others

Georgina Mosely explains how Help Harry Help Others started.  

This is a charity close to Birmingham City’s heart and worthy of any support it gets.

Image © of B.C.F.C.

Blues News v Queens Park Rangers match programme 22/09/2023 with Harry Moseley on the cover. 

Image © of B.C.F.C.

Georgina Moseley And Tom Wagner before the Birmingham City v Queens Park Rangers match.

Garry Cook is behind them to the left.

Image © of B.C.F.C.

A specially made Help Harry Help Others bracelet for fans at the Birmingham City v Queens Park Rangers match.

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Georgina Moseley and the Help Harry Help Others team making limited-edition bracelets in time for the Birmingham City v Queens Park Rangers match.  

Click here to see Georgina completing the 19,000th bracelet.  These were made in just one week prior to the game.  Well done to all involved.

Announcement Regarding Lower Tilton Re-Opening (1)

Image © of B.C.F.C.

Lower Tilton announcement.

On the 29th of September, 2023, Blues made an announcement stating that the match against West Bromwich Albion on the 6th of  October, 2023 would serve as the test event (in conjunction with the local authority and relevant stakeholders) for the Tilton Road lower stand prior to its official opening later in the month.

The atmosphere created by the Alliance of supporters in the Tilton has been infamous, and the Club are looking forward to once again hearing the noise created by the most iconic set of supporters in the country.

October 2023

Announcement Regarding Juninho Bacuna (1)

Image © of B.C.F.C.

Bacuna announcement.

On the 4th of October, 2023, Tom Wagner made an announcement to Blues fans regarding the racial abuse incident involving Juninho Bacuna during Birmingham City’s match against Huddersfield Town on the 3rd of October, 2023.  He rightly explained this is unacceptable and every action will be taken to find and ban the perpetrator. 

Of course, this should not be allowed, in football, in any sport or in life, but what makes this worse is it came from one of our so-called “fans”. 

We don’t want anyone like this supporting Blues and they deserve to be banned.  As a club, we are on the rise again and we need to do this together, players and all, through the good times and the bad and anyone who can’t buy into that need to go and support someone else because we don’t need the negativity and bad press any more.

Announcement Regarding The Sacking Of John Eustace 

Knighthead Acquiring 48-acre Former Wheels Site Announcment
Image © of B.C.F.C.

Eustace sacked announcement.

On the 9th of October, 2023, Blues made an announcement to inform the fans that John Eustace had been sacked!

It was no surprise for me from what I was reading the night before.  The club said they will announce a new manager in the next few days.  It had been rumoured weeks prior to this that it would be Wayne Rooney and it certainly appears to be that way.  It is no coincidence he quit his job in America recently and has strong connections with Garry Cook.

This is a bad decision that will possibly upset the camp and undo all the good work Eustace and co. have done since their arrival to bring the club and fans together and push on in the right direction, stronger as one solid unit.  Eustace has done wonders for the club steadily since his arrival in July 2022.  

Like watching the team at times he can be frustrating with his tactics but no proper Blues fan can argue with the fact that before today we have had two back-to-back wins, seven goals scored, unbeaten at home, are  sixth in the Championship and that is down to the manager and the belief he has installed in the players and that as clearly shown on the pitch and in the results. 

It would be nice to know the full story here because clearly, a lot has been going on behind the scenes. Had Eustace been approached by Rangers? Did he know for a while his job was on the line? No one would have blamed him for wanting to go if so. 

When a new owner comes into a football club they usually want their own man for the job, and that’s understandable but not when you are eleven games into a new season and sitting in the top six and confidence amongst the players and fans is high.  I just don’t understand the logic of it all.  It leaves me feeling bewildered and angry because this incident is madness and so deja vue and the timing is all wrong.  

Judging by the passion Eustace showed during Gary Gardner’s goal in his last game in charge in the 3 – 1 win over West Bromwich Albion at St. Andrews I find it hard to believe he would have wanted to go. He patted the badge more than once and this isn’t the first time he has shown such passion to the fans so this shock news must feel like a knife in his back. 

Myself and a lot of loyal, true Blues fans wish John nothing but the very best in his next job and for his future. We thank him for everything he has done for the club, the players, the fans and the belief he instilled in us all.  Good luck.

Image © of B.C.F.C.

John Eustace passionately celebrates Blues 3 -1 win over West Bromwich Albion at St. Andrews on 06/10/2023.

I understand Wagner is a businessman first, a Blues supporter second, and he is here to make money and turn things around. That is what his company does, and that is why he purchased Birmingham City.  There is no denying what he has done in such a short time is nothing but commendable, I accept that and I trust, and hope, he will continue to do what is right for the club but consider how the fans feel as well.

Despite whoever the owner and manager is, I support the badge and  I will give the owners the benefit of the doubt.  I will do the same with any manager that comes in, like I do with all new managers regardless of who they are and if I personally like them or not and see what happens after that.  I just hope all this works out.  If it does then great, it was a clever tactical move from Wagner and Cook, if not then they have to quickly get the fans back on board.  We deserve nothing less than their honesty and transparency.  Onwards and upwards we go but most importantly we have to do it TOGETHER.

A Letter To Supporters From Garry Cook -10/10/2023

Image © of B.C.F.C.

Garry Cook.

On the 10th of October, 2023, Garry Cook wrote another letter to the fans, this time regarding the sacking of John Eustace.  He also emphasised the positive progress work that has been achieved so far by Tom Wagner et al and that there is a lot more to come.  You can read it here

All this will take time and patience from the fans and as Cook says, “We cannot keep looking back and referring to what happened in the recent past, we must look forward.  The future is bright and we are on the rise again.”

I totally agree.  Despite my personal feelings about all this, the fact remains, Eustace has been sacked, Cook has spoken, it is what it is, time to move forward.

Announcement Regarding Matt Gardiner And Keith Downing 

Image © of B.C.F.C.

Matt Gardiner and Keith Downing announcement.

On the 10th of October, 2023, Blues made an announcement to inform the fans that assistant head coaches, Keith Downing and Matt Gardiner, have left Birmingham City. 

It was only a matter of time.

Announcement Regarding New Manager Wayne Rooney   

Image © of B.C.F.C.

Wayne Rooney announcement. 

On the 11th of October, 2023, Blues made an announcement to the fans that Wayne Rooney is our new manager and will be supported by Ashley Cole,  John O’Shea, Carl Robinson and Pete Shuttleworth.  Maik Taylor stays at the Club as Goalkeeper Coach.  Click here to see what Rooney said to Blues TV in his first interview.

Personally, I have never been a fan of Rooney but the fact is he is our manager now and like I have said before I will always give any new manager the benefit of the doubt.  Anyone who starts a new job will know it can take a few months at least to settle in and we have to expect the same of him and judge his efforts at the end of the season.  As long as we finish in the top half then I will be happy.  Then we will be in a much better position financially, thanks to the shrewd businessmen who run the club, to make a solid push for promotion next season.

I don’t normally comment on what other so-called fans say on social media sites etc. because we are all entitled to our opinions.  However, before Rooney has even set through the doors of St. Andrews they are slagging him off and posting memes about him and his past.  I can expect that from people who don’t support Blues (it is part and parcel of football banter) but from our own “fans” it is embarrassing and pathetic.  They are even saying they will stop supporting the club well go then because quite frankly they need to piss off to B6 and support the vile.  They are starting to sound like them and will fit in well there.

I don’t know the man so I can’t comment on his life or what he has supposed to have done or not done in the past, only going by what I have read or heard in the so-called media.  It simply doesn’t matter and neither does his recent managerial positions.  They are both completely different circumstances due to the situation Blues are in now and with the top backing from owners who actually have a clue what they are doing.  What does matter is what he does from now on and how he represents Birmingham City and its proper fans.  I am concentrating on where we go together from today and onwards. 

Due to all the shit we have had to put up with over the years, it is understandable we feel doubtful when any change comes along but we need to put the bad things that have happened in the past behind us.  All that does is breed toxicity amongst us all and we need to remove that and toxic fans.  No one wants that in their life and we certainly don’t need it in our club. 

As long as we finish in the top half then I will be happy.  Then we will be in a much better position financially, thanks to the shrewd businessmen who run the club, to make a solid push for promotion next season.  

Tom Wagner got the new era ball rolling by purchasing B.C.F.C. and giving us belief, John Eustace nurtured that belief and now Wayne Rooney must be given the chance to carry that belief on and better it if he can.  I urge any decent-minded Blues fan to get behind Rooney,  his staff and our owners moving forward and, dare I say, even feel excited about what great things can possibly happen next. 

Patience is a virtue. 

 

Wayne Rooney’s First Interview With Blues T.V. 

Wayne Rooney speaks of his delight at being named as the new Birmingham City Manager.

On the 11th of October, 2023, the new Blues manager spoke to Blues T.V. for the first time.  

Wayne Rooney’s First Training Session

On the 12th of October, 2023, Wayne Rooney took his first training session with the lads as the new Blues manager prior to his first press conference.

See the photo gallery here.

Wayne Rooney‘s first training session as the new Birmingham City manager.

Wayne Rooney’s First Press Conference 

On the 12th of October, 2023, Garry Cook and new Blues Manager Wayne Rooney spoke to local and national media at St. Andrew’s in Rooney’s first press conference.  

Garry Cook and new Blues Manager Wayne Rooney spoke to local and national media at St. Andrew’s in Rooney’s first press conference. 

Despite not wanting John Eustace to leave the club (certainly not with the shocking way the club dismissed him), I must say that Rooney looks good in our colours, and after watching this, I am excited and intrigued to see what lies ahead for Blues under the new management of him and his backroom staff. 

I have a feeling his appointment will not be as bad as everyone thinks.  I, like many, had my doubts about him being appointed (but not in the pathetic, whiney way a lot of so-called fans have) and I would genuinely love him to do well for us.  The ball is in Rooney and Co.’s court now to make that happen.

Our new era has just stepped up a level.  The ultimate level is to get back into the Premiership and stay there for a very long time with success.  This won’t happen overnight but when it does I think there are going to be spectacular times ahead for this club I love with a passion.  Now that thought truly is exciting.

Image © of B.C.F.C.
Image © of B.C.F.C.

Wayne Rooney inside St. Andrew’s officially unveiled as Blues new manager.

Wayne Rooney’s First Week In Charge

Birmingham City manager, Wayne Rooney, discussed his first week at the club.

On the 19th of October, 2023, Wayne Rooney chatted with Blues T.V. about his first week in charge as the new Blues manager.

Carl Robinson’s First Interview With Blues T.V. 

On the 19th of October, 2023, new men’s First Team coach, Carl Robinson, sat down with Blues T.V. for the first time to discuss his coaching style and how he’s found his first week at the club.

Ashley Cole’s First Interview With Blues T.V. 

On the 19th of October, 2023, new men’s First Team coach, Ashley Cole, sits down with Blues T.V. for the first time to discuss his coaching style and how excited he is to be at Blues.

Announcement Regarding Lower Tilton Re-Opening (2)

Image © of B.C.F.C.

Another Lower Tilton announcement.

On the 24th of October, 2023, Blues announced that more blocks would be open in the Tilton Lower for the match against Hull City.

It’s good to see the repairs are coming on nicely.

Announcement Regarding Juninho Bacuna (2)

Image © of B.C.F.C.

Another Bacuna announcement.

On the 25th of October, 2023, the club made an announcement to Blues fans regarding the racial abuse incident involving Juninho Bacuna during Birmingham City’s match against Huddersfield Town on the 3rd of October, 2023.  Bacuna reported an incident of racism during the second half. 

A man was arrested during Blues’ game against Hull City on the 25th of October, 2023.  Police identified a 52-year-old male who was wanted for questioning.

He was apprehended shortly after kick-off on suspicion of a racially aggravated public order offence and was kept in custody for questioning.

Let’s hope he is dealt with accordingly and banned for life and this sort of thing doesn’t happen again at St. Andrews.  Sadly in the uncivilised world we live it is doubtful.

November 2023

Announcement Regarding New Fan Initiatives

Image © of B.C.F.C.

Announcement regarding new fan initiatives.

On the 1st of November, 2023, the club made an announcement to Blues fans regarding a series of fan initiatives.

As mentioned above in May,  Tom Wagner sent a Letter to Fans outlining six Commitments that he asked fans to hold the leadership of the Club accountable. 

After consultation with fans and fan groups, Blues revealed three new initiatives which deliver on the intent of Wagner’s commitment. 

Firstly is Blues Open House, a quarterly open evening for up to 100 fans who are committed to Blues and whose work helps shape the views of Blue Noses across the globe.  It will be by invitation only and the invite list could change each quarter. The first one of these will take place at St. Andrew’s on Tuesday the 21st of November, 2023, hosted by Garry Cook, and members of the leadership team.

Secondly, Blues Matters, an official Fan Engagement Programme that will be launched in January 2024.  This will be the official constructive communication channel between the Club and fans.

Thirdly,  Blues Official Supporters Club, will  be launched in January 2024 as well.  This is the recreation of the Official Supporters Club after many years, joining organisations across the country and globe in one new digital and physical home.

It is so refreshing that fans are made to feel an important part of the club and not just a revenue service.

Announcement Regarding Blues Open House 

Image © of B.C.F.C.

Open House announcement.

On the 8th of November, 2023, the club announced the Blues Open House date would be changed.

Blues Pay Their Respects Before Remembrance Day 2023 

Blues Pay Their Respects Before Remembrance Day 2023
Image © of B.C.F.C.

John Ruddy and Sean rush discuss Remembrance Day.

Read more here

On the 3rd of November, 2023, John Ruddy, whose father served in the military as well as two of his best friends, and Sean Rush, whose son is currently serving in Iraq, sit down to discuss their loved ones’ experiences and the importance of Remembrance Day.  

Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.
Image © of B.C.F.C.

Blues pay their respects before Remembrance Day 2023 at St. Andrews.

The above photos were taken before their match against Ipswich Town on the 4th of November, 2023.  Click here to see a short video regarding the above including the minute silence and the last post..

Announcement Regarding Kop Lower Re-Opening (1)

Image © of B.C.F.C.

Kop Lower Announcement.

On the 15th of November, 2023, Blues made an announcement stating that Blues Women’s match against Durham on Sunday the 19th of November, 2023 will serve as a test event for the planned re-opening of the Kop Lower.

Tom Wagner is on track to keep his promise of having the Lower Tilton And Kop Lower open by the end of November., how refreshing is that, to have owners who are truthful! 

Announcement Regarding Kop Lower Re-Opening (2)

Image © of B.C.F.C.

Another Kop Lower Announcement.

On the 22nd of November, 2023, Blues made an announcement that Blues fans much-anticipated return to the Kop Lower will be against Sheffield Wednesday on the 25th of November, 2023.

Announcement Regarding Blues Open House: Transformation

Image © of B.C.F.C.

Blues Open House live on Blues TV announcement.

On the 27th of November, 2023, Blues announced that supporters will be able to watch live coverage of the first Blues Open House known as Transformation.

The introduction started with an EXCELLENT short video that made me proud to be a Blue Nose.  It is emotional and underlines why I have supported this club since the 70’s and will do so until the day my time is up. 

True fans need to Keep Right On TOGETHER. As it says on a t-shirt I have, “It’s more than just a badge, it’s our family emblem”. 

You can watch the video here and in the video below.

Hosted by Tom Ross.

Announcement Regarding Beau And Belle Brummie’s Makeover

Image © of B.C.F.C.

Beau and Belle Brummie makeover annoucement.

On the 30th of November, 2023, Blues announced that ahead of Blues’ game against Rotherham United on the 2nd of December, 2023, everyone’s favourite bulldogs have had a makeover and they will be taking over on matchday.

I can understand Tom Wagner and Co. wanting to move the club forward and make revenue (for it is that that will help get things done) but I have to disagree on this one. If it ain’t broke don’t fix it.  I prefer the old traditional look and not something that looks like it came out of a sex shop!

December 2023

On the 27th of November, 2023, Blues announced that supporters will be able to watch live coverage of the first Blues Open House known as Transformation.

The introduction started with an EXCELLENT short video that made me proud to be a Blue Nose.  It is emotional and underlines why I have supported this club since the 70’s and will do so until the day my time is up. 

True fans need to Keep Right On TOGETHER. As it says on a t-shirt I have, “It’s more than just a badge, it’s our family emblem”. 

You can watch the video here and in the video below.

Tom Wagner, Garry Cook And Tom Brady Attend Birmingham City Versus Rotherham United 

Before the game against Rotherham United on December the 2nd, 2023, attended by Tom Wagner and Garry Cook, Tom Brady visited the Birmingham City Elite Performance and Innovation Centre as Blues prepared for the visitors.  You can see a short video here.

Announcement Regarding Birmingham City Foundation

Image © of B.C.F.C.

Birmingham City Foundation announcement.

On the 6th of December, 2023, Blues announced its first flagship partnership as Balaam Wood Academy became the inaugural Academy School.

The school in Frankley has long-standing links with the Club, with coaches currently operating in the school to deliver four hours of football and mentoring per week.

Tom Wagner talks about it here in a short video.

It is great to see Blues giving back to the local community and the city of Birmingham in this way It produces great bonds with prospective investors and most of all the fans, old and new. 

January 2024

Announcement Regarding The Sacking Of Wayne Rooney 

Image © of B.C.F.C.

Rooney sacked announcement.

On the 2nd of January, 2024, Blues made an announcement to inform the fans that manager Wayne Rooney had been sacked.  Carl Robinson left the club with him. Professional Development Coach Steve Spooner will assume responsibility for Men’s First Team matters as a caretaker manager until the manager’s position is filled again. The remaining coaching staff will be required to continue with their duties to assist Spooner.

As with any new manager, I gave him the benefit of the doubt and a chance to prove himself.  Rooney simply was not good enough. 

In the fifteen games played under Rooney’s management, Blues only secured two wins, four draws and nine defeats.  His 13% win rate is down from his 28.5% managerial career win rate at previous clubs DC United and Derby County.  Birmingham went from averaging 1.24 points per game under Eustace to 0.67 points per game under Rooney.  As much as I have never really liked Rooney, he was a great player but great players do not always make great managers.  He has proven this, more than once. I understand the players have to take responsibility for their part in the recent bad form while playing for Rooney but it’s the manager’s job to motivate his players, Rooney did not do this at all.  He looked like he didn’t want to be there, he wasn’t expressive in his emotions and made it clear he didn’t like his players much.  He couldn’t be bothered to wear the club badge or club colours and he alienated the fans from day one.  

It was the wrong decision in the first place to employ him as was getting rid of our previous manager John Eustace but, like in that situation, you have to move on. The club’s number one priority is to avoid relegation and build in the summer with a new manager who knows what he’s doing and shows passion for the club and its fans, you know like Eustace did!

It’s not all doom and gloom. We have decent owners, albeit they made a mistake employing Rooney but soon realised this and rectified it before things got worse.  You can argue not soon enough but it’s done now.  Things are improving with the ground and off the pitch and things will improve on it eventually. 

I won’t wish Rooney good luck, but rather GOOD RIDDANCE! 

Announcement Regarding New Manager Tony Mowbray 

Image © of B.C.F.C.

Mowbray announcement.

On the 8th of January, 2024, Blues announced to the fans that Tony Mowbray is our new manager. He will be joined by his long-time assistant Mark Venus who joins in the position of Assistant Manager.

I don’t have any doubts as I did with Wayne Rooney because Mowbray has a good track record of being an experienced Championship manager.  He is someone who delivers results, likes to play attractive football, gives young players a chance and players want to play for him.  Our fans couldn’t ask for anything more than that

Welcome to Blues Tony. It’s now time to get back on track and move forward once again and, like any new manager for us, I will wish you well. 

Tony Mowbray’s First Interview With Blues T.V.

New Blues Manager, Tony Mowbray sits down with Blues T.V. to discuss a range of topics.

On the 9th of January, 2024, the new Blues manager spoke to Blues T.V. for the first time.

A good and straightforward to-the-point interview from a man who, unlike Rooney knows what he wants and how to achieve it the right way.

Tony Mowbray’s First Press Conference 

Mowbray’s first press conference ahead of the Birmingham City v Swansea City match.

On the 11th of January, 2024, First Team Manager, Tony Mowbray, spoke to the media for the first time following his appointment on Monday. the 8th of January, 2024 and it is simply brilliant.

This time there was no razzamatazz from Garry Cook showing his friend off like a prize trophy because it wasn’t needed.  What we got instead was an honest man with good morals, passion and knowledge of the game.  He is someone who is liked and respected by everyone in his company as clearly can be seen in this press conference. 

It has given me hope again and I have no doubt, that as long as the board support his wants and needs and doesn’t expect too much-attacking football, too soon this time, we have a manager who will motivate our players, play to their strengths once again and lead the club into successful times ahead next season and onwards.

Announcement Regarding Ian Dutton 

Image © of B.C.F.C.

Dutton announcement.

On the 12th of January, 2024, Blues announced to the fans that after 17 years of loyal and dedicated service, Ian Dutton has decided to leave Birmingham City.

Thank you for your service Ian and good luck on your next venture.

Announcement Regarding Birmingham City Partnering With Oak View Group

Image © of B.C.F.C.

Birmingham City partners with Oak View Group announcement. 

On the 12th of January, 2024, Blues made an announcement to inform the fans that they have entered into a multi-year partnership with leading global sports and entertainment company, Oak View Group (O.V.G.) Europe Ltd. 

Under the terms of the agreement, O.V.G. will work with the Club to develop a long-term strategy to maximise the commercial value of St. Andrew’s and the Club’s training grounds.

Garry Cook, said: “O.V.G. has a track record that is second to none, especially in maximising naming rights and ancillary benefits for existing stadiums and new builds. This will be a significant asset for Blues.  Revenues generated by O.V.G. will be invested directly back into the Club, supporting our drive to become world-class across everything that we do.”

This shows how serious our new owners are in making Birmingham City a global success on and off the pitch.  Things are certainly looking up for Blues and eventually, with patience, everything will click into place and we will be a club to be reckoned with back in the Premiership, where we belong.

Announcement Regarding John O’Shea 

Image © of B.C.F.C.

O’Shea announcement.

On the 13th of January, 2024, Blues announced to the fans that John O’Shea had left by mutual consent.

Bye-bye, don’t let the door hit you on your arse on the way out.

Announcement Regarding Blues Matters 

Image © of B.C.F.C.

Blues Matters announcement.

On the 25th of January, 2024, Blues announced to the fans that the next phase of Birmingham City’s fan engagement strategy, Blues Matters, is set to launch this month, bringing supporters together and giving them a voice on the most important off-the-pitch strategic issues.

Blues Matters will be made up of five strategic work groups that will meet throughout the year, each focusing on a specific area of the Club:

Birmingham City Women’s Football Club.

Equality, Diversity, and Inclusion.

Heritage and History.

Men’s Matchday Experience.

South Asian Community Engagement.

It is great that the owners are involving the fans more and considering what we feel and think.  Owners, players etc. come and go but true fans will always be here through the good times and bad and we deserve to be respected more because we are the foundation of the club.

Well done Tom Wagner and co. and thank you for recognising that we do indeed matter a lot.  You keep doing your bit and we will keep doing ours and together we will achieve great things together.

Announcement Regarding Birmingham City Naming Rights Partnership With Knighthead

Image © of B.C.F.C.

Birmingham City naming rights with Knighthead announcement.

On the 26th of January, 2024, Blues made an announcement to inform the fans that they have entered into a multi-million pound, multi-year naming rights agreement with Shelby Companies Limited, which is majority-owned by Knighthead and certain other minority investors, including seven-time Super Bowl champion and entrepreneur, Tom Brady.  It is the largest commercial agreement in the Club’s history.

Under the terms of the deal, the Club’s stadium will be re-named St. Andrew’s @ Knighthead Park.  The Club’s Wast Hills training ground will be renamed The Knighthead Training and Academy Grounds and a new fan entertainment zone @ Knighthead Park, will be built, situated on Club-owned land close to the Tilton and Main Stand at the Stadium. These will be launched before the end of the 2023/24  Season.

The value of the agreement is based on an annual sponsorship fee, a Men’s First Team performance-related bonus and a club-wide social media performance-related bonus.  For the remainder of the 2023/24 season, the value to the Club with incentives could reach £6,241,666.67.  In 2024/25, the first full year of the partnership, the value to Birmingham City, with incentives, could reach £9,450,000.  Further information is available here.

Knighthead Park is the first step in the Club’s plan to build a Sports Quarter in the heart of Birmingham.  The ambition for the Sports Quarter is to create a globally recognisable sporting and entertainment location.  A beacon of excellence, providing the world’s greatest athletes and performers a platform to showcase their talents.  Recreational, mixed-use and other spaces will be developed for the enjoyment and benefit of the local community.

The official launch for this will be at St. Andrew’s @ Knighthead Park on Monday the 1st of April, 2024. 

The vast amount of revenue predicted will go a long way to balancing the books and staying well within F.F.P. and it gives Tony Mowbray the cash to build a much stronger team to battle for the Premiership.  Then, when we eventually get promoted, a new ground will follow and the sky is the limit for Birmingham City.

There are very exciting times ahead for Blues, that’s for sure, and I, for one, can’t wait.

Announcement Regarding Blues New Official Supporter’s Club For Disabled Supporters (1)

Blues New Official Supporter’s Club For Disabled Supporters Announcement
Image © of B.C.F.C.

Blues new Official Supporter’s Club for disabled supporters announcement.

On the 29th of January, 2024, Blues announced to the fans that as part of the Club’s plan to create an Official Supporter’s Club (O.S.C.), it has been engaging with the two existing independent disabled supporter groups, AccessiBlues and the Birmingham City Disabled Supporters Association (B.C.D.S.A.).

The goal of the Club and the O.S.C. is to have a single unified branch that represents the disabled supporters, ensures that they receive the highest levels of support and creates a welcoming atmosphere for its members.

Nice one Blues.

A Message To Supporters From Tom Wagner – 31/01/2024

Wagner’s motivational message to all Blue Noses.

On the 31st of January, 2024, the Chairman of the Board, Tom Wagner, sent a message to Blues supporters regarding five new initiatives to sell out the match against Sunderland.

In this very motivational message, he talked about how much he enjoys spending time with Blues supporters. 

He revealed that he wants the home game at St. Andrew’s @ Knighthead Park to be a sell-out, something that has not been achieved for nearly four years.

The Club have launched five initiatives to make this big game even bigger.  They are:

(1) Category B.

The game is now Category B, instead of Category A. This makes it more affordable and accessible, with tickets now starting at £30.

(2) Celebrate Birmingham Industry Day.

By working with big local employers, essential services, and local universities Blues has created partnership packages that enable them to offer their employees and students Blues tickets for the hosting of Sunderland at a reduced price.

(3) Platinum and Gold.

The Club are giving the Gift of Blues to Platinum and Gold Members who travel 1,000s of miles each season to cheer on the team. These fans can buy up to two tickets for family and friends at £10 for an adult and £3 for a child.

(4) Tickets 4 Teams.

Blues want to bring young football-crazy kids back to St. Andrew’s @ Knighthead Park

(5) 1,000 free tickets for children’s charities and schools.

Working with charities and schools across Birmingham, the Club is making tickets available for those children who would not normally be able to come to a game.

This is all fantastic news from the club and stuff we could have only ever dreamed of under the previous, useless owners so let’s give him what he asks for and sell all our tickets for the Sunderland game and fill St. Andrew’s with wonderous loud noise.

When Wagner speaks you can’t help but want to listen to his passionate words which are genuinely from the heart.  Has a businessman he wants to make a profit, that is undisputable, that is why he brought Birmingham City for, but he truly wants the very best for the club and the fans and you can hear that in his voice and see that in his eyes.  He truly is a man of integrity and we are very fortunate to have him. 

February 2024

Announcement Regarding Juninho Bacuna (3)

Bacuna Announcement (3)
Image © of B.C.F.C.

Another Bacuna announcement.

On the 3rd of February, 2024, the club made an announcement to Blues fans regarding an incident that happened in the second half of the game versus West Bromwich Albion at the Hawthorns.  Bacuna reported an incident of racism to the referee, David Webb.  It was included in the official’s match report and the Club said it would deal with it accordingly.

This isn’t the first time Bacuna has been on the end of racial abuse and it is disgraceful.  May the perpetrator be found, charged and banned from football for life a.s.a.p.

Announcement Regarding Blues New Official Supporter’s Club For Disabled Supporters (2)

Blues New Official Supporter’s Club For Disabled Supporters Announcement
Image © of B.C.F.C.

Another announcement regarding Blues new Official Supporter’s Club for disabled supporters.

On the 6th of February, 2024, Blues announced to the fans an update about the launch of the Official Supporters Club, a key part of the new fan engagement strategy.

Following the recent application period, the Club revealed that there were 62 successful applications, including 15 from overseas.

The Official Supporters’ Clubs is aimed at uniting supporters, creating communities of Blue Noses across the globe and rewarding fans for their loyalty.  Branches are predominantly based on geographical locations, meaning supporters across the region and beyond can connect, socialise, travel and watch games together.  Membership for every Branch opened at the end of February and will be free of charge for the remainder of the 2023/24 season.

Announcement Regarding Juninho Bacuna (4)

Bacuna Announcement (4)
Image © of B.C.F.C.

Another Bacuna announcement.

On the 7th of February, 2024, the club made an announcement to Blues fans regarding West Midlands Police who arrested a man on suspicion of racially abusing Bacuna because of an incident that happened in the second half of the game versus West Bromwich Albion at the Hawthorns.

Witnesses were told to contact the West Midlands Police by clicking here or by calling 101 to help them with their inquiries.

Hopefully, this will be over with quickly and the moron involved gets what he deserves.

Announcement Regarding Tony Mowbray Requiring Medical Treatment

Tony Mowbray Requires Medical Treatment Announcement
Image © of B.C.F.C.

Tony Mowbray requires medical treatment announcement.

On the 19th of February, 2024, the club made an announcement to Blues fans regarding Manager Tony Mowbray requiring medical treatment which meant that he would be temporarily stepping away from the on-site management of the Club for a period of approximately six to eight weeks.

Assistant Manager, Mark Venus will assume temporary responsibility for the team with immediate effect. along with Ashley Cole, Pete Shuttleworth and Maik Taylor.

Get well soon Tony.

Announcement Regarding UB40 Concert At St. Andrew’s @ Knighthead Park 

UB40 Concert At St. Andrew’s @ Knighthead Park Announcement
Image © of B.C.F.C.

UB40 Concert at St. Andrew’s @ Knighthead Park announcement.

On the 28th of February, 2024, the club made an announcement to Blues fans regarding the UB40 Concert at St. Andrew’s @ Knighthead Park on Monday the 1st of April, 2024.  Blues have joined forces with UB40 to present the World Premiere of the band’s new album UB45.  It is part of the official launch of the Club’s naming rights partnership, St. Andrew’s @ Knighthead Park.  The Club will unveil new St. Andrew’s @ Knighthead Park stadium branding at the event.

It will be UB40’s kick-off concert for their extensive 2024 World Tour. 

The concert is part of an Easter Monday Double Header with the match versus Preston North End, kick-off at 3 pm. The UB40 concert is included in the price of the ticket for the match.

This will start at 5.45 pm and last one hour. Supporters can expect to hear the much-loved classic hits and a sprinkling of new material from the upcoming UB45 album on a pre-built stage behind the goal in the Gil Merrick Lower.

The concert is in partnership with Greatest Hits Radio, the country’s most-listened-to commercial radio station, and will be hosted by presenter Jenny Powell.

Personally, this isn’t UB40 to me.  The sound of UB40 will always be Ali Campbell as the lead singer.  I appreciate bands changing, and members replacing others over time but when Ali left UB40 with Astro it never was the same again.  Sadly, due to silly family arguments, there was never any chance of the original lineup getting back together again, especially as Mickey Virtue passed away in 2008 and Astro and Brian Travers passed away in 2021.  Ali does his own thing, as does his brother Robin and they both use the name UB40.  We are all entitled to opinions of which version we like of the band best and mine is the one when they were all together, the one that I grew up with and enjoyed in the 70’s and 80’s and brought out their best music up until the 90’s.

No one should be moaning about the FREE concert being provided here, especially the ones going to the Preston match. They all can have opinions, of course, but moan, most definitely not. Those attending can choose to stay after the match to watch it or leave but regardless of who likes who, what and why, Tom Wagner has to be commended for finding initiative ways of bringing important revenue to Birmingham City that will help build the club to bigger things and benefit all of its supporters in the long run.  For that, I say well done Tom, keep up the great work.     

March 2024

Announcement Regarding The Second Blues Open House In April

The Second Blues Open House In April Announcement
Image © of B.C.F.C.

The Second Blues Open House in April announcement. 

On the 8th of March, 2024, the club made an announcement to Blues fans regarding the details for the second Blues Open House on Tuesday the 9th of April, 2024, hosted by Garry Cook, who will be joined in-person by Tom Wagner, and other members of the Club’s Leadership Team.  The theme of the evening is Ambition.

The primary focus will be on two areas:  

(1) Infrastructure. 

(2) Fan experience.

Announcement Regarding Tony Mowbray’s Medical Leave And Gary Rowett’s Return As Interim Manager

Tony Mowbray's Medical Leave And Gary Rowett's Return As Interim Manager Announcement
Image © of B.C.F.C.

Tony Mowbray’s medical leave and Gary Rowett’s return as Interim Manager announcement.

On the 19th of March, 2024, the club made an announcement to Blues fans regarding Tony Mowbray’s medical leave and Gary Rowett’s return as Interim Manager.

Mowbray will take a formal medical leave of absence until the start of pre-season 2024/25.

The Club appointed Interim Manager, Gary Rowett, with immediate effect for the remaining eight games of the season.

Assistant Manager, Mark Venus, will also take a leave of absence with immediate effect and rejoin the Club at the same time as Mowbray.  First Team Coaches, Ashley Cole and Peter Shuttleworth, and Goalkeeper Coach, Maik Taylor, will remain at the Club as part of Rowett’s coaching staff.

Once again I say to Tony get well soon and here’s to a speedy recovery for him and thank you to Mark for his efforts in trying his best to get results for Blues to push them further up the table, unfortunately, that wasn’t too be with only one point out of six matches in charge.    

Here is what I wrote regarding our recent form in the Championship.  I said then it was a bad idea to get a manager in to replace Mowbray if he didn’t return for the Q.P.R. game.  We now know that isn’t going to happen and, no disrespect to Venus, he isn’t up to the task of managing the team.  That wasn’t all his fault though and the players need to have a good hard stare at themselves in the mirror and see that most of them are not good enough for this club unless they give 100% every match.  They only need to look at Lukas Jutkiewicz for inspiration.  With all this in mind, hiring Rowett is a wise decision by Tom Wagner.  

As a former Blues player and manager, Rowett knows the club well.  He took over in October 2014 when we were struggling following an embarrassing defeat to Bournemouth at home when we lost 8-0.   In just five games in charge under Rowett Blues looked like a completely different team gaining eleven points from fifteen.  It would be amazing to have a similar outcome in the remaining eight games he is in charge.  Will it happen? Time will tell.

Good luck Gary.  

Gary Rowett’s First Interview With Blues T.V. As Interim Manager

Blues Interim Manager, Gary Rowett joins Blues T.V. to discuss his return to the Club.

On the 20th of March, 2024, Blues interim manager spoke to Blues T.V. for the first time on his return to Birmingham City.

This a good interview from a man who knows the club well and shares the passion of its fans.

Announcement Regarding Gary Rowett’s Backroom Staff 

Announcement
Image © of B.C.F.C.

Gary Rowett’s backroom staff announcement.

On the 20th of March, 2024, the club made an announcement to Blues fans regarding Interim Manager Gary Rowett’s backroom staff.

Birmingham City confirmed two additions to Rowett’s staff which includes First Team Coaches, Ashley Cole and Peter Shuttleworth, and Goalkeeper Coach, Maik Taylor.

Rowett will be joined by Paul Robinson and Dave Carolan for the eight remaining games of the 2023/24 season.  Both assisted Rowett at Millwall and previously worked at Blues.

It is good to have them back, especially former Club Captain Robinson who gave everything in his time at Blues, much like Lukas Jutkiewicz does now.  These are proper players who play with pride for the badge on their football tops, their club and its fans.  

Good luck Paul and Dave.

First Team Technical Coaches, Paul Robinson and Dave Carolan sit down with Blues T.V. to discuss returning to the Club under Interim Manager, Gary Rowett’s stewardship.

April 2024

Announcement Regarding Blues Open House: Ambition

Blues Open House live on Blues TV announcement.

On the 8th of April, 2023, Blues announced that supporters will be able to watch live coverage of the second Blues Open House known as Ambition.

You can watch it all in full in the video below of this exciting look at the future of Birmingham City under Knighthead and I for one can’t wait to see it all come to fruition.

Announcement Regarding Knighthead Acquiring 48-Acre Former Wheels Site  

Knighthead Acquiring 48-acre Former Wheels Site Announcment
Image © of B.C.F.C.

Knighthead acquiring 48-acre former Wheels site announcement.

On the 9th of April, 2024, the club made an announcement to Blues fans regarding Knighthead’s acquisition of the 48-acre former Wheels site in Bordesley Park, East Birmingham, bringing their total land holding to more than 60 acres, excluding St. Andrew’s @ Knighthead Park. 

This is a key step toward creating a vibrant Sports Quarter and a new world-class stadium as follows:

(1) Knighthead’s ambition for Birmingham City Football Club is to become a beacon of excellence for Birmingham on the global stage, boosted by the new Sports Quarter infrastructure plans

(2) Sports Quarter to be home to world-class stadium and training facilities for all Birmingham City teams, and extensive commercial and community facilities

(3) The development of the Sports Quarter is expected to generate over 3,000 local jobs

(4) Knighthead’s investment into the Sports Quarter follows the company’s takeover of the Football Club and further showcases the company’s continued commitment and ambitions for the city of Birmingham

(5) The plans have been led by Knighthead Co-CEO and Birmingham City Chairman, Tom Wagner, and Chief Executive Officer, Garry Cook.

The Sports Quarter intends to build a new multi-use stadium, high-performance training facilities and other mixed-use real estate development including a range of entertainment options.  This is to be the new home of Birmingham City Football Club, and a world-class venue to bring international sporting events to the region.  The news represents a significant step on the Club’s growth journey following the takeover by Knighthead in July 2023.

Birmingham City sits at the heart of the community in Birmingham through its activity on the pitch and the important work of the Birmingham City Foundation.  The regeneration of Bordesley Green and the planned facilities for local people are central to the owners’ ambition to make a positive contribution to people from all backgrounds across the city.

The ambition for the Sports Quarter is for it to become a globally recognisable sporting and entertainment location.  The goal is for Blues to have a world-class stadium, training facilities for both men and women, a new academy, community pitches and commercial space to support innovative local businesses, all within walking distance to the city centre.

The plans will not only help realise the vision for the Football Club but also deliver for East Birmingham as part of Knighthead’s plan to play a significant role in the ongoing transformation of Birmingham’s infrastructure and skyline.  Once operational, the Sports Quarter should generate over 3,000 full-time jobs and significantly contribute to Birmingham’s G.D.P.

This has been mentioned in the media and on social media recently but I didn’t want to comment on it until it was official and that time is now.

It is such a joy to see ambition from owners who know what they are doing and truly care for the club and its fans.  There are exciting years ahead to come for Blues fans and I, for one, can’t wait to see all this come to fruition.

Blues Remember The Victims Of The Birmingham Pub Bombings  

Image © of B.C.F.C.

Blues remember the victims of the Birmingham Pub Bombings. 

On the 23rd of April, 2024,  Blues installed a lasting memorial to the 21 victims of the Birmingham Pub Bombings who sadly lost their lives on Thursday, the 21st of November, 1974.

They installed a plaque on the facade of the Kop at St. Andrew’s and it continues to show what a brilliant understanding club this is for the people of Birmingham.    

Birmingham Pub Bombings Memorial Plaque At St. Andrews
Image © of B.C.F.C.

Birmingham Pub Bombings memorial plaque at St. Andrews. 

2023/24 Season Academy Awards

Blues Academy Awards 2024
Image © of B.C.F.C.

Blues Academy Awards 2024. 

On the 26th of April, 2024, Blues held their annual academy awards.  The players and their coaches were joined by Members of the Club’s Leadership Team, hearing from Blues’ Chief Executive Officer, Garry Cook, Academy Manager (Football), Liam Daish, and Academy Manager (Operations), Louisa Collis.

As well as the awards ceremony, guests were treated to video highlights from the season and a football freestyle performance.

The winners were:

Under-9s Players’ Player of the Season: Jackson Coombes.

Under-10s Players’ Player of the Season: Willo Vanriel-Williams.

Under-11s Players’ Player of the Season: Thomas Breese.

Under-12s Players’ Player of the Season: Prince Tchappi.

Under-13s Players’ Player of the Season: Finley Taylor.

Under-14s Players’ Player of the Season: Liam Taylor.

Under-15s Players’ Player of the Season: Fraser Hamilton-Wright.

Under-16s Players’ Player of the Season: Tobe Ugorji.

Under-9s Goal of the Season: Jack Johnson-Guy.

Under-10s Goal of the Season: Didaar Bening.

Under-11s Goal of the Season: Carlos English.

Under-12s Goal of the Season: Jude Kyei.

Under-13s Goal of the Season: Thomas Caves.

Under-14s Goal of the Season: Charlie Bayton-Timms.

Under-15s Goal of the Season: Jayden Nunes-Wickham.

Under-16s Goal of the Season: Kian McCusker.

FP Save of the Season: Beniamin Beardmore.

YDP Save of the Season: Alfie Smith.

Congratulations to all of the above.  It is fantastic to see our young players do well and I hope many of them have a successful future with Birmingham City and go on to achieve great success regardless of who they end up playing for.  

May 2024

A Letter To Supporters From Tom Wagner – 04/05/2024

Image © of B.C.F.C.

Tom Wagner.

On the 4th of May , 2024, Tom Wagner wrote another letter to the fans, this time regarding Blues getting relegated to League One.  You can read it here.  

Wagner knows that he, and the board, have made mistakes that have contributed to our final league position and will learn from them.  Not one true, loyal Blues fan will have a bad word to say about this man and what he as achieved for our club since Knighthead took over in May 2023.  Despite going down we can look forward to going back up again with hope in our hearts instead of fear in them if we were still under Chinese ownership.  Under them still we would always be worried that we would slip down the leagues even further.  You only have to watch the last Blues focus to truly realise that the future looks very bright for Birmingham City indeed.

A Letter To Supporters From Garry Cook – 04/05/2024

Image © of B.C.F.C.

Garry Cook.

On the 4th of May, 2024, Garry Cook wrote another letter to the fans, this time regarding Blues getting relegated to League One.  You can read it here

There is no point people putting all the blame on Cook for our final league position. He will know very well the part he played in our relegation by pushing for the appointment of Rooney but all the club’s problems before and after that were put into motion when the Chinese took over and that is a fact.  It is silly and pointless to make Cook the scapegoat for our relegation. There have been a lot of reasons leading up to this event.  It is what it is.  The time now is to look forward, not backwards.

2023/24 Season Player Awards

Jay Stansfield Wins Five Awards In The 2023-24 Season
Image © of B.C.F.C.

Jay Stansfield wins five awards in the 2023-24 season.

On the 5th of May, 2024, Blues held their annual player awards, a bitter sweet event following relegation to League One the day before. 

The awards celebrated the best in class from the 2023/24 season, with both of Blues’ First Team squads and staff along with members of the Board, the Leadership Team and supporters in attendance.

All five Men’s awards were collected by England Under-21s international Jay Stansfield, as he was recognised, by both Blue Noses and his team mates, for an outstanding season on loan from Fulham.  His achievements eclipse Che Adams’ four-award haul in 2019.

The 21-year-old’s thirteen goals earned him Supporters’ Player of the Season, Players’ Player of the Season, Young Player of the Season and Top Goalscorer.

And of his netbusters, Stansfield’s strike on his debut, a 96th-minute winner against Plymouth Argyle in August, won him Goal of the Season.

You can see the full list of Blues winners here

Well done Jay and well deserved.  You was one of a few that gave everything during your entire time playing here for Birmingham City and will be sadly missed.  Good luck in your future going forward.

BluesFest 2024

Team Fry And Team Dugarry At BluesFest 2024
Image © of B.C.F.C.

Team Fry and Team Dugarry at BluesFest 2024.

On the 11th of May, 2024, Blues hosted the first-ever BluesFest at St. Andrew’s.

Blues legends and a host of celebrities came together to raise funds for the Birmingham City Foundation, with the centre-piece being a match on the B9 pitch that contributed to the fundraising total.

The teams, led by former Manager, Barry Fry, and 2002 FIFA Men’s World Cup winner, Christophe Dugarry, played out a thrilling 6-6 draw before penalties determined the overall winner.

Barry Fry Settles Into The Head Coach's Office
Image © of B.C.F.C.

Barry Fry settles into the Head Coach’s Office.

Christophe Dugarry Recreates His Iconic Celebration
Image © of B.C.F.C.

Christophe Dugarry recreates his iconic celebration.

You can see more photos from the day and read more about BluesFest 2024 here

It’s fantastic to see things like this happening at St. Andrews highlighting what a great family club we are.  The more positive exposure we get the better.

The highlights of Bluesfest 2024 that took place on May the 11th at St Andrew’s. 

Announcement Regarding Tony Mowbray Standing Down As Blues Manager

ony Mowbray Standing Down As Blues Manager Announcement
Image © of B.C.F.C.

Tony Mowbray Standing Down As Blues Manager Announcement.

On the 21st of May, 2024, the club made an announcement to Blues fans regarding Tony Mowbray standing down as Blues manager due to his health following an unexpected surgery earlier in the year.

Mowbray has informed the Club of his decision to stand down as Men’s First Team Manager with immediate effect. 

Mowbray, who temporarily stepped away from his on-site management duties in February before taking a formal medical leave of absence in March, has decided to focus on making a full recovery from his surgery and spending time with his family.

The 60-year-old arrived at Blues in January and claimed victory in four of his eight matches at the helm, including back-to-back Championship victories over former teams Blackburn Rovers and Sunderland, and securing progression in the F.A. Cup.

Due to the suddenness of his announcing he was leaving due to ill health, it was always questionable if he was ever going to return at all for the 2024/25 season.  Every Blues fan hoped he would come back to guide us out of League One and quickly back to the Championship.  With his experience in League One in the past, he was the number one man for the job but sadly that isn’t going to be.

I wish him all the best for the future, whatever he decides to do and I fully respect his decision for family and good health, mentally, physically or both, should always come first over any job.  I, and many Blues fans, would like to thank him again for coming to us in the first place albeit for a short stay.    Here’s to a speedy recovery Tony. 

KEEP RIGHT ON. 

Blog Posts

Notes And Links

The image shown at the top of this page is copyright of Birmingham City F.C.  

The above links in the Before Knighthead section will take you to Wikipedia and its content is subject to change.

The links in the Next Chapter section will take you to the Birmingham Mail and Birmingham City’s websites.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Help Harry Help Others – Official website.

Help Harry Help Others on Twitter.

Help Harry Help Others on Instagram.

Help Harry To Help Others on YouTube.

Birmingham City: Staff For The 2023/24 Season

B.C.F.C. Badge
Image © of B.C.F.C.

There is only one team in Birmingham worth supporting with true passion and Birmingham City is it.  I have been supporting them since 1978 when Jim Smith was the manager.  He is my favourite manager to date.   I am a blue nose ’til I die.

You can read lots more about Blues by clicking here.

Staff: 2023 – 2024 Season 

Click on the staff member’s name to read their profile.  This will take you to Birmingham City’s official website. 

Manager 

Image © B.C.F.C.

Read more about Mowbray here.

Assistant Manager

Mark Venus.

Image © B.C.F.C.

Read more about Venus here.

Assistants

Pete Shuttleworth.

Image © B.C.F.C.

Ashley Cole.

Image © B.C.F.C.

Read more about Cole here.

Head Of Physical Performance

Image © B.C.F.C.

Goalkeeper Coach

Image © B.C.F.C.

Read more about Taylor here.

The following are not shown on the Blues website for some reason:

Technical Director: Craig Gardner.  Read more about Gardner here.

Sports Scientist: Elliott Woolmer.

Blog Posts

Notes And Links

The image shown at the top of this page and the images below are copyright of Birmingham City F.C.  The subsequent information is from there too and anything else is from Wikipedia except information on Pete Shuttleworth which is from Wikitia.

Wikipedia and Wikitia content is subject to change.

Birmingham City F.C. – Official website.  

Birmingham City on Facebook  – This is their official Facebook page.

Birmingham City on Twitter – This is their official Twitter page.

Birmingham City on YouTube – This is their official YouTube page.

Blues Store Online – Birmingham City’s official club store online.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.