Books: The Road To Oz By L. Frank Baum

1909 first edition front cover image © John. R. Neill and is in the Public Domain via Wikipedia

You can download this book and the thirteen other fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking here.  

About The Road To Oz

The Road to Oz is the fifth of L. Frank Baum’s Land of Oz books.  It was originally published on July 10, 1909 and documents the adventures of Dorothy Gale’s fourth visit to the Land of Oz.

The book was dedicated to Joslyn Stanton Baum, the author’s first grandson, the child of Baum’s eldest son Frank Joslyn Baum.

Publication

The sales figures of Baum’s other fantasy novels always lagged behind his Oz novels; it has therefore been theorized that the guest appearances of his non-Oz characters in The Road to Oz were a marketing ploy to raise interest in those other titles.

This is the only Oz book to be printed on coloured pages instead of with coloured pictures.  The coloured pages represent the signature colours of the various countries of Oz that Dorothy and her companions travel through on their way to the Emerald City.

The Tin Woodman’s garden features images of Dorothy and Toto, representing them as they first arrived in Oz.  The illustrator, John R. Neill, apparently takes this description literally, by causing the statues to resemble the illustrations made by his predecessor, W.W. Denslow.  This is in contrast to the “real” Dorothy, who is drawn here much as she is drawn in all of the Oz books illustrated by Neill.  It is implied that she is amused by the differences present; she has apparently lost weight, as well as changed her attire.

The Plot

SPOILER ALERT: Skip this bit if you haven’t read the book and are planning to do so!

While Dorothy Gale is at home in Kansas one day, she and her pet dog Toto meet the Shaggy Man who comes walking past the Gale farm.  He is a friendly, yet slightly senile hobo with an optimistic, carefree mentality.  He politely asks Dorothy for directions to Butterfield, which is the nearest town on the prairie.  The girl agrees to show him the way, bringing her dog with her.  Further on, the road splits into seven paths.  They take the seventh one and soon find themselves lost in what appears to be another dimension.  The trio meets Button-Bright, a cute and wealthy little boy in a sailor’s outfit who is always getting lost.  Later, the companions encounter Polychrome, the beautiful and ethereal Daughter of the Rainbow who is stranded on earth.  Polychrome explains that she accidentally fell off her father’s bow while dancing on it.  The bow ascended into the atmosphere and back into the clouds before she was able to climb her way back on it, thus being left behind.

Dorothy, Toto, the Shaggy Man, Button-Bright, and Polychrome eventually come to the peculiar town of Foxville, where anthropomorphic foxes live.  With prompting from King Dox of Foxville, Dorothy deduces that she and Toto are obviously on another fairy adventure that will ultimately lead them to the magical Land of Oz, just in time for Princess Ozma’s royal birthday party (which is now acknowledged as August 21 by Oz fans, even though the book only refers to the 21st of the month, Dorothy having mentioned that the current month is August in another passage).  The king takes a particular liking to Button-Bright, whom he considers astute and clever due to his tabula rasa-like mind.  Believing that the human face does not suit one so clever, Dox gives him a fox’s head which he is unable to remove.  A similar event subsequently happens to the Shaggy Man, when King Kik-a-Bray of Dunkiton confers a donkey’s head upon him — also in reward for cleverness, even though it is implied that Foxville and Dunkiton exist at odds with one another.  Though both of them ask Dorothy to procure them invitations to Princess Ozma’s birthday party.

After meeting the Musicker, who produces music from his breath, and fighting off the Scoodlers, who fight by removing their own heads and throwing them at the travellers, Dorothy and her companions reach the edge of the fatal Deadly Desert completely surrounding Oz.  There, the Shaggy Man’s friend Johnny Dooit builds a sand-boat by which they may cross.  This is necessary, because physical contact with the desert’s sands, as of this book and Ozma of Oz (1907), will turn the travellers to dust.

Upon reaching Oz, Dorothy and her companions are warmly welcomed by the mechanical man Tik-Tok and Billina the Yellow Hen.  They proceed in the company to come in their travels to the Truth Pond where Button-Bright and the Shaggy Man regain their true heads by bathing in its waters.  They meet the Tin Woodman, the Scarecrow, and Jack Pumpkinhead who journey with them to the imperial capital called Emerald City for Ozma’s grand birthday bash.  Dorothy meets up with Ozma as her chariot is pulled in by the Cowardly Lion and the Hungry Tiger.

As preparations for Ozma’s birthday party are made, the guests include Dorothy, Scarecrow, Tin Woodman, Cowardly Lion, the Wizard of Oz, Jack Pumpkinhead, the Sawhorse, Tik-Tok, Billina, Jellia Jamb, Woggle-Bug, Hungry Tiger, the Good Witch of the North, Shaggy Man, Button-Bright, Polychrome, and characters from all over Nonestica (such as Santa Claus, a band of Ryls, and a bunch of Knooks from the Forest of Burzee, Queen Zixi of Ix, the Queen of Merryland, four wooden soldiers, and the Candy Man from Merryland, the Braided Man from Boboland’s Pyramid Mountain, the Queen of Ev, King Evoldo, and his nine siblings from the Land of Ev, King Bud and Princess Fluff from Noland, and John Dough, Chick the Cherub, and Para Bruin the Rubber Bear from Hiland and Loland) as well as invitations to King Dox, King Kik-a-Bray, and Johnny Dooit.  Though Princess Ozma couldn’t procure an invitation to the Musicker due to a chance that his uncontrollable vocal tic might arouse violence against him.  The Shaggy Man receives permission to stay in Oz permanently.  He is given, in addition to this, a new suit of clothes having bobtails in place of his former costume’s ragged edges, so that he may retain his name and identity.

After everyone has presented their gifts and feasted at a lavish banquet in Ozma’s honour, the Wizard of Oz demonstrates a method of using bubbles as transportation by which to send everyone home.  Polychrome is finally found by her rainbow family and she is magically lifted into the sky when she climbs back onto her bow.  Button-Bright goes home with Santa Claus in a soap bubble with the Sawhorse loaned to Santa Claus. Dorothy and Toto are finally wished back home to Kansas again by Ozma’s use of the Magic Belt.

Read more about The Road To Oz here.

The above articles were sourced from Wikipedia and are subject to change.   

Blog Posts

Notes And Links

The 1909 first edition front cover image shown at the top of this page is © John R. Neill and is in the Public Domain via Wikipedia.

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz.  

Books: Dorothy And The Wizard In Oz By L. Frank Baum

1908 first edition front cover image © John. R. Neill and is in the Public Domain via Wikipedia

You can download this book and the thirteen other fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking here

About Dorothy And The Wizard In Oz

Dorothy and the Wizard in Oz is the fourth book set in the Land of Oz written by L. Frank Baum and illustrated by John R. Neill.  It was published on June 18, 1908, and reunites Dorothy Gale with the humbug Wizard from The Wonderful Wizard of Oz (1900).  This is one of only two of the original fourteen Oz books (the other being The Emerald City of Oz (1910), to be illustrated with watercolour paintings.

Baum, having resigned himself to writing a series of Oz books, set up elements of this book in the prior Ozma of Oz (1907).  He was not entirely pleased with this, as the introduction to Dorothy and the Wizard of Oz opens with the protest that he knows many tales of many lands, and hoped that children would permit him to tell them those tales.

Written shortly after the 1906 San Francisco earthquake and around the time Baum moved to California, the book starts with an earthquake in California.  Dorothy and others are swallowed up by cracks in the earth and fall into a cavern, where they begin their adventures.

Very little of the story—six of the twenty chapters—actually takes place in Oz.  As in Ozma of Oz before it, and in some of the books after, Oz is not the land where the adventures take place, but the land the characters are seeking as a refuge from adventure.

The book was dedicated to Harriet Alvena Baum Neal, the author’s eldest sister.

Publication

Four years passed between the first and second Oz books (1900-4), and three between the second and third (1904-7).  By 1907, however, it was clear to Baum and to his publisher, Reilly & Britton, that the Oz books were more popular and sold better than any of Baum’s other works.  After 1907’s Ozma of Oz, Baum devoted more of his energies to Oz.  A 1906 contract between Baum and his publisher called for new Oz books at two-year intervals between 1907 and 1911.

In fact, Baum accelerated this schedule, producing Dorothy and the Wizard in Oz only a year after the previous book.  The effect of this effort on the quality of the resulting work can only be a matter of speculation, but commentators have noted that this fourth Oz book is darker and more troubling than usual.  In it, Baum violates his own standard of leaving out most elements that can disturb or frighten children.  In the first two-thirds of the book, Dorothy and her friends barely escape from an unrelenting succession of threatening magical countries.  In the company of the Wizard, Dorothy is a helpless little girl, given no opportunity to show her resourcefulness.  When Oz is finally reached, it is a bland goody-goody place with few positive events to offer.

The Plot

SPOILER ALERT: Skip this bit if you haven’t read the book and are planning to do so!

Dorothy Gale is gladly joining her Uncle Henry in California to visit relatives who live at Hugson’s Ranch, after their vacation from Australia in Ozma of Oz.  Dorothy meets Hugson’s nephew who is her second cousin, Zeb of Hugson’s Ranch.  Dorothy, Eureka (her cat) and Zeb are riding a buggy being pulled by a cab-horse named Jim when a violent earthquake strikes.  A crevice opens in the ground beneath them and they fall deep into the Earth.

Dorothy, Eureka, Jim, Zeb, and the buggy land in the underground Land of the Mangaboos, a race of vegetable people who grow on vines.  The Mangaboos accuse them of causing the earthquake, which has damaged many of their glass buildings.  Just as they are about to be sentenced to death by the Mangaboos, a hot air balloon randomly descends, and in the basket is the former Wizard of Oz, whom Dorothy last saw as he floated away into the sky from the Emerald City at the end of the earlier book The Wizard of Oz.

The Wizard demonstrates his (humbug) magic powers, first, by “conjuring” nine tiny, mouse-sized piglets (actually taking them from his pocket by sleight-of-hand), and then, by lighting a fire, which is a phenomenon unknown to the Mangaboos.  Impressed, the Mangaboo prince gives him a temporary job as a court wizard, but the death sentence is only postponed until a new, native Mangaboo wizard grows ripe enough to serve.  Eureka asks for permission to eat one of the piglets, but the Wizard angrily refuses to allow this.  The Mangaboo people eventually drive the travellers out of their country into a dark tunnel, which leads to another kingdom.

They pass through the tunnel into a beautiful green valley.  They enter a seemingly empty cottage and are welcomed by invisible people, for they have entered the Valley of Voe, whose inhabitants are able to remain invisible by eating a magic fruit and use their invisibility to hide from marauding bears.  In order to avoid being eaten by the bears, the travellers move on.

The companions climb Pyramid Mountain, and meet the Braided Man, a manufacturer of holes, flutters (guaranteed to make any flag flutter on a windless day), and rustles for silk dresses.  After exchanging gifts with him, the travellers continue upwards into the Land of the Gargoyles, which are hostile, silent, flying monsters made of wood.  The travellers are able, at first, to repel their attack successfully because the Gargoyles are frightened by loud noises.  However, the travellers are soon out of breath and unable to make more noise, so the Gargoyles capture them.  After recuperating from the fight, the travellers manage to escape and enter another tunnel.

After a close encounter with a family of baby dragons, they find themselves trapped in a cave with no exit.  The Wizard, Zeb, and the animals all fear that they will die of thirst, but Dorothy reveals that she has an arrangement with Princess Ozma: each day at four o’clock, Ozma uses her magic picture to see what Dorothy is doing, and if Dorothy gives a certain visual hand-signal, Ozma will use her magic belt to transport Dorothy out of danger to the Emerald City.  In this way, the travellers are rescued.

Soon after renewing his acquaintance with the Emerald City staff and making the acquaintance of Ozma and her courtiers, the Wizard elects to remain in Oz permanently, planning to learn real magic from Glinda the good witch.  He demonstrates his piglet-trick in a magic show and gives one of the piglets to Ozma as a pet.  The others stay for an extended visit, whose highlights include a race between the wooden Saw-Horse and Jim, which the Sawhorse wins.  Eureka is accused of eating Ozma’s pet piglet.  In fact, Eureka is innocent and the piglet is alive and well, but the obstinate Eureka enjoys being the centre of the court’s attention and does not try to prove her innocence until the trial is over.  After the piglet is returned to Ozma, and Zeb and Jim decide they’ve had enough of fairyland, Ozma then uses the Magic Belt to send Dorothy and Eureka back to Kansas, and Zeb and Jim back to California.

Read more about The Dorothy And The Wizard in Oz here.

The above articles were sourced from Wikipedia and are subject to change.

Blog Posts

Notes And Links

The 1908 first edition front cover image shown at the top of this page is © John R. Neill and is in the Public Domain via Wikipedia.

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz. 

Books: Ozma Of Oz By L. Frank Baum

1907 first edition front cover image © John. R. Neill and is in the Public Domain via Wikipedia

You can download this book and the thirteen other fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking here

About The Ozma Of Oz 

Ozma of Oz, published on July 30, 1907, was the official third book of L. Frank Baum’s Oz series.  It was the first in which Baum was clearly intending a series of Oz books.

It is the first Oz book where the majority of the action takes place outside of the Land of Oz.  Only the final two chapters take place in Oz itself.  This reflects a subtle change in theme: in the first book, Oz is the dangerous land through which Dorothy must win her way back to Kansas; in the third, Oz is the end and aim of the book.  Dorothy’s desire to return home is not as desperate as in the first book, and it is her uncle’s need for her rather than hers for him that makes her return.

The book was illustrated throughout in colour by artist John R. Neill.  It bore the following dedication: “To all the boys and girls who read my stories – and especially to the Dorothys – this book is lovingly dedicated.”

The Plot

SPOILER ALERT: Skip this bit if you haven’t read the book and are planning to do so!

On an ocean voyage with her uncle Henry to Australia, Dorothy is blown into the sea by a storm.  She takes refuge on a floating chicken-coop, which washes ashore, along with the coop and a hen in it.  The hen is able to speak; Dorothy gives it the name Billina.  Exploring the land, Dorothy and Billina are menaced by a tribe of brightly dressed “Wheelers”, who have wheels instead of hands and feet.  They also find a clockwork man named Tik-Tok (one of the first intelligent humanoid automatons in literature), who joins them.

Tik-Tok informs Dorothy and Billina that they are in the Land of Ev, which currently has no competent ruler, its king having committed suicide after selling his family to the Nome King.  The three visit the castle of Princess Langwidere, who has many exchangeable, detachable heads.  When Dorothy refuses to let Langwidere take her head and add it to her collection, Langwidere has a tantrum and locks Dorothy in a high tower within the palace.

Luckily, Princess Ozma and her Royal Court of Oz (many of whom appeared in the two previous Oz books) just happen to cross over the Deadly Desert on a mission to free the royal family from the Nome King.  Upon arriving, Ozma takes charge and has Dorothy, Billina and Tik-Tok released from Langwidere’s custody.  The three join Ozma’s expedition to the Kingdom of the Nomes.

When they arrive, the Nome King reveals that he has magically transformed the royal family into decor ornaments.  When Ozma asks him to release them, he offers a bargain: the Oz people may enter his chambers and try to guess which of the Nome King’s many ornaments they are, but if they fail to guess correctly, they will also become ornaments themselves.  Ozma, the twenty-seven soldiers of the Royal Army of Oz, including the Scarecrow, the Tin Woodman, and Tik-Tok, all suffer this bizarre fate.  Dorothy luckily selects one ornament which turns out to be one of the royal family’s young princes.

That night, Billina overhears the Nome King discussing his transformations with another Nome, and learns how to recognize, by colour, which ornaments are transformed people.  She also learns that the King’s magic powers come from the Magic Belt that he wears.  She is, therefore, able to free all the transformations.  By exploiting the Nomes’ fear of eggs, the Oz people are able to capture the magic belt and escape the Nome Kingdom with the royal family of Ev.

After returning the royal family of Ev to their throne, Ozma, Dorothy, and the others finally return to the country of Oz where a great victory celebration is held in the Emerald City’s royal palace.  Dorothy is officially made a Princess of Oz, Billina elects to remain in Oz, and Ozma uses the magic belt to send Dorothy to Kansas where she is happily reunited with her Uncle Henry.

Adaptations

L. Frank Baum revisited this story for the plot of his 1913 musical The Tik-Tok Man of Oz, starring James C. Morton and Fred Woodward.  Aside from Tik-Tok, a princess named Ozma, and a visit to the Nome King’s domain, the similarities between the book and the finished play was minimal, allowing Baum to re-adapt the latter as the eighth Oz book, Tik-Tok of Oz, in 1914.

A theatrical adaptation called Ozma of Oz: A Tale of Time, written by Susan Zeder with music by Richard Gray premiered at the Poncho Theatre in Seattle, Washington, in 1979.  On its 20th anniversary in 1999, it was revived with the addition of further songs and titled, Time Again in Oz.

Elements from Ozma of Oz and the previous novel, The Marvelous Land of Oz, were incorporated into the 1985 film Return to Oz, featuring Fairuza Balk as Dorothy.  Although most of the plot was taken from Ozma, the action was chiefly relocated to the derelict Emerald City, ruled by Princess Mombi (Princess Langwidere in all but name, as well as keeping Ozma as her slave) and her Wheelers.  In the second half of the film, Dorothy, Billina, Tik-Tok, Jack Pumpkinhead, and the Gump travelled to the Nome King’s mountain, to rescue the Scarecrow from the King’s ornament collection, which was emerald green, unlike the book’s royal purple.  Drawn from the 1939 film The Wizard of Oz’s famous ruby slippers were used in place of the magic belt.

Read more about Adaptions and Ozma Of Oz here.

The above articles were sourced from Wikipedia and are subject to change.

Blog Posts

Notes And Links

The 1907 first edition front cover image shown at the top of this page is © John R. Neill and is in the Public Domain via Wikipedia.

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz. 

Books: The Marvelous Land Of Oz By L. Frank Baum

1904 first edition front cover image © John R. Neill and is in the Public Domain via Wikipedia

You can download this book and the thirteen other fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking here.   

About The Marvelous Land Of Oz 

The Marvelous Land of Oz, published in July 1904, is the second of L. Frank Baum’s books set in the Land of Oz, and the sequel to The Wonderful Wizard of Oz (1900).  This and the next 34 Oz books of the famous 40 were illustrated by John R. Neill.  The book was made into an episode of The Shirley Temple Show in 1960, and into a Canada/Japan co-produced animated series of the same name in 1986.  It was also adapted in comic book form by Marvel Comics; once in 1975 in the Marvel Treasury of Oz series, and again in an eight-issue series with the first issue being released in November 2009.  Plot elements from The Marvelous Land of Oz are included in the 1985 Disney feature film Return to Oz.

The Plot

SPOILER ALERT: Skip this bit if you haven’t read the book and are planning to do so!

The events are set shortly after the events in The Wonderful Wizard of Oz and after Dorothy Gale’s departure back to Kansas.  The protagonist of the novel is an orphan boy called Tip.  For as long as he can remember, Tip has been under the guardianship of a cruel Wicked Witch named Mombi and lives in the northern quadrant of Oz called Gillikin Country.  Mombi has always been extremely mean and abusive to Tip.  As Mombi is returning home one day, Tip plans to get revenge and frighten her with a wooden man he has made, with a large Jack-o’-lantern he carves for a head, thus naming him Jack Pumpkinhead.  To Tip’s dismay, Mombi is not fooled by this trick, and she takes this opportunity to demonstrate the new magical Powder of Life that she had just obtained from another sorcerer.  Mombi tells Tip that she intends to transform him into a marble statue to punish him for his mischievous ways.

In order to avoid being turned into a marble statue, Tip runs away with Jack that very same night and steals the Powder of Life.  He uses it to animate the wooden Sawhorse for Jack to ride.  The Sawhorse runs so quickly that Tip is left behind.  Walking alone, he meets General Jinjur’s all-girl Army of Revolt, which is planning to overthrow the Scarecrow (who has ruled the Emerald City since the end of The Wonderful Wizard of Oz).  Meanwhile, Jack and the Sawhorse arrive at the Emerald City and make the acquaintance of His Majesty the Scarecrow.  Jinjur and her crew invade the Emerald City, terrorize the citizens, and loot the city, causing great havoc and chaos.  Tip joins Jack and the Scarecrow in the palace, and they escape on the Sawhorse’s back.

The companions arrive at the tin castle of the Tin Woodman (who now rules the Winkie Kingdom following the Wicked Witch of the West’s demise in the first book) and plan to retake the Emerald City with his help.  On their way back, they are diverted by the magic of Mombi (whom Jinjur recruited to help her apprehend them).  They are joined by the “Highly Magnified and Thoroughly Educated” Woggle-Bug and aided by the loyal field mice and their Mouse Queen.  The Queen of the field mice allows the Scarecrow to take twelve mice concealed in his straw.  When the party reaches the Emerald City, Jinjur and her soldiers imprison the group and lock them away.  However, the female soldiers are scared by the field mice and leave the city’s palace.  However, they still occupy the grounds of the city, and the palace is surrounded.  The travellers are imprisoned in the palace.  The Scarecrow proposes manufacturing a clever flying machine with a Gump’s stuffed head to direct it.  Tip uses the powder of life to animate this machine, which is assembled from the palace furniture, and they fly off, with no control over their direction, out of Oz.  They land in a nest of jackdaws, which is full of all of the birds’ stolen goods.  The flying Gump’s wings are damaged in the landing.

The jackdaws return to their nest and attack the travellers, carrying off the Scarecrow’s straw.  The nest contains a large amount of paper money, with which the Scarecrow can be re-stuffed.  Using Wishing Pills they discover in the container holding the Powder of Life, Tip and his friends escape and journey to the palace of Glinda the Good Witch in Oz’s southern quadrant, the Quadling Country.  They learn from Glinda that after the fall of Oz’s mortal king Pastoria decades ago, a long lost princess named Ozma was hidden away in secrecy when the Wizard of Oz took the throne.  She also informs them that Ozma is the rightful ruler of the Emerald City and all of Oz in general, not the Scarecrow (who did not really want the job anyway).  Glinda, therefore, accompanies Tip, Jack, the Sawhorse, the Scarecrow, the Tin Woodman, the Wogglebug, and the Gump back to the Emerald City to see Mombi.  The crooked woman tries to deceive them by disguising a chambermaid named Jellia Jamb as herself (which fails) but manages to elude them as they search for her in the Emerald City.  Just as their time runs out, the Tin Woodman plucks a rose to wear in his lapel, unaware that this is the transformed Mombi.

Glinda discovers the deception right away and leads the pursuit of Mombi, who is finally caught as she tries to cross the Deadly Desert in the form of a fast and long-running griffin.  Under pressure from Glinda, Mombi confesses that the Wizard brought her the infant Ozma, whom she transformed into … the boy Tip.  At first, Tip is utterly shocked and appalled to learn this, but Glinda and his friends help him to accept his duty, and Mombi performs her last spell to undo the curse, turning him back into the fairy princess Ozma.

The restored Ozma is established on the throne after defeating Jinjur and her army. The Tin Woodman invites the Scarecrow to return with him to the Winkie Country along with Jack Pumpkinhead.  The Gump is disassembled at his request (though his head was a hunting trophy that can still speak), Glinda returns to her palace in Quadling Country, the Wogglebug remains as Ozma’s advisor, and the Sawhorse becomes Ozma’s personal steed.  The forgotten prophecy is finally fulfilled and Oz is politically whole once more, with Ozma in her rightful position as the child Queen of Oz.

Stage Elements

The Wonderful Wizard of Oz had been transformed into a stage play, and several elements of the sequel book were clearly incorporated with an eye to it also being adapted for the stage.  The Marvelous Land of Oz was dedicated to David C. Montgomery and Fred Stone, the comedians “whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land…” in the 1902 stage adaptation of the first Oz book.  Following the Tin Woodman’s and the Scarecrow’s importance to the play, similar importance is given them this work, where neither Dorothy nor the Cowardly Lion appears.

The Marvelous Land of Oz was also influenced by the story and vaudevillian tone of the stage play.  The character of the Wizard was in the book a good man though a bad wizard but in the play, the villain of the piece; this is reflected by the evil part he is described as having played in the back story of this work.  The two armies of women, both Jinjur’s and Glinda’s, were so clearly intended as future chorus girls that even reviews of the book noted the similarity.

It has been suggested that the twist of Tip being the Princess Ozma also reflects stage traditions, as Tip would have likely have been played by a woman in drag.

Dramatic Adaptations

One early reviewer of The Marvelous Land of Oz noted that some details in the book clearly appeared to be designed for a stage production—in particular, “General Jinjur and her soldiers are only shapely chorus girls.”  Since the stage adaptation of The Wonderful Wizard of Oz had been a huge hit, with two companies still touring the country as the second book was published, the reviewer’s suspicion was both natural and accurate: Baum wrote a stage adaptation called The Woggle-Bug that was produced in Chicago the summer of 1905.  The detail of Tip/Ozma’s sex change, which can raise a range of psychological speculations in modern readers, made perfect sense in terms of early twentieth-century stage practice, since the juvenile male role of Tip would have been played by an actress as a matter of course.  The musical score was composed by Frederic Chapin, and Fred Mace played the Woggle-Bug.  Baum had wanted Fred Stone and David Montgomery to reprise their roles as the Scarecrow and Tin Woodman for the second show, but the two refused, fearing typecasting, and the characters were omitted completely from the play. The play was not successful.

In addition to being part of the basis for Baum’s The Fairylogue and Radio-Plays, Land of Oz was the final 1910 Selig Polyscope Oz film, and has been brought to the screen several additional times.  The Land of Oz, a Sequel to the Wizard of Oz was a two-reel production by the Meglin Kiddies made in 1931 and released in 1932.  The film was recently recovered, but the soundtrack of the second reel is missing.  The Wonderful Land of Oz (1969) was a studio-bound production by independent filmmaker Barry Mahon, which starred his son, Channy, as Tip.  Mahon had previously produced nudie films; however, those films were made in New York, while Oz was made in Florida, and neither Caroline Berner (as Jinjur) nor the rest of her army were drawn from his former casts.  Filmation’s Journey Back to Oz (1971), recast the army of revolt with green elephants and Tip with Dorothy but was essentially an unaccredited adaptation of this book.  Elements from this novel and the following one, Ozma of Oz, were incorporated into the 1985 film Return to Oz featuring Fairuza Balk as Dorothy.  It is also adapted in Ozu no Mahōtsukai and the Russian animated film, Adventures of the Emerald City: Princess Ozma (2000).

Read more about Dramatic Adaptions and The Marvelous Land Of Oz here.

The above articles were sourced from Wikipedia and are subject to change.

Blog Posts

Notes And Links

The 1904 first edition front cover image shown at the top of this page is © John R. Neill and is in the Public Domain via Wikipedia.

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

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Books: The Wonderful Wizard Of Oz By L. Frank Baum

1900 first edition front cover image is © W. W. Denslow and is in the Public Domain via Wikipedia

You can download this book and the thirteen other fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking here

About The Wonderful Wizard Of Oz 

The Wonderful Wizard of Oz is an American children’s novel written by author L. Frank Baum and illustrated by W. W. Denslow.  The first novel in the Oz series, the story chronicles the adventures of a young Kansas farm girl named Dorothy in the magical Land of Oz after she and her pet dog Toto are swept away from their home by a tornado.  Upon her arrival in Oz, she learns she cannot return home until she has destroyed the Wicked Witch of the West.

The book was first published in the United States in May 1900 by the George M. Hill Company.  In January 1901, the publishing company completed printing the first edition, a total of 10,000 copies, which quickly sold out.  It had sold three million copies by the time it entered the public domain in 1956.  It was often reprinted under the title The Wizard of Oz, which is the title of the successful 1902 Broadway musical adaptation as well as the classic 1939 live-action film.

The ground-breaking success of both the original 1900 novel and the 1902 Broadway musical prompted Baum to write thirteen additional Oz books which serve as official sequels to the first story.  Over a century later, the book is one of the best-known stories in American literature, and the Library of Congress has declared the work to be “America’s greatest and best-loved homegrown fairytale.”

Publication

L. Frank Baum’s story was published by George M. Hill Company.  The first edition had a printing of 10,000 copies and was sold in advance of the publication date of September 1, 1900.  On May 17, 1900, the first copy came off the press; Baum assembled it by hand and presented it to his sister, Mary Louise Baum Brewster.  The public saw it for the first time at a book fair at the Palmer House in Chicago, July 5–20. Its copyright was registered on August 1; full distribution followed in September.  By October 1900, it had already sold out and the second edition of 15,000 copies was nearly depleted.

In a letter to his brother, Baum wrote that the book’s publisher, George M. Hill, predicted a sale of about 250,000 copies.  In spite of this favourable conjecture, Hill did not initially predict that the book would be phenomenally successful.  He agreed to publish the book only when the manager of the Chicago Grand Opera House, Fred R. Hamlin, committed to making it into a musical stage play to publicize the novel.

The play The Wizard of Oz debuted on June 16, 1902.  It was revised to suit adult preferences and was crafted as a “musical extravaganza,” with the costumes modelled after Denslow’s drawings.  When Hill’s publishing company became bankrupt in 1901, the Indianapolis-based Bobbs-Merrill Company resumed publishing the novel.  By 1938, more than one million copies of the book had been printed.  By 1956, sales had grown to three million copies.

The Plot

SPOILER ALERT: Skip this bit if you haven’t read the book and are planning to do so!

Dorothy is a young girl who lives with her Aunt Em, Uncle Henry, and dog, Toto, on a farm on the Kansas prairie.  One day, she and Toto are caught up in a cyclone that deposits them and the farmhouse into Munchkin Country in the magical Land of Oz.  The falling house has killed the Wicked Witch of the East, the evil ruler of the Munchkins.  The Good Witch of the North arrives with three grateful Munchkins and gives Dorothy the magical silver shoes that once belonged to the Wicked Witch.  The Good Witch tells Dorothy that the only way she can return home is to follow the yellow brick road to the Emerald City and ask the great and powerful Wizard of Oz to help her.  As Dorothy embarks on her journey, the Good Witch of the North kisses her on the forehead, giving her magical protection from harm.

On her way down the yellow brick road, Dorothy attends a banquet held by a Munchkin named Boq.  The next day, she frees a Scarecrow from the pole on which he is hanging, applies oil from a can to the rusted joints of a Tin Woodman, and meets a Cowardly Lion.  The Scarecrow wants a brain, the Tin Woodman wants a heart, and the Lion wants courage, so Dorothy encourages them to journey with her and Toto to the Emerald City to ask for help from the Wizard.

After several adventures, the travellers arrive at the Emerald City and meet the Guardian of the Gates, who asks them to wear green-tinted spectacles to keep their eyes from being blinded by the city’s brilliance.  Each one is called to see the Wizard.  He appears to Dorothy as a giant head, to the Scarecrow as a lovely lady, to the Tin Woodman as a terrible beast, and to the Lion as a ball of fire.  He agrees to help them all if they kill the Wicked Witch of the West, who rules over Winkie Country.  The Guardian warns them that no one has ever managed to defeat the witch.

The Wicked Witch of the West sees the travellers approaching with her one telescopic eye.  She sends a pack of wolves to tear them to pieces, but the Tin Woodman kills them with his axe.  She sends a flock of wild crows to peck their eyes out, but the Scarecrow kills them by twisting their necks.  She summons a swarm of black bees to sting them, but they are killed while trying to sting the Tin Woodman while the Scarecrow’s straw hides the others.  She sends a dozen of her Winkie slaves to attack them, but the Lion stands firm to repel them.  Finally, she uses the power of her Golden Cap to send the Winged Monkeys to capture Dorothy, Toto, and the Lion, unstuff the Scarecrow, and dent the Tin Woodman.  Dorothy is forced to become the witch’s personal slave, while the witch schemes to steal her silver shoes.

The witch successfully tricks Dorothy out of one of her silver shoes.  Angered, she throws a bucket of water at the witch and is shocked to see her melt away.  The Winkies rejoice at being freed from her tyranny and help restuff the Scarecrow and mend the Tin Woodman.  They ask the Tin Woodman to become their ruler, which he agrees to do after helping Dorothy return to Kansas.  Dorothy finds the witch’s Golden Cap and summons the Winged Monkeys to carry her and her friends back to the Emerald City.  The King of the Winged Monkeys tells how he and his band are bound by an enchantment to the cap by the sorceress Gayelette from the North, and that Dorothy may use it to summon them two more times.

When Dorothy and her friends meet the Wizard again, Toto tips over a screen in a corner of the throne room that reveals the Wizard, who sadly explains he is a humbug—an ordinary old man who, by a hot air balloon, came to Oz long ago from Omaha.  He provides the Scarecrow with a head full of bran, pins, and needles (“a lot of bran-new brains”), the Tin Woodman with a silk heart stuffed with sawdust, and the Lion a potion of courage.  Their faith in his power gives these items a focus for their desires.  He decides to take Dorothy and Toto home and then go back to Omaha in his balloon.  At the send-off, he appoints the Scarecrow to rule in his stead, which he agrees to do after helping Dorothy return to Kansas.  Toto chases a kitten in the crowd and Dorothy goes after him, but the ropes holding the balloon break and the Wizard floats away.

Dorothy summons the Winged Monkeys and tells them to carry her and Toto home, but they explain they can’t cross the desert surrounding Oz.  The Soldier with the Green Whiskers informs Dorothy that Glinda, the Good Witch of the South may be able to help her return home, so the travellers begin their journey to see Glinda’s castle in Quadling Country.  On the way, the Lion kills a giant spider who is terrorizing the animals in a forest.  They ask him to become their king, which he agrees to do after helping Dorothy return to Kansas.  Dorothy summons the Winged Monkeys a third time to fly them over a hill to Glinda’s castle.

Glinda greets them and reveals that Dorothy’s silver shoes can take her anywhere she wishes to go.  She embraces her friends, all of whom will be returned to their new kingdoms through Glinda’s three uses of the Golden Cap: the Scarecrow to the Emerald City, the Tin Woodman to Winkie Country, and the Lion to the forest; after which the cap will be given to the King of the Winged Monkeys, freeing him and his band. Dorothy takes Toto in her arms, knocks her heels together three times, and wishes to return home.  Instantly, she begins whirling through the air and rolling on the grass of the Kansas prairie, up to the farmhouse, though the silver shoes fall off her feet en route and are lost in the Deadly Desert.  She runs to Aunt Em, saying “I’m so glad to be home again!”

Illustrations

The book was illustrated by Baum’s friend and collaborator W. W. Denslow, who also co-held the copyright.  The design was lavish for the time, with illustrations on many pages, backgrounds in different colours, and several colour plate illustrations.  The typeface featured the newly designed Monotype Old Style.  In September 1900, The Grand Rapids Herald wrote that Denslow’s illustrations are “quite as much of the story as in the writing”.  The editorial opined that had it not been for Denslow’s pictures, the readers would be unable to picture precisely the figures of Dorothy, Toto, and the other characters.

Denslow’s illustrations were so well known that merchants of many products obtained permission to use them to promote their wares.  The forms of the Scarecrow, the Tin Woodman, the Cowardly Lion, the Wizard, and Dorothy were made into rubber and metal sculptures. Costume jewellery, mechanical toys, and soap were also designed using their figures.  The distinctive look of Denslow’s illustrations led to imitators at the time, most notably Eva Katherine Gibson’s Zauberlinda, the Wise Witch, which mimicked both the typography and the illustration design of Oz.

A new edition of the book appeared in 1944, with illustrations by Evelyn Copelman.  Although it was claimed that the new illustrations were based on Denslow’s originals, they more closely resemble the characters as seen in the famous 1939 film version of Baum’s book.

Creative Inspiration

L. Frank Baum’s Personal Life

According to Baum’s son, Harry Neal, the author had often told his children “whimsical stories before they became material for his books.”  Harry called his father the “swellest man I knew,” a man who was able to give a decent reason as to why black birds cooked in a pie could afterwards get out and sing.

Many of the characters, props, and ideas in the novel were drawn from Baum’s personal life and experiences.  Baum held different jobs, moved a lot, and was exposed to many people, so the inspiration for the story could have been taken from many different aspects of his life.  In the introduction to the story, Baum writes that “it aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heart-aches and nightmares are left out.”

Scarecrow And The Tin Woodman

As a child, Baum frequently had nightmares of a scarecrow pursuing him across a field.  Moments before the scarecrow’s “ragged hay fingers” nearly gripped his neck, it would fall apart before his eyes.  Decades later, as an adult, Baum integrated his tormentor into the novel as the Scarecrow.  In the early 1880s, Baum’s play Matches was being performed when a “flicker from a kerosene lantern sparked the rafters”, causing the Baum opera house to be consumed by flames.  Scholar Evan I. Schwartz suggested that this might have inspired the Scarecrow’s severest terror: “There is only one thing in the world I am afraid of. A lighted match.”

According to Baum’s son Harry, the Tin Woodman was born from Baum’s attraction to window displays.  He wished to make something captivating for the window displays, so he used an eclectic assortment of scraps to craft a striking figure.  From a wash-boiler, he made a body, from bolted stovepipes he made arms and legs, and from the bottom of a saucepan he made a face.  Baum then placed a funnel hat on the figure, which ultimately became the Tin Woodman.

Dorothy, Uncle Henry, And The Witches

Baum’s wife Maud Gage frequently visited their newborn niece, Dorothy Louise Gage, whom she adored as the daughter she never had.  The infant became gravely sick and died aged five months in Bloomington, Illinois on November 11, 1898, from the congestion of the brain.  Maud was devastated.  To assuage her distress, Frank made his protagonist of The Wonderful Wizard of Oz a girl named Dorothy, and he dedicated the book to his wife.  The baby was buried at Evergreen Cemetery, where her gravestone has a statue of the character Dorothy placed next to it.

Decades later, Jocelyn Burdick—the daughter of Baum’s other niece Magdalena Carpenter and a former Democratic U.S. Senator from North Dakota—asserted that her mother also partly inspired the character of Dorothy.  Burdick claimed that her great-uncle spent “considerable time at the Сarpenter homestead… and became very attached to Magdalena.”  Burdick has reported many similarities between her mother’s homestead and the farm of Aunt Em and Uncle Henry.

Uncle Henry was modelled after Henry Gage, Baum’s father-in-law.  Bossed around by his wife Matilda, Henry rarely dissented with her.  He flourished in business, though, and his neighbours looked up to him.  Likewise, Uncle Henry was a “passive but hard-working man” who “looked stern and solemn, and rarely spoke”.  The witches in the novel were influenced by witch-hunting research gathered by Matilda Gage.  The stories of barbarous acts against accused witches scared Baum.  Two key events in the novel involve wicked witches who meet their death through metaphorical means.

The Emerald City And The Land Of Oz

In 1890, Baum lived in Aberdeen, South Dakota during a drought, and he wrote a witty story in his “Our Landlady” column in Aberdeen’s The Saturday Pioneer about a farmer who gave green goggles to his horses, causing them to believe that the wood chips that they were eating were pieces of grass.  Similarly, the Wizard made the people in the Emerald City wear green goggles so that they would believe that their city was built from emeralds.

During Baum’s short stay in Aberdeen, the dissemination of myths about the plentiful West continued.  However, the West, instead of being a wonderland, turned into a wasteland because of a drought and a depression.  In 1891, Baum moved his family from South Dakota to Chicago.  At that time, Chicago was getting ready for the World’s Columbian Exposition in 1893. Scholar Laura Barrett stated that Chicago was “considerably more akin to Oz than to Kansas”.  After discovering that the myths about the West’s incalculable riches were baseless, Baum created “an extension of the American frontier in Oz”.  In many respects, Baum’s creation is similar to the actual frontier save for the fact that the West was still undeveloped at the time.  The Munchkins Dorothy encounters at the beginning of the novel represent farmers, as do the Winkies she later meets.

Local legend has it that Oz, also known as the Emerald City, was inspired by a prominent castle-like building in the community of Castle Park near Holland, Michigan, where Baum lived during the summer.  The yellow brick road was derived from a road at that time paved by yellow bricks, located in Peekskill, New York, where Baum attended the Peekskill Military Academy.  Baum scholars often refer to the 1893 Chicago World’s Fair (the “White City”) as an inspiration for the Emerald City.  Other legends suggest that the inspiration came from the Hotel Del Coronado near San Diego, California. Baum was a frequent guest at the hotel and had written several of the Oz books there.  In a 1903 interview with The Publishers’ Weekly, Baum said that the name Oz came from his file cabinet labelled “O–Z”.

Some critics have suggested that Baum’s Oz may have been inspired by Australia.  Australia is often colloquially spelt or referred to as Oz.  Furthermore, in Ozma of Oz (1907), Dorothy gets back to Oz as the result of a storm at sea while she and Uncle Henry are travelling by ship to Australia.  Like Australia, Oz is an island continent somewhere to the west of California with inhabited regions bordering on a great desert. Baum perhaps intended Oz to be Australia or a magical land in the centre of the great Australian desert.

Alice’s Adventures In Wonderland

In addition to being influenced by the fairy-tales of the Brothers Grimm and Hans Christian Andersen, Baum was significantly influenced by English writer Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland.  Although Baum found the plot of Carroll’s novel to be incoherent, he identified the book’s source of popularity as Alice herself—a child with whom younger readers could identify, and this influenced Baum’s choice of Dorothy as his protagonist.

Baum also was influenced by Carroll’s views that all children’s books should be lavishly illustrated, be pleasurable to read, and not contain any moral lessons.  During the Victorian era, Carroll had rejected the popular expectation that children’s books must be saturated with moral lessons and instead he contended that children should be allowed to be children.

Although influenced by Carroll’s distinctly English work, Baum nonetheless sought to create a story that had recognizable American elements, such as farming and industrialization.  Consequently, Baum combined the conventional features of a fairy tale such as witches and wizards with well-known fixtures in his young readers’ Midwestern lives such as scarecrows and cornfields.

Influence Of Denslow

The original illustrator of the novel, W. W. Denslow, aided in the development of Baum’s story and greatly influenced the way it has been interpreted.  Baum and Denslow had a close working relationship and worked together to create the presentation of the story through the images and the text.  Colour is an important element of the story and is present throughout the images, with each chapter having a different colour representation.  Denslow also added characteristics to his drawings that Baum never described.  For example, Denslow drew a house and the gates of the Emerald City with faces on them.

In the later Oz books, John R. Neill, who illustrated all the sequels, continued to use elements from Denslow’s earlier illustrations, including faces on the Emerald City’s gates.  Another aspect is the Tin Woodman’s funnel hat, which is not mentioned in the text until later books but appears in most artists’ interpretation of the character, including the stage and film productions of 1902–09, 1908, 1910, 1914, 1925, 1931, 1933, 1939, 1982, 1985, 1988, 1992, and others.  One of the earliest illustrators not to include a funnel hat was Russell H. Schulz in the 1957 Whitman Publishing edition—Schulz depicted him wearing a pot on his head.  Libico Maraja’s illustrations, which first appeared in a 1957 Italian edition and have also appeared in English-language and other editions, are well known for depicting him bareheaded.

Allusions To 19th-Century America

Many decades after its publication, Baum’s work gave rise to a number of political interpretations, particularly in regards to the 19th-century Populist movement in the United States.  In a 1964 American Quarterly article titled “The Wizard of Oz: Parable on Populism”, educator Henry Littlefield posited that the book served as an allegory for the late 19th-century bimetallism debate regarding monetary policy.  Littlefield’s thesis achieved some support but was widely criticized by others.  Other political interpretations soon followed.  In 1971, historian Richard J. Jensen theorized in The Winning of the Midwest that Oz was derived from the common abbreviation for “ounce”, used for denoting quantities of gold and silver.

Critical Response

The Wonderful Wizard of Oz received positive critical reviews upon release.  In a September 1900 review, The New York Times praised the novel, writing that it would appeal to child readers and to younger children who could not read yet.  The review also praised the illustrations for being a pleasant complement to the text.

During the subsequent decades after the novel’s publication in 1900, it received little critical analysis from scholars of children’s literature.  Lists of suggested reading published for juvenile readers never contained Baum’s work, and his works were rarely assigned in classrooms.  This lack of interest stemmed from the scholars’ misgivings about fantasy, as well as their belief that lengthy series had little literary merit.

It frequently came under fire in later decades.  In 1957, the director of Detroit’s libraries banned The Wonderful Wizard of Oz for having “no value” for children of today, for supporting “negativism”, and for bringing children’s minds to a “cowardly level”.  Professor Russel B. Nye of Michigan State University countered that “if the message of the Oz books—love, kindness, and unselfishness make the world a better place—seems of no value today”, then maybe the time is ripe for “reassess[ing] a good many other things besides the Detroit library’s approved list of children’s books”.

In 1986, seven Fundamentalist Christian families in Tennessee opposed the novel’s inclusion in the public school syllabus and filed a lawsuit.  They based their opposition to the novel on its depicting benevolent witches and promoting the belief that integral human attributes were “individually developed rather than God-given”.  One parent said, “I do not want my children seduced into godless supernaturalism”.  Other reasons included the novel’s teaching that females are equal to males and that animals are personified and can speak.  The judge ruled that when the novel was being discussed in class, the parents were allowed to have their children leave the classroom.

In April 2000, the Library of Congress declared The Wonderful Wizard of Oz to be “America’s greatest and best-loved homegrown fairytale”, also naming it the first American fantasy for children and one of the most-read children’s books.  Leonard Everett Fisher of The Horn Book Magazine wrote in 2000 that Oz has “a timeless message from a less complex era, and it continues to resonate”.  The challenge of valuing oneself during impending adversity has not, Fisher noted, lessened during the prior 100 years.  Two years later, in a 2002 review, Bill Delaney of Salem Press praised Baum for giving children the opportunity to discover magic in the mundane things in their everyday lives.  He further commended Baum for teaching “millions of children to love reading during their crucial formative years”.  In 2012 it was ranked number 41 on a list of the top 100 children’s novels published by School Library Journal.

Editions

After George M. Hill’s bankruptcy in 1902, copyright in the book passed to the Bowen-Merrill Company of Indianapolis.  The company published most of Baum’s other books from 1901 to 1903 (Father Goose, His Book (reprint), The Magical Monarch of Mo (reprint), American Fairy Tales (reprint), Dot and Tot of Merryland (reprint), The Master Key, The Army Alphabet, The Navy Alphabet, The Life and Adventures of Santa Claus, The Enchanted Island of Yew, The Songs of Father Goose) initially under the title The New Wizard of Oz.  The word “New” was quickly dropped in subsequent printings, leaving the now-familiar shortened title, “The Wizard of Oz,” and some minor textual changes were added, such as to “yellow daisies,” and changing a chapter title from “The Rescue” to “How the Four Were Reunited.”  The editions they published lacked most of the in-text colour and colour plates of the original.  Many cost-cutting measures were implemented, including removal of some of the colour printing without replacing it with black, printing nothing rather than the beard of the Soldier with the Green Whiskers.

When Baum filed for bankruptcy after his critically and popularly successful film and stage production The Fairylogue and Radio-Plays failed to make back its production costs, Baum lost the rights to all of the books published by what was now called Bobbs-Merrill, and they were licensed to the M. A. Donahue Company, which printed them in significantly cheaper “blotting paper” editions with advertising that directly competed with Baum’s more recent books, published by the Reilly & Britton Company, from which he was making his living, explicitly hurting sales of The Patchwork Girl of Oz, the new Oz book for 1913, to boost sales of Wizard, which Donahue called in a full-page ad in The Publishers’ Weekly (June 28, 1913), Baum’s “one pre-eminently great Juvenile Book.”  In a letter to Baum dated December 31, 1914, F.K. Reilly lamented that the average buyer employed by a retail store would not understand why he should be expected to spend 75 cents for a copy of Tik-Tok of Oz when he could buy a copy of Wizard for between 33 and 36 cents.  Baum had previously written a letter complaining about the Donahue deal, which he did not know about until it was fait accompli, and one of the investors who held The Wizard of Oz rights had inquired why the royalty was only five or six cents per copy, depending on quantity sold, which made no sense to Baum.

A new edition from Bobbs-Merrill in 1949 illustrated by Evelyn Copelman, again titled The New Wizard of Oz, paid lip service to Denslow but was based strongly, apart from the Lion, on the MGM movie.  Copelman had illustrated a new edition of The Magical Monarch of Mo two years earlier.

It was not until the book entered the public domain in 1956 that new editions, either with the original colour plates, or new illustrations, proliferated.  A revised version of Copelman’s artwork was published in a Grosset & Dunlap edition, and Reilly & Lee (formerly Reilly & Britton) published an edition in line with the Oz sequels, which had previously treated The Marvelous Land of Oz as the first Oz book, not having the publication rights to Wizard, with new illustrations by Dale Ulrey.  Ulrey had previously illustrated Jack Snow’s Jaglon and the Tiger-Faries, an expansion of a Baum short story, The Story of Jaglon, and a 1955 edition of The Tin Woodman of Oz, though both sold poorly. Later Reilly & Lee editions used Denslow’s original illustrations.

Notable more recent editions are the 1986 Pennyroyal edition illustrated by Barry Moser, which was reprinted by the University of California Press, and the 2000 The Annotated Wizard of Oz edited by Michael Patrick Hearn (heavily revised from a 1972 edition that was printed in a wide format that allowed for it to be a facsimile of the original edition with notes and additional illustrations at the sides), which was published by W. W. Norton and included all the original colour illustrations, as well as supplemental artwork by Denslow.  Other centennial editions included University Press of Kansas’s Kansas Centennial Edition, illustrated by Michael McCurdy with black-and-white illustrations, and Robert Sabuda’s pop-up book.

Read more about The Wonderful Wizard Of Oz here.

The above articles were sourced from Wikipedia and are subject to change.

1900 first edition back cover image: © W. W. Denslow and is in the Public Domain via Wikipedia

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Notes And Links

The 1900 first edition front cover image shown at the top of this page is © W. W. Denslow and is in the Public Domain via Wikipedia.

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz. 

Books: L. Frank Baum

Image © of George Steckel and is in the Public Domain via Wikipedia

You can download all of the fourteen fantasy books in the Oz series by L. Frank Baum via Project Gutenberg by clicking on The Oz Series By L. Frank Baum link in Blog Posts below.

About L. Frank Baum

Lyman Frank Baum was an American author best known for his children’s books, particularly The Wonderful Wizard of Oz and its sequels.  He wrote 14 novels in the Oz series, plus 41 other novels (not including four lost, unpublished novels), 83 short stories, over 200 poems, and at least 42 scripts.  He made numerous attempts to bring his works to the stage and screen; the 1939 adaptation of the first Oz book became a landmark of 20th-century cinema.

Born and raised in upstate New York, Baum moved west after an unsuccessful stint as a theatre producer and playwright.  He and his wife opened a store in South Dakota and he edited and published a newspaper.  They then moved to Chicago, where he worked as a newspaper reporter and published children’s literature, coming out with the first Oz book in 1900.  While continuing his writing, among his final projects he sought to establish a movie studio focused on children’s films in Los Angeles, California.

His works anticipated such later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), and the ubiquity of clothes advertising (Aunt Jane’s Nieces at Work).

L. Frank Baum’s Childhood And Early Life

Baum was born in Chittenango, New York, in 1856 into a devout Methodist family.  He had German, Scots-Irish, and English ancestry.  He was the seventh of nine children of Cynthia Ann (née Stanton) and Benjamin Ward Baum, only five of whom survived into adulthood.  “Lyman” was the name of his father’s brother, but he always disliked it and preferred his middle name, Frank.

His father succeeded in many businesses, including barrel-making, oil drilling in Pennsylvania, and real estate.  Baum grew up on his parents’ expansive estate called Rose Lawn, which he fondly recalled as a sort of paradise.  Rose Lawn was located in Mattydale, New York.  Frank was a sickly, dreamy child, tutored at home with his siblings.  From the age of 12, he spent two miserable years at Peekskill Military Academy but, after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.

Baum started writing early in life, possibly prompted by his father buying him a cheap printing press.  He had always been close to his younger brother Henry (Harry) Clay Baum, who helped in the production of The Rose Lawn Home Journal.  The brothers published several issues of the journal, including advertisements from local businesses, which they gave to family and friends for free.  By the age of 17, Baum established a second amateur journal called The Stamp Collector, printed an 11-page pamphlet called Baum’s Complete Stamp Dealers’ Directory, and started a stamp dealership with friends.

At 20, Baum took on the national craze of breeding fancy poultry.  He specialized in raising the Hamburg chicken.  In March 1880, he established a monthly trade journal, The Poultry Record, and in 1886, when Baum was 30 years old, his first book was published: The Book of the Hamburgs: A Brief Treatise upon the Mating, Rearing, and Management of the Different Varieties of Hamburgs.

Baum had a flair for being the spotlight of fun in the household, including during times of financial difficulties.  His selling of fireworks made the Fourth of July memorable.  His skyrockets, Roman candles, and fireworks filled the sky, while many people around the neighborhood would gather in front of the house to watch the displays.  Christmas was even more festive.  Baum dressed as Santa Claus for the family.  His father would place the Christmas tree behind a curtain in the front parlor so that Baum could talk to everyone while he decorated the tree without people managing to see him.  He maintained this tradition all his life.

Image © unknown and is in the Public Domain via Wikipedia

L. Frank Baum served for two years as a cadet at the Peekskill Military School, which overlooked the Hudson. He was about 12 years old in this 1868 photograph.

L. Frank Baum’s Career

Theatre

Baum embarked on his lifetime infatuation—and wavering financial success—with the theatre.  A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way.  Disillusioned, Baum left the theatre—temporarily—and went to work as a clerk in his brother-in-law’s dry goods company in Syracuse.  This experience may have influenced his story “The Suicide of Kiaros”, first published in the literary journal The White Elephant.  A fellow clerk one day had been found locked in a storeroom dead, probably from suicide.

Baum could never stay away long from the stage.  He performed in plays under the stage names of Louis F. Baum and George Brooks.  In 1880, his father built him a theatre in Richburg, New York, and Baum set about writing plays and gathering a company to act in them.  The Maid of Arran proved a modest success, a melodrama with songs based on William Black’s novel A Princess of Thule.  Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role.  His aunt Katharine Gray played his character’s aunt.  She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalogue to teach theatre, including stage business, playwriting, directing, translating (French, German, and Italian), revision, and operettas.

On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women’s suffrage and feminist activist.  While Baum was touring with The Maid of Arran, the theatre in Richburg caught fire during a production of Baum’s ironically titled parlour drama Matches, destroying the theatre as well as the only known copies of many of Baum’s scripts, including Matches, as well as costumes.

The South Dakota Years

In July 1888, Baum and his wife moved to Aberdeen, Dakota Territory where he opened a store called “Baum’s Bazaar”.  His habit of giving out wares on credit led to the eventual bankrupting of the store, so Baum turned to editing the local newspaper The Aberdeen Saturday Pioneer where he wrote the column Our Landlady.  Following the death of Sitting Bull at the hands of Indian agency police, Baum urged the wholesale extermination of all America’s native peoples in a column that he wrote on December 20, 1890.  He wrote:

The Pioneer has before declared that our only safety depends upon the total extirmination [sic] of the Indians.  Having wronged them for centuries, we had better, in order to protect our civilization, follow it up by one more wrong and wipe these untamed and untamable creatures from the face of the earth”.

Baum’s description of Kansas in The Wonderful Wizard of Oz is based on his experiences in drought-ridden South Dakota.  During much of this time, Matilda Joslyn Gage was living in the Baum household.  While Baum was in South Dakota, he sang in a quartet which included James Kyle, who became one of the first Populist (People’s Party) Senators in the U.S.

Writing

Baum’s newspaper failed in 1891, and he, Maud, and their four sons moved to the Humboldt Park section of Chicago, where Baum took a job reporting for the Evening Post.  Beginning in 1897, he founded and edited a magazine called The Show Window, later known as the Merchants Record and Show Window, which focused on store window displays, retail strategies and visual merchandising.  The major department stores of the time created elaborate Christmas time fantasies, using clockwork mechanisms that made people and animals appear to move.  The former Show Window magazine is still currently in operation, now known as VMSD magazine (visual merchandising + store design), based in Cincinnati.  In 1900, Baum published a book about window displays in which he stressed the importance of mannequins in drawing customers.  He also had to work as a travelling salesman.

In 1897, he wrote and published Mother Goose in Prose, a collection of Mother Goose rhymes written as prose stories and illustrated by Maxfield Parrish.  Mother Goose was a moderate success and allowed Baum to quit his sales job (which had had a negative impact on his health).  In 1899, Baum partnered with illustrator W. W. Denslow to publish Father Goose, His Book, a collection of nonsense poetry.  The book was a success, becoming the best-selling children’s book of the year.

Image © unknown and is in the Public Domain via Wikipedia

In 1897 Mother Goose by L. Frank Baum and Maxfield Parrish was used to promote a breakfast cereal (part 1 of 12 as a free premium).

Image © unknown and is in the Public Domain via Wikipedia

Promotional Poster for Popular Books For Children, circa 1901.

Image © unknown and is in the Public Domain via Wikipedia

W. W. Denslow in 1900.

The Wonderful Wizard Of Oz

In 1900, Baum and Denslow (with whom he shared the copyright) published The Wonderful Wizard of Oz to much critical acclaim and financial success.  The book was the best-selling children’s book for two years after its initial publication.  Baum went on to write thirteen more novels based on the places and people of the Land of Oz.

The Wizard Of Oz: Fred R. Hamlin’s Musical Extravaganza

Two years after Wizard‘s publication, Baum and Denslow teamed up with composer Paul Tietjens and director Julian Mitchell to produce a musical stage version of the book under Fred R. Hamlin.  Baum and Tietjens had worked on a musical of The Wonderful Wizard of Oz in 1901 and based closely upon the book, but it was rejected.  This stage version opened in Chicago in 1902 (the first to use the shortened title, The Wizard of Oz), then ran on Broadway for 293 stage nights from January to October 1903.  It returned to Broadway in 1904, where it played from March to May and again from November to December.  It successfully toured the United States with much of the same cast, as was done in those days, until 1911, and then became available for amateur use.  The stage version starred Anna Laughlin as Dorothy Gale, alongside David C. Montgomery and Fred Stone as the Tin Woodman and Scarecrow respectively, which shot the pair to instant fame.

The stage version differed quite a bit from the book and was aimed primarily at adults.  Toto was replaced with Imogene the Cow, and Tryxie Tryfle (a waitress) and Pastoria (a streetcar operator) were added as fellow cyclone victims.  The Wicked Witch of the West was eliminated entirely in the script, and the plot became about how the four friends were allied with the usurping Wizard and were hunted as traitors to Pastoria II, the rightful King of Oz.  It is unclear how much control or influence Baum had on the script; it appears that many of the changes were written by Baum against his wishes due to contractual requirements with Hamlin.  Jokes in the script, mostly written by Glen MacDonough, called for explicit references to President Theodore Roosevelt, Senator Mark Hanna, Rev. Andrew Danquer, and oil tycoon John D. Rockefeller.  Although the use of the script was rather free-form, the line about Hanna was ordered dropped as soon as Hamlin got word of his death in 1904.

Beginning with the success of the stage version, most subsequent versions of the story, including newer editions of the novel, have been titled The Wizard of Oz, rather than using the full, original title.  In more recent years, restoring the full title has become increasingly common, particularly to distinguish the novel from the Hollywood film.

Baum wrote a new Oz book, The Marvelous Land of Oz, with a view to making it into a stage production, which was titled The Woggle-Bug, but Montgomery and Stone baulked at appearing when the original was still running.  The Scarecrow and Tin Woodman were then omitted from this adaptation, which was seen as a self-rip-off by critics and proved to be a major flop before it could reach Broadway.  He also worked for years on a musical version of Ozma of Oz, which eventually became The Tik-Tok Man of Oz.  This did fairly well in Los Angeles, but not well enough to convince producer Oliver Morosco to mount a production in New York.  He also began a stage version of The Patchwork Girl of Oz, but this was ultimately realized as a film.

Image © of U.S. Lithograph Co.and is in the Public Domain via Wikipedia

A 1903 poster of Dave Montgomery as the Tin Man in Fred R. Hamlin’s musical stage version of The Wizard Of Oz.

Later Life And Work

With the success of Wizard on page and stage, Baum and Denslow hoped for further success and published Dot and Tot of Merryland in 1901.  The book was one of Baum’s weakest, and its failure further strained his faltering relationship with Denslow.  It was their last collaboration.  Baum worked primarily with John R. Neill on his fantasy work beginning in 1904, but Baum met Neill a few times (all before he moved to California) and often found Neill’s art not humorous enough for his liking.  He was particularly offended when Neill published The Oz Toy Book: Cut-outs for the Kiddies without authorization.

Baum reportedly designed the chandeliers in the Crown Room of the Hotel del Coronado; however, that attribution has yet to be corroborated.  Several times during the development of the Oz series, Baum declared that he had written his last Oz book and devoted himself to other works of fantasy fiction based in other magical lands, including The Life and Adventures of Santa Claus and Queen Zixi of Ix.  However, he returned to the series each time, persuaded by popular demand, letters from children, and the failure of his new books.  Even so, his other works remained very popular after his death, with The Master Key appearing on St. Nicholas Magazine’s survey of readers’ favourite books well into the 1920s.

In 1905, Baum declared plans for an Oz amusement park.  In an interview, he mentioned buying “Pedloe Island” off the coast of California to turn it into an Oz park.  However, there is no evidence that he purchased such an island, and no one has ever been able to find any island whose name even resembles Pedloe in that area.  Nevertheless, Baum stated to the press that he had discovered a Pedloe Island off the coast of California and that he had purchased it to be “the Marvelous Land of Oz,” intending it to be “a fairy paradise for children.”  Eleven-year-old Dorothy Talbot of San Francisco was reported to be ascendant to the throne on March 1, 1906, when the Palace of Oz was expected to be completed.   Baum planned to live on the island, with administrative duties handled by the princess and her all-child advisers.  Plans included statues of the Scarecrow, Tin Woodman, Jack Pumpkinhead, and H.M. Woggle-Bug, T.E.  Baum abandoned his Oz park project after the failure of The Woggle-Bug, which was playing at the Garrick Theatre in 1905.

Because of his lifelong love of theatre, he financed elaborate musicals, often to his financial detriment.  One of Baum’s worst financial endeavours was his The Fairylogue and Radio-Plays (1908), which combined a slideshow, film, and live actors with a lecture by Baum as if he were giving a travelogue to Oz.  However, Baum ran into trouble and could not pay his debts to the company that produced the films.  He did not get back to a stable financial situation for several years, after he sold the royalty rights to many of his earlier works, including The Wonderful Wizard of Oz.  This resulted in the M.A. Donahue Company publishing cheap editions of his early works with advertising which purported that Baum’s newer output was inferior to the less expensive books that they were releasing.  He claimed bankruptcy in August 1911.  However, Baum had shrewdly transferred most of his property into Maud’s name, except for his clothing, his typewriter, and his library (mostly of children’s books, such as the fairy tales of Andrew Lang, whose portrait he kept in his study)—all of which, he successfully argued, was essential to his occupation.  Maud handled the finances anyway, and thus Baum lost much less than he could have.

Read more about Later Life And Work here.

Image © unknown and is in the Public Domain via Wikipedia

L. Frank Baum and characters in The Fairylogue and Radio Plays in 1908.

Death

On May 5, 1919, Baum suffered a stroke, slipped into a coma and died the following day, at the age of 62.  His last words were spoken to his wife during a brief period of lucidity: “Now we can cross the Shifting Sands.”  He was buried in Glendale’s Forest Lawn Memorial Park Cemetery.

His final Oz book, Glinda of Oz, was published on July 10, 1920, a year after his death.  The Oz series was continued long after his death by other authors, notably Ruth Plumly Thompson, who wrote an additional twenty-one Oz books. 

Image © Meribona and is in the Public Domain via Wikipedia

Frank L. Baum’s grave at Forest Lawn Cemetery, Glendale, California in 2011.

Read more about L. Frank Baum here.

The above articles were sourced from Wikipedia and are subject to change.

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Notes And Links

The image above of L. Frank Baum shown at the top of this page is copyright of George Steckel.

The image above of L. Frank Baum as a cadet at the Peekskill Military School is copyright unknown.

The image above of Mother Goose by L. Frank Baum and Maxfield Parrish is copyright unknown.

The image above of the Promotional Poster for Popular Books For Children, circa 1901 is copyright unknown.

The image above of W. W. Denslow in 1900 is copyright unknown.

The image above of a 1903 poster of Dave Montgomery as the Tin Man in Fred R. Hamlin’s musical stage version of The Wizard Of Oz is copyright of U.S. Lithograph Co.

All the above images are in the Public Domain via Wikipedia.

The image above of  Frank L. Baum’s grave at Forest Lawn Cemetery, Glendale, California in 2011 is copyright of Wikipedia user Meribona.   It comes with a Creative Commons licence (CC BY-SA 3.0)

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

Creative CommonsOfficial website.  They offer better sharing, advancing universal access to knowledge and culture, and fostering creativity, innovation, and collaboration. 

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz. 

Books: The Oz Series By L. Frank Baum

Image © of George Steckel and is in the Public Domain via Wikipedia

Below are all of the fourteen fantasy books in the Oz series by L. Frank Baum via Project Gutenberg for you to download for FREE and a brief description of each book.

They come in PDF format and if you don’t have a PDF reader you can download one from here.  

Also shown is anything related to the Oz series which was written when Baum was alive.  I am not including anything to do with Oz written after his death but you can find out about all that at the bottom of this page.

The Land Of Oz 

The Land of Oz is a magical country first introduced in the 1900 children’s novel The Wonderful Wizard of Oz written by L. Frank Baum and illustrated by W. W. Denslow.

Oz consists of four vast quadrants, the Gillikin Country in the north, Quadling Country in the south, Munchkin Country in the east, and Winkie Country in the west.  Each province has its own ruler, but the realm itself has always been ruled by a single monarch. According to The Marvelous Land of Oz, this monarch is Princess Ozma.

Originally, Baum did not intend for The Wonderful Wizard of Oz to have any sequels, but it achieved greater popularity than any of the other fairylands he created, including the land of Merryland in Baum’s children’s novel Dot and Tot in Merryland, written a year later.  Due to Oz’s worldwide success, Baum decided to return to it four years after The Wonderful Wizard of Oz was published.  For the next two decades, he described and expanded upon the land in the Oz Books, a series that introduced many fictional characters and creatures.  Baum intended to end the series with the sixth Oz book The Emerald City of Oz (1910), in which Oz is forever sealed off and made invisible to the outside world, but this did not sit well with fans, and he quickly abandoned the idea, writing eight more successful Oz books, and even naming himself the “Royal Historian of Oz.”

In all, Baum wrote fourteen best-selling children’s books about Oz and its enchanted inhabitants, as well as a spin-off series of six early readers.  After his death in 1919, author Ruth Plumly Thompson, illustrator John R. Neill (who had previously collaborated with Baum on his Oz books) and several other writers and artists continued the series.  There are now over 50 novels based upon Baum’s original Oz saga.

Baum characterized Oz as a real place, unlike MGM’s 1939 musical movie adaptation, which presents it as a dream of lead character Dorothy Gale.  According to the Oz books, it is a hidden fairyland cut off from the rest of the world by the Deadly Desert.

A shorthand reference for a person living in Oz is “Ozite”.  The term appears in Dorothy and the Wizard in Oz, The Road to Oz, and The Emerald City of Oz.  Elsewhere in the books, “Ozmie” is also used.  In the animated 1974 semi-sequel to the MGM film, Journey Back to Oz, “Ozonian” is in the script.  The term “Ozian” appears in the Royal Shakespeare Company’s stage adaptation of the MGM movie and in the work Wicked.  “Ozmite” was used in Reilly & Lee marketing in the 1920s, a fact which has suggested to some critics that “Ozmie” may have been a typographical error.

Read lots more about the Land Of Oz in great detail including its characteristics, geography, history, animals, races, magic, characters etc. by clicking here.

The Original Oz Books By L. Frank Baum

The Oz books form a book series that begins with The Wonderful Wizard of Oz and relates the fictional history of the Land of Oz.  All of Baum’s books are in the public domain in the United States.  In his Oz books, Baum created the illusion that characters such as Dorothy and Princess Ozma relayed their adventures in Oz to Baum themselves, by means of a wireless telegraph.

Book One: The Wonderful Wizard Of Oz (1900)

1900 first edition front cover image: © W. W. Denslow and is in the Public Domain via Wikipedia

A little farm girl named Dorothy and her pet dog, Toto, get swept away into the Land of Oz by a Kansas cyclone.  Upon her arrival, she is hailed as a sorceress, liberates a living Scarecrow, meets a man made entirely of tin, and a Cowardly Lion.  But all Dorothy really wants to know is how she can return home.  The ruler of Oz, the great Wizard, who resides in an Emerald City, may be the only one powerful enough to help her.  

This was also reprinted by various publishers under the names The New Wizard of Oz and The Wizard of Oz with occasional minor changes in the text.  It was originally written as a one-shot book.

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Book Two: The Marvelous Land Of Oz (1904)

1904 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

A little boy, Tip, escapes from his evil guardian, the witch Mombi, with the help of a walking wooden figure with a jack-o’-lantern head named Jack Pumpkinhead (brought to life with the magic Powder of Life Tip stole from Mombi), as well as a living Sawhorse (created from the same powder).  Tip ends up on an adventure with the Scarecrow and Tin Woodman to help Scarecrow recapture his throne from General Jinjur’s army of girls.

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Book Three: Ozma Of Oz (1907)

1907 first edition cover image: © John. R. Neill and is in the Public Domain via Wikipedia

While travelling to Australia with her Uncle Henry, Dorothy is swept overboard with a hen named Billina.  They land in Ev, a country across the desert from Oz, where they encounter the wheelers and make a new friend, the mechanical man Tik-Tok.  They meet Princess Ozma, who is in Ev to attempt to save Ev’s royal family from the evil Nome King, and finally return to Oz.

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Book Four: Dorothy And The Wizard In Oz (1908)

1908 first edition cover image: © John. R. Neill and is in the Public Domain via Wikipedia

On her way back from Australia, Dorothy visits her cousin, Zeb, in California.  They are soon swallowed up by an earthquake, along with Zeb’s horse Jim and Dorothy’s cat Eureka.  The group soon meets up with the Wizard and all travel underground back to Oz.

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Book Five: The Road To Oz (1909)

1909 first edition cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Dorothy meets the Shaggy Man, and while trying to find the road to Butterfield, they get lost on an enchanted road.  As they travel they meet the rainbow’s daughter, Polychrome, and a little boy, Button-Bright.  They have all sorts of strange adventures on the way to Oz.

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Book Six: The Emerald City Of Oz (1910)

1910 first edition cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Dorothy Gale and her Uncle Henry and Aunt Em come to live in Oz permanently.  While they tour through the Quadling Country, the Nome King is tunnelling beneath the desert to invade Oz.  

This was originally intended to be the last book in the series.

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Book Seven: The Patchwork Girl Of Oz (1913)

1913 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

A Munchkin boy named Ojo must find a cure to free his Uncle Nunkie from a magical spell that has turned him into a statue.  With the help of Scraps, an anthropomorphic patchwork doll, Ojo journeys through Oz to save his uncle.  

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Book Eight: Tik-Tok Of Oz (1914)

1914 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Betsy Bobbin, a girl from Oklahoma, is shipwrecked with her mule, Hank, in the Rose Kingdom of Oz.  She meets the Shaggy Man there and the two try to rescue the Shaggy Man’s brother from the Nome King.  

This book is partly based upon Baum’s stage musical, The Tik-Tok Man of Oz, which was in turn based on Ozma of Oz.

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Book Nine: The Scarecrow Of Oz (1915)

1915 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Cap’n Bill and Trot journey to Oz and, with the help of the Scarecrow, the former ruler of Oz, overthrow the villainous King Krewl of Jinxland. 

Cap’n Bill and Trot had previously appeared in two other novels by Baum, The Sea Fairies and Sky Island.  Based in part upon the 1914 silent film, His Majesty, the Scarecrow of Oz.  This was allegedly L. Frank Baum’s personal favourite Oz book.

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Book Ten: Rinkitink In Oz (1916)

1916 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Young Prince Inga of Pingaree, aided by King Rinkitink, three powerful magical pearls, and a goat, attempts to rescue Inga’s parents and their subjects from marauding warriors who have laid waste to Pingaree and enslaved its people. 

Baum originally wrote this book as a non-Oz book which he titled King Rinkitink.

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Book Eleven: The Lost Princess Of Oz (1917)

1917 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

When Princess Ozma mysteriously disappears, four search parties are sent out, one for each of Oz’s four countries.  Most of the book covers Dorothy and the Wizard’s efforts to find her.  Meanwhile, Cayke the Cookie Chef discovers that her magic dishpan (on which she bakes her famous cookies) has been stolen.  Along with the Frogman, they leave their mountain in Winkie Country to find the pan.

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Book Twelve: The Tin Woodman Of Oz (1918)

1918 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

The Tin Woodman, whose real name is Nick Chopper, sets out to find the Munchkin Girl he had courted before he became a tin man.  He and his party (the Scarecrow and a new character who is called Woot the Wanderer) have numerous adventures on this quest.  They are transformed into animals by a hostile giantess, and they meet another live tin man, Captain Fyter, as well as a Frankenstein monster-like creature, Chopfyt, made from their combined fleshly parts by the tinsmith Ku-Klip.

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Book Thirteen: The Magic Of Oz (1919)

1919 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Ruggedo, former Nome King, tries to conquer Oz again with the help of a Munchkin boy, Kiki Aru.  Meanwhile, it is also Ozma’s birthday, and all of Oz’s citizens are searching for the most unusual present for the little princess.

This was published a month after Baum’s death.

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Book Fourteen: Glinda Of Oz (1920)

1920 first edition front cover image: © John. R. Neill and is in the Public Domain via Wikipedia

Dorothy, Ozma and Glinda try to stop a war in the Gillikin Country.

This was Baum’s last Oz book, and it was published posthumously.  This book contains a dark scene (in the house of Red Reera), most likely due to Baum’s failing health.  Many other Oz books have been released since the publication of Glinda of Oz, but none of them was written by Baum.

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Related To The Oz Series

The following are related to the Oz series of books written during the life of L. Frank Baum.

Queer Visitors From The Marvelous Land Of Oz  (1904 -1905)

Image © Walt McDougall and is in the Public Domain via Wikipedia

Read about it here.

The Woggle-Bug Book (1905)

1905 front cover image is © Ike Morgan and is in the Public Domain via Wikipedia

Read about it here.

Little Wizard Stories Of Oz (1913)

1905 first edition front cover image is © John R. Neill via Wikipedia

Read about it here.

The Littlest Giant: An Oz Story

I can’t find a cover for this or much more information so there is no separate page for it.

The Littlest Giant: An Oz Story is a short story written by Baum in 1917 and illustrated by Bill Eubank. It was discovered after his death with the first page missing.  It was published in The Baum Bugle in 1975.  It was a tale about a magic dart, nominally set in the Gillikin Country but otherwise, it made no reference to Oz.

To read other information relating to the Oz series including subsequent Oz books by other writers etc. after Baums death click here. 

The above descriptions were sourced from Wikipedia and are subject to change.   

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Notes And Links

The image above of L. Frank Baum shown at the top of this page is copyright of George Steckel.

The image above of Queer Visitors from the Marvelous Land of Oz is copyright of Walt McDougall. 

The image above of The Woggle-Bug Book is copyright of Ike Morgan.

The image above of Little Wizard Stories Of Oz is copyright of John R. Neill.

All the above images are in the Public Domain via Wikipedia

Project Gutenberg – Project Gutenberg is an online library of free e-books and was the first provider of free electronic books.  Michael Hart, the founder of Project Gutenberg, invented e-books in 1971 and his memory continues to inspire the creation of them and related content today.

The Oz Archive on Facebook – Archiving and celebrating the legacy of Oz.

The Wonderful Wiki of Oz – Official website.  A wonderful and welcoming encyclopedia of all things Oz that anyone can edit or contribute Oz-related information and Oz facts to enjoy.

The Oz Archive on Twitter – Archiving and celebrating the legacy of Oz.

The Oz Archive on Instagram – Archiving and celebrating the legacy of Oz.

The Oz Archive on TikTok – Archiving and celebrating the legacy of Oz.  

Music: Pentatonix

Image © of Pentatonix via PTX Official on Instagram

I first heard about Pentatonix in 2017, I think? It was just before Avi Kaplan left anyway.  I was browsing YouTube, as I do, and that is how I found them, looking for a capella music.  I am glad I did.  PTX relax me so much and their music is even better with headphones on and is great for travelling on long journeys.

There is a playlist from my YouTube channel at the bottom of this page that contains some of my favourite songs by them.  There are so many to choose from! 

Beneath the playlist, you will find an index of all the songs featured in it.

About Pentatonix

Pentatonix (abbreviated PTX) is an American a cappella group from Arlington, Texas, consisting of vocalists Scott Hoying (baritone), Mitch Grassi (tenor), Kirstin Maldonado (alto), Kevin Olusola (vocal percussion and baritone), and Matt Sallee (bass).  Characterized by their pop-style arrangements with vocal harmonies, basslines, riffing, percussion, and beatboxing, they produce cover versions of modern pop works or Christmas songs, sometimes in the form of medleys, along with original material.  Pentatonix formed in 2011 and subsequently won the third season of NBC’s The Sing-Off, receiving $200,000 and a recording contract with Sony Music.  When Sony’s Epic Records dropped the group after The Sing-Off, the group formed its YouTube channel, distributing its music through Madison Gate Records, a label owned by Sony Pictures.  Their YouTube channel currently has over 19 million subscribers and 5 billion views.  The group’s video tribute to Daft Punk had received more than 355 million views as of November 20th, 2021.

Their debut EP PTX, Volume 1 was released in 2012, followed by their holiday release PTXmas the same year, with Pentatonix’s third release, PTX, Vol. II, debuting at number 1 on Billboards Independent Albums chart and number 10 on the Billboard 200 in 2013.  In May 2014, Pentatonix signed with RCA Records, a flagship label of Sony Music Entertainment, while in the same year, the group released their fourth EP, PTX, Vol. III, and two full-length studio albums; PTX, Vols. 1 & 2, a compilation album released in Japan, Korea and Australia, and their second-holiday release, That’s Christmas to Me, with the album certified gold by the Recording Industry Association of America (RIAA), platinum on December 24th, 2014, and double platinum on February 11th, 2016, becoming the highest-charting holiday album by a group since 1962, and the fourth-best-selling album in the United States in 2014.  The following year, Pentatonix released their eponymous album, their first consisting mostly of original material, which debuted atop the US Billboard 200 chart for the first time in their career, followed by a third Christmas album, A Pentatonix Christmas, in 2016, and a new EP, PTX, Vol. IV – Classics, the year after.

In September 2017, Avi Kaplan, the group’s original bass, left the group amicably and was replaced by Matt Sallee, who was featured on their next album PTX Presents: Top Pop, Vol. I.

Pentatonix has won three Grammy Awards: they were the first a cappella act to win Best Arrangement, Instrumental or A Cappella, doing so in 2015 and 2016, and Best Country Duo/Group Performance in 2017.

Image © of Ralph Arvesen via Wikipedia

Pentatonix’s Career

Background

Pentatonix began with Kirstin Maldonado (born May 16th, 1992), Mitch Grassi (born July 24th, 1992), and Scott Hoying (born September 17th, 1991) who grew up together and were schoolmates at Martin High School in Arlington, Texas.  For a local radio show competition to meet the cast of Glee, they arranged and submitted a trio version of Telephone, the hit song by Lady Gaga and featuring Beyoncé.  Despite losing the competition, their singing sparked attention at their school, and they began performing. Their version of Telephone subsequently gained attention on YouTube.

Hoying and Maldonado both graduated from Martin High School in 2010, Grassi in 2011.  Hoying went off to the University of Southern California (USC) to pursue a degree in popular music performance, while Maldonado pursued a degree in musical theatre at the University of Oklahoma.  While at USC, Scott Hoying joined an a cappella group called SoCal VoCals.  He found out about The Sing-Off from another member of the group, Ben Bram (also their arranger, producer, and sound engineer), and was encouraged to audition for the show.   He persuaded Maldonado and Grassi to join him, but Bram suggested having a bass and beatboxer as well to support the group.  Through a mutual friend, Hoying met Avi Kaplan (born April 17th, 1989), a highly recognized vocal bass in the a cappella community.  Then, the trio found Kevin Olusola (born October 5th, 1988) on YouTube, where one of his videos in which he was simultaneously beatboxing and playing the cello (called celloboxing) had gone viral.  Olusola was born in Owensboro, Kentucky, and graduated pre-med from Yale University.

The group met the day before the auditions for the third season of The Sing-Off began.  The group successfully auditioned for the show and eventually went on to win the title for 2011 (season three).

Pentatonix, as suggested by Scott Hoying, is named after the pentatonic scale, a musical scale or mode with five notes per octave, representing the five members of the group.  They replaced the last letter with an x to make it more appealing.  The quintet derives its influences from pop, dubstep, electro, reggae, hip hop, and classical music.

Read more about Pentatonix here.

Image © of Aszpiga via Wikipedia

The Sing-Off (2011)

Pentatonix performed the following songs on season three of The Sing-Off.  The group did not perform in Episode 1 or 3.  Click on the links below to see them perform the relevant songs.

Episode 2: E.T.

Episode 4: Your Love Is My Drug and Piece Of My Heart.

Episode 5: Video Killed The Radiostar.

Episode 6: Love Lockdown.

Episode 7: Medley of Oops!… I Did It Again, Toxic and Hold It Against Me.

Episode 8: Born To Be Wild and Stuck Like Glue.

Episode 9: OMG and Let’s Get It On.

Episode 10: Forget You / Since U Been Gone (Medley) and Dog Days Are Over.

Episode 11 (Finale): Without You, Give Me Just One Night (Una Noche) and Eye Of The Tiger.

Read more about The Sing-Off season three here.

PTX Vol. 1 And PTXMas (2011 – 2013)

Scott Hoying and Kirstie Maldonado dropped out of college in hopes of winning The Sing-Off, while Mitch Grassi skipped his high school graduation to audition for the show.  After they won, all of the members relocated to Los Angeles in order to pursue a career as recording artists.  The main goal of the group was to become the first mainstream a cappella group in recent times.

In January 2012, having signed with Sony Pictures-owned label Madison Gate Records, the group began working on their first album with producer Ben Bram.  During that six-month period of picking covers and writing originals, Pentatonix released covers of both popular and classic songs on YouTube.  In interviews, the members mention that it was a way to stay relevant to their audience that enjoyed their work on The Sing-Off, in addition to gaining new fans.  Almost all of their covers, including Somebody That I Used to Know by Gotye featuring Kimbra, Gangnam Style by PSY and We Are Young by Fun, went viral on YouTube.

Their first EP, PTX, Volume 1, was released on June 26, 2012, charting at number 14 on the US Billboard 200 chart and number 5 on the digital chart.  It sold 20,000 copies in its first week of release.   The group promoted the album through press appearances on Access Hollywood, VH1 The Buzz, Marie, and local television shows. Pentatonix was also featured on the Chinese version of The Sing-Off as guests where Kevin showcased his fluency in Mandarin.  Pentatonix also embarked on its first national headlining tour in the fall of 2012.  The tour was sold-out and spanned 30 cities.  Opening acts consisted of Alexander Cardinale and SJ Acoustic Music.

The group released their Christmas EP, PTXmas, on November 13, 2012.  The group released their video of an original arrangement of Carol of the Bells the following day.  The group performed on Coca-Cola Red Carpet LIVE! @ The 2012 American Music Awards Pre-Show on November 18, the Hollywood Christmas Parade, and the 94.7 THE WAVE Christmas Concert Starring Dave Koz and Kenny Loggins on December 16.  The group was also featured guests on Katie Couric (ABC), Home and Family (Hallmark), The Tonight Show with Jay Leno, and Big D NYE.   Ryan Seacrest’s website named Pentatonix the 2012 Featured Artist of the Year for their expansive growth online in just one year.  The Christmas album was re-released on November 19, 2013, as a deluxe edition containing two additional tracks.  One of these, Little Drummer Boy charted in several Billboard categories including peaking at number two on the Streaming Songs chart and number one on the Holiday 100 chart, receiving a number of Billboard awards. PTXmas reappeared on the Billboard charts again in November 2014, placing No. 24 on the Billboard 200 and No. 4 on the Holiday charts, giving Pentatonix three albums on the Billboard 200 at the same time.  On Billboards 2014 Year-End charts, PTXmas was No. 8 on the Catalogue Albums chart and No. 119 on the Top Billboard 200 Albums chart, with Pentatonix ranked as No. 46 on the Top Billboard 200 Artists chart.  As of December 24, 2014, PTXmas has sold 356,000 copies.

Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia
Image © of Flow910 via Wikipedia

PTX Vol. II (2013 – 2014)

The band went on their second national headlining tour from January 24, 2013, to May 11, 2013, and simultaneously wrote additional original material for their second EP, PTX, Vol. II.  The group released the first single, a cover of Macklemore and Ryan Lewis’ Can’t Hold Us on August 20, 2013, which to date has over 90 million views.  The group also promoted PTX, Vol. II on The Ellen DeGeneres Show in November 2013, after the success of  The Evolution of Beyoncé mashup on YouTube.  That week, the band was featured on Around the World with Diane Sawyer and were named Persons of the Week.

In March 2013, Pentatonix and violinist Lindsey Stirling released their cover of the Imagine Dragons song Radioactive and won for Response of the Year at the YouTube Music Awards.  In July of the same year, along with American Idol contestant and fellow Arlington Texan Todrick Hall, they released The Wizard of Ahhhs, which mashes up several songs to create one song.  The music video follows the story of the 1939 film The Wizard of Oz with the artists dressed as its numerous lead roles.

PTX Vol. II was released on November 5, 2013, in conjunction with their second album single on YouTube: a medley of Daft Punk songs.  The video went viral, garnering more than ten million views in the first week, and as of December 2018, had over 290 million views.  The medley was later nominated for and won Best Arrangement, Instrumental or a Cappella of the 57th Grammy Awards.  PTX, Vol. II debuted at number ten on the Billboard 200 and number one on the Independent charts, selling 31,000 copies in the first week.  Pentatonix subsequently re-released a deluxe version of PTXmas on November 18, 2013, with two new tracks, Little Drummer Boy and Go Tell It On The Mountain.  Their YouTube video of Little Drummer Boy, released near the end of November, garnered more than ten million views in the first week and reached number ten on the iTunes top songs charts worldwide.  The song both debuted and peaked at number 13 on the Billboard Hot 100 chart for the week ending December 21, 2013.  The video has over 200 million views as of December 2018.

In May 2014, Pentatonix signed with RCA Records, a flagship label of Sony Music Entertainment.  On July 30, through the new label, the group released their first official album PTX, Vols. 1 & 2 in Japan, containing all of the songs from their two namesake EPs and four additional tracks, previously released as singles.  It was released in Australia on August 15 and in the Philippines on September 26.

Image © of Pentatonix via Wikipedia
Image © of Abby Gillardi via Wikipedia

PTX Vol. III And That’s Christmas To Me (2014)

On August 7, 2014, Pentatonix announced that their third EP PTX, Vol. III would be released on September 23, 2014.  The EP went up for pre-order on iTunes on August 11, 2014, and included a download of two tracks from the EP, Problem and La La Latch.  PTX Vol. III debuted at number 5 on the Billboard 200.

The group also revealed on August a second full-length Christmas album, That’s Christmas to Me, titled after the title track of the album, an original song that was penned by Pentatonix themselves.  The album was released on October 21, 2014 and peaked at number 2 on the Billboard 200, and number 4 on the Billboard Canadian Albums chart.  A single from the album, the group’s cover of Mary, Did You Know, both debuted and peaked on the Billboard Hot 100 chart at number 26, at number 7 on Billboards Adult Contemporary chart, and at number 44 on the Billboard Canadian Hot 100 chart.  Another single That’s Christmas To Me, the title track from the album, also peaked at number 8 on the Billboard Adult Contemporary chart.

Pentatonix is also the first act to top both the Holiday Albums and Holiday Songs charts simultaneously since the Holiday 100 launched as a multi-metric tabulation in December 2011.  The album is also the highest-charting holiday album by a group since 1962.

During the holiday season, 7 songs from That’s Christmas to Me are charted on Billboards Holiday Digital Songs chart.  On December 10, 2014, That’s Christmas to Me was certified gold by the Recording Industry Association of America.  On December 24, 2014, the album was certified Platinum.  By year’s end (December 31, 2014), Billboard reported the album had reached a total of 1.14 million copies sold—becoming the 4th best selling album of 2014 by any artist of any genre (being surpassed only by Taylor Swift’s 1989, the Frozen Soundtrack, and Sam Smith’s In the Lonely Hour) and was the Top-Selling Holiday Album for 2014.  On February 11, 2016, the album was certified Double Platinum.

Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia

Self-Titled Album, A Pentatonix Christmas, And PTX, Vol. IV (2015 – 2017)

Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia
Image © of Groucho NL via Wikipedia

In late December, Scott Hoying stated that for 2015, “Pentatonix is transitioning towards original music”.  A release of a full-length album consisting of only original material is planned.  Hoying also stated, “We’re at the point in our careers now [where] we must go to original music, and we want to go to original music; we have so much to say, and I think it’s gonna be quite a journey.”

On August 28, 2015, Pentatonix announced on social media that a self-titled album, the group’s third full-length album and the first album made of mostly original music, would be released on October 16, 2015.

On September 4, 2015, Pentatonix released Can’t Sleep Love the first single from Pentatonix upcoming album.  Two weeks later on September 18, 2015, a second version featuring Tink was released online.  On October 9, 2015, Pentatonix released their second single, a cover of Jack Ü and Justin Bieber’s Where Are Ü Now.  The album ended up being released one day early as a surprise gift to their fans.  On that same day, Pentatonix released their third single, Sing.

The album debuted at number 1 on the US Billboard 200.  In the US, the album started with 98,000 units (88,000 in pure album sales).  On February 8, 2016, the album was certified Gold.

On April 14, 2016, the music video was released for Pentatonix’s cover with Jason Derulo of Shai’s If I Ever Fall In Love.  In August 2016, the music video of Pentatonix’s Perfume Medley, a medley of songs by the Japanese girl group Perfume, was also released.  The medley consisted of the songs Spending All My Time, Pick Me Up, Chocolate Disco, and Polyrhythm.

Their second full-length Christmas album, titled A Pentatonix Christmas, was released on October 21, 2016.  It features 11 songs, including the two originals The Christmas Sing-Along and Good to Be Bad.  It debuted on the Billboard 200 at number three with 52,000 albums sold in its first week and later peaked at number one.  The album also debuted atop the Billboard Holiday Albums chart, their second number one on that chart after That’s Christmas to Me.

Their fifth EP, PTX, Vol. IV – Classics, was released on April 7, 2017.  It marked a departure from the group’s typical sound, focusing on covers of standards of rock, blues, country, and older pop music.

New Bass, Top Pop, Vol. I, Christmas Is Here!, And The Best Of Pentatonix Christmas (2017- 2019)

In May 2017, the band announced in a video that Avi Kaplan would leave the group following their upcoming tour.  The split was amicable and centred on his inability to keep up with the touring demands of the group and deal with the distance from his family.

On July 31, the group released the single Dancing on My Own, a cover of the song by Robyn, their first release without Kaplan (although he was still a member at the time, as the tour was ongoing). Olusola performed cello on the song in lieu of a bass vocalist.

Kaplan performed his last concert with Pentatonix on September 3, 2017, in Essex Junction, Vermont.  On October 13, Hoying introduced Matt Sallee as the group’s new bass.  The band’s first official releases with Sallee were the songs from the deluxe edition of A Pentatonix Christmas, which was released on November 27, 2017.  Sallee is also featured on their cover of the Camila Cabello song Havana, which was released as a single from their Top Pop Vol. 1 album on February 23, 2018.

On February 27, 2018, the group announced via their social media the upcoming release of a new album titled PTX Presents: Top Pop, Vol. I on April 13, 2018, to be followed by a tour in the summer.  It marked their first album with Sallee and without Kaplan.  It was preceded by three singles: their cover of Havana, a medley of Dua Lipa’s New Rules and Aaliyah’s Are You That Somebody? titled New Rules x Are You That Somebody?, which they released along with a music video on March 9, and a cover of Charlie Puth’s Attention, which they released along with a music video on March 23.

On September 20, 2018, the group announced their third full-length holiday album titled Christmas Is Here! to be released on October 26 of the same year and The Christmas Is Here! Tour to accompany the album.  They also announced the first single from the album, a cover of Making Christmas from The Nightmare Before Christmas which was released on September 28.  The album was released on October 26, 2018.

On October 25, 2019, Pentatonix released their newest Christmas album, a greatest hits compilation album called The Best of Pentatonix Christmas.  It includes mostly older songs, plus some new ones, such as a cover of You’re a Mean One, Mr. Grinch, featuring Sallee on lead.

Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia

At Home, We Need a Little Christmas, And The Lucky Ones (2020 – 2021)

On June 26, 2020, the group released another EP, At Home, containing five new covers, plus a 13-song medley, a total of 6 tracks.  The EP contains Pentatonix covering Billie Eilish’s When the Party’s Over, Dua Lipa’s Break My Heart, the Cranberries’ Dreams, The Weeknd’s Blinding Lights, and Clean Bandit’s Cologne.  Each member recorded their arrangement separately in their homes due to them having to quarantine because of COVID-19.  

On November 13, 2020, the group released their fourth Christmas-themed studio album, We Need a Little Christmas.  The album includes hits such as their covers of Amazing Grace (My Chains Are Gone), which was released as a single on November 25, 2020, and 12 Days of Christmas.  It also includes an original song, Thank You.

On August 14, 2020, Pentatonix released Happy Now, their first original single in five years, and the first of an upcoming album of original content.  On October 14, Pentatonix released Be My Eyes, and announced the date of The Lucky Ones, the first full-length album of originals since 2015, for February 12, 2021.  Like At Home and We Need a Little Christmas, it was recorded in isolation because of the pandemic.  A music video for Coffee in Bed was released on the same day as the album.  The album received general critical acclaim.  The deluxe version was released on 10th September 2021 with new songs like Anchor, Petals, Midnight in Tokyo (ft. Glee Monster), and more.

Image © of Pentatonix via Spotify
Image © of Pentatonix via Wikipedia
Image © of Pentatonix via Wikipedia

Evergreen (2021 – Present)

On September 27, 2021, Pentatonix announced their fifth upcoming Christmas-themed album Evergreen and released the single It’s Been a Long, Long Time on the same day.  They also released their rendition of I Just Called to Say I Love You as a single.  The album was released on October 29, 2021, and has 14 tracks.  The tour for the album, Pentatonix: The Evergreen Christmas Tour 2021, began on November 27, 2021.

Other Media

Tours

Pentatonix embarked on their first national headlining tour in the autumn of 2012.  The tour was sold out and spanned 30 cities.  Opening acts consisted of Alexander Cardinale and SJ Acoustic Music.  The band went on their second national headlining tour from January 24th, 2013, to May 11th, 2013, and simultaneously wrote additional original material for their second EP, PTX, Vol. II.

In 2014, Pentatonix undertook an extensive tour that included the United States, Canada, Europe and South East Asia.

In 2015, Pentatonix began the North American leg of their On My Way Home Tour, which began on February 25th, 2015, in California and ended at Grand Prairie’s Verizon Theatre on March 29th.  The group started a European tour in Portugal on April 9th.  This European leg ended in Glasgow on May 6th.  The Southeast Asian leg of the tour began in Seoul, South Korea on May 28th.  The last show of this leg was on Jun 16th in Osaka, Japan.

Pentatonix opened for Kelly Clarkson on her Piece by Piece Tour.  During Clarkson’s set, the group performed Heartbeat Song with her.  Due to Clarkson’s doctor’s requests for vocal rest, the tour was cancelled 15 shows early.

In 2016, Pentatonix embarked on the first leg of their Pentatonix World Tour with Us The Duo.  The tour began on April 2nd, 2016, in Chiba, Japan.  The second leg ran from May 23rd through June 26th in Europe before returning to Japan for two shows in August 2016.  The third and fourth legs of the tour (in Oceania and Asia respectively) occurred in September 2016, followed by the fifth leg in North America from October 17th to November 22nd, 2016.  The tour’s 2017 shows kicked off in May with another five shows in Japan. The final leg of the tour began July 2nd, 2017 in Los Angeles and continued across the United States before concluding in Vermont on September 3rd, 2017.  The last show marked Kaplan’s final performance with the group.

Performances

In September 2012, Pentatonix was invited to perform several of their songs (Somebody That I Used to Know by Gotye and We Are Young by fun.) on the Chinese edition of the Sing-Off.  In addition, they covered the late Taiwanese pop star Teresa Teng’s song, Tian Mi Mi.

Pentatonix appeared and performed on The Today Show, The Tonight Show With Jay Leno, The Talk and Conan.  The group also returned to The Sing-Off, performing their cover version of Ellie Goulding’s I Need Your Love during the Season 4 finale episode, which aired on December 23rd, 2013.

In November 2014, Pentatonix was invited by Baz Luhrmann (director, producer and writer) to be involved with the Holiday Window display at Barneys in New York City.  Each window had a theme such as love, beauty, truth and freedom with its own soundtrack, recorded by Pentatonix.  Pentatonix also performed at the opening night, as well as the after-party for invited guests.

On November 27th, 2014, Pentatonix participated in the annual Macy’s Thanksgiving Parade in New York City, performing Santa Claus is Coming to Town on the Homewood Suites float.

Pentatonix also performed during NBC’s annual Christmas in Rockefeller Center special on December 3rd, 2014, performing Sleigh Ride and Santa Claus is Coming to Town.

Pentatonix returned to The Sing-Off, performing a medley of songs from That’s Christmas to Me during the Season 5-holiday special, which aired on December 17th, 2014.

On December 7th, 2014, Pentatonix appeared in The Kennedy Center Honors award presentation, as part of a presentation to actor Tom Hanks, singing the song That Thing You Do, from Hanks’ film of the same name. President and Mrs. Barack Obama were in the audience.  The show was broadcast on CBS on December 30, 2014.

On December 31st, 2014, Pentatonix appeared as part of ABC Television Network’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2015, performing at the Billboard Hollywood party hosted by Fergie.

In December 2014, Pentatonix was invited to perform on the final episode of Wetten, dass..?, a longstanding entertainment show in Germany, performing a medley of songs from artists that have been on the program over the years.

On August 1st, 2019, Pentatonix played to their largest ever live crowd (as of August 2019) at the closing ceremony of the 24th World Scout Jamboree at Summit Bechtel Reserve in Glen Jean, West Virginia.

On September 1st, 2019, Pentatonix performed a rainy, nighttime show at the 173rd Canfield Fair in Mahoning County, Ohio, for more than 8,000 people.  This set a number of advanced sales record for JAC Management Group, LLC since taking over Canfield Fair entertainment operations.

Appearances And Presentations

Pentatonix appeared on Sesame Street on February 7th, 2014.

Pentatonix were presenters at the 2014 American Music Awards, introducing a performance by Jessie J, Ariana Grande, and Nicki Minaj.  The group was also featured in the YouTube Rewind 2014 video as one of the most subscribed YouTube music channels.

Pentatonix was on the Disney Channel show, K.C. Undercover on June 14th, 2015.

Maldonado, Hoying, and Grassi appeared as members of a cappella groups in the Fox television show Bones, in the episode The Strike In the Chord that originally aired on May 19th, 2016.

They made a guest appearance on The Voice on November 24th, 2016 where they sang their rendition of Jolene alongside Miley Cyrus and the song’s writer and original performer, Dolly Parton.

On December 14th, 2016, the group hosted their first Christmas special, titled around their current album, A Pentatonix Christmas Special.  The hour-long special aired on NBC and featured guest appearances by Reba McEntire, Dolly Parton and Kelly Clarkson.  NBC broadcast Pentatonix Christmas specials in 2017 and 2018, as well.

In December 2018, the group made a guest appearance on Darci Lynne: My Hometown Christmas.

On December 11th, 2018, they performed Rockin’ Around the Christmas Tree on The Talk.

On October 14th, 2020, Pentatonix performed Higher Love at the 2020 Billboard Music Awards with Kelly Clarkson and Sheila E.

Film

Pentatonix had a cameo role in Pitch Perfect 2, released in May 2015, as the Canadian team competing against the Barden Bellas.  Pentatonix also released a documentary about the group’s journey titled On My Way Home (based on the original song of the same name from PTX, Vol. III and the group’s 2015 tour) on June 18th, 2015, which was promoted on social media through the hashtag #OnMyWayHomeProject.

Read more Pentatonix here.

The above articles were sourced from Wikipedia and are subject to change.

Favourite Pentatonix Songs Playlist

This playlist does not contain Christmas songs.  There are some that are from PTX’s Christmas albums but are not Christmas songs in my opinion and as such feature here.  

Favourite Pentatonix Songs Index

This list is all the songs from the playlist above.  It does not contain Christmas songs.  As mentioned, there are some that are from PTX’s Christmas albums but are not Christmas songs.  

The links below will take you to YouTube.

Notes And Links

Pentatonix – Official website.  The image shown at the top of this page is the copyright of Pentatonix and is from their PTX Official Instagram page.

The image above of Pentatonix performing at the Austin360 Amphitheater in Austin, Texas on 29/08/2015 is the copyright of photographer Ralph Arvesen and you can find more great work from him by clicking here.

The image above of Avi Kaplan in Barcelona in 2015 is the copyright of photographer Aszpiga.

The image above of PTX Vol. I EP is the copyright of Pentatonix and Madison Gate Records.

The image above of PTXmas EP is the copyright of Pentatonix and Madison Gate Records.

The image above of Pentatonix in Paris in 2013 is the copyright of photographer Flow910.

The image above of PTX Vol II. EP is the copyright of Pentatonix and Madison Gate.

The image above of Pentatonix performing in St. Louis, Missouri in 2013 is the copyright of photographer Abby Gillardi and you can find more great work from her by clicking here.

The image above of PTX Vol III.  EP is the copyright of Pentatonix and RCA.

The image above of Pentatonix – That’s Christmas To Me is the copyright of Pentatonix and RCA.

The image above of Pentatonix (Album) is the copyright of Pentatonix and RCA.

The image above of A Pentatonix Christmas is the copyright of Pentatonix and RCA.

The image above of PTX Vol IV.  – Classics EP is the copyright of Pentatonix and RCA.

The image above of Pentatonix performing in Paradiso in 2014 is the copyright of photographer Groucho NL.

The image above of PTX Presents Top Pop Vol I.  is the copyright of Pentatonix and RCA.

The image above of Pentatonix – Christmas Is Here! is the copyright of Pentatonix and RCA.

The image above of The Best Of Pentatonix Christmas is the copyright of Pentatonix and RCA.

The image above of Pentatonix At Home EP is the copyright of Pentatonix and RCA.

The image above of Pentatonix – We Need A Little Christmas is the copyright of Pentatonix and RCA.

The image above of Pentatonix – The Lucky Ones is the copyright of Pentatonix and RCA.

Music: Christmas Music

Image © of Mick Haupt via Pexels

Who doesn’t love a good Christmas tune? I certainly do and it is part of my Christmas tradition to play the same ones every year.  They may be by someone who is not particularly one of my favourite music artists and bands but I still like them nevertheless. 

I have grown up listening to many festive tunes with my Mom and on my own, especially Mom’s LP’s by Nat King Cole, Elvis Presley, Jim Reeves, Mario Lanza,  Andy Williams, Perry Como and the Hawaiian Christmas and Christmas Party Sing-A-Long ones too.  We also listened to singles as well. I am pleased to say I still have them in my vinyl collection. 

There is an index at the bottom of the page containing many, but not all of the Christmas music I like to listen to.  There are obviously many artists who cover the same tunes but I will show my favourite versions.  Some songs are not necessarily Christmas songs per se but are from Christmas albums. 

It is hard to pick just a small selection when there are so many to choose from!

Image © of neelam279 via Pixabay

Christmas decorations on sheet music.

Christmas Music 

Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season.  Music associated with Christmas may be purely instrumental, or in the case of carols or songs may employ lyrics whose subject matter ranges from the nativity of Jesus Christ to gift-giving and merrymaking, to cultural figures such as Santa Claus, among other topics. Many songs simply have a winter or seasonal theme or have been adopted into the canon for other reasons.

While most Christmas songs prior to 1930 were of a traditional religious character, the Great Depression-era of the 1930s brought a stream of songs of American origin, most of which did not explicitly reference the Christian nature of the holiday, but rather the more secular traditional Western themes and customs associated with Christmas. These included songs aimed at children such as “Santa Claus Is Comin’ to Town” and “Rudolph the Red-Nosed Reindeer”, as well as sentimental ballad-type songs performed by famous crooners of the era, such as “Have Yourself a Merry Little Christmas” and “White Christmas”, the latter of which remains the best-selling single of all time as of 2018.

Elvis’ Christmas Album (1957) by Elvis Presley is the best-selling Christmas album of all time, selling more than 20 million copies worldwide.

Performances of Christmas music at public concerts, in churches, at shopping malls, on city streets, and in private gatherings is an integral staple of the Christmas holiday in many cultures across the world.  Radio stations often convert to a 24-7 Christmas music format leading up to the holiday, starting sometimes as early as the day after Halloween – as part of a phenomenon known as “Christmas creep”.

Christmas Music History

Early Music

Music associated with Christmas is thought to have its origins in 4th-century Rome, in Latin-language hymns such as Veni redemptor gentium.  By the 13th century, under the influence of Francis of Assisi, the tradition of popular Christmas songs in regional native languages developed.  In the 16th century, various Christmas carols still sung to this day include “The 12 Days of Christmas”, “God Rest You Merry, Gentlemen”, and “O Christmas Tree”, which first emerged.

Music was an early feature of the Christmas season and its celebrations. The earliest examples are hymnographic works (chants and litanies) intended for liturgical use in observance of both the Feast of the Nativity and Theophany, many of which are still in use by the Eastern Orthodox Church.  The 13th century saw the rise of the carol written in the vernacular, under the influence of Francis of Assisi.

In the Middle Ages, the English combined circle dances with singing and called them carols.  Later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive.  From Italy, it passed to France and Germany, and later to England.  Christmas carols in English first appear in a 1426 work of John Audelay, a Shropshire priest and poet, who lists 25 “caroles of Cristemas”, probably sung by groups of wassailers, who went from house to house.  Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of great musicians.

Puritan Prohibition

During the Commonwealth of England government under Cromwell, the Rump Parliament prohibited the practice of singing Christmas carols as Pagan and sinful.  Like other customs associated with popular Catholic Christianity, it earned the disapproval of Protestant Puritans. Famously, Cromwell’s interregnum prohibited all celebrations of the Christmas holiday.  This attempt to ban the public celebration of Christmas can also be seen in the early history of Father Christmas.

The Westminster Assembly of Divines established Sunday as the only holy day in the calendar in 1644.  The new liturgy produced for the English church recognized this in 1645, and so legally abolished Christmas. Its celebration was declared an offence by Parliament in 1647.  There is some debate as to the effectiveness of this ban, and whether or not it was enforced in the country.

Puritans generally disapproved of the celebration of Christmas—a trend that continually resurfaced in Europe and the USA through the eighteenth, nineteenth and twentieth centuries.

Read more about Christmas Music History here.

Classical Music

Many large-scale religious compositions are performed in a concert setting at Christmas.  Performances of George Frideric Handel’s oratorio Messiah are a fixture of Christmas celebrations in some countries, and although it was originally written for performance at Easter, it covers aspects of the Biblical Christmas narrative.  Informal Scratch Messiah performances involving public participation are very popular in the Christmas season.  Johann Sebastian Bach’s Christmas Oratorio (Weihnachts-Oratorium, BWV 248), written for Christmas 1734, describes the birth of Jesus, the annunciation to the shepherds, the adoration of the shepherds, the circumcision and naming of Jesus, the journey of the Magi, and the adoration of the Magi.  Antonio Vivaldi composed the Violin Concerto RV270 Il Riposo per il Santissimo Natale (For the Most Holy Christmas). Arcangelo Corelli composed the Christmas Concerto in 1690.  Peter Cornelius composed a cycle of six songs related to Christmas themes he called Weihnachtsliede.  Setting his own poems for solo voice and piano, he alluded to older Christmas carols in the accompaniment of two of the songs.

Other classical works associated with Christmas include:

Pastorale sur la naissance de N.S. Jésus-Christ (c. 1670) by Marc-Antoine Charpentier.

Christus (1847) an unfinished oratorio by Felix Mendelssohn.

L’enfance du Christ (1853–54) by Hector Berlioz.

Oratorio de Noël (1858) by Camille Saint-Saëns.

The Nutcracker (1892) by Pyotr Ilyich Tchaikovsky.

Fantasia on Christmas Carols (1912) and Hodie (1954), both by Ralph Vaughan Williams.

A Ceremony of Carols (1942) by Benjamin Britten.

Christmas Carols

Songs that are traditional, even some without a specific religious context, are often called Christmas carols.  Each of these has a rich history, some dating back many centuries.

Read more about Christmas Carols here.

Popular Christmas Songs

United States

According to the American Society of Composers, Authors and Publishers (ASCAP) in 2016, “Santa Claus Is Coming to Town”, written by Fred Coots and Haven Gillespie in 1934, is the most played holiday song of the last 50 years.  It was first performed live by Eddie Cantor on his radio show in November 1934.  Tommy Dorsey and his orchestra recorded their version in 1935, followed later by a range of artists including Frank Sinatra in 1948, the Supremes, the Jackson 5, the Beach Boys, and Glenn Campbell. Bruce Springsteen recorded a rock rendition in December 1975.

Long-time Christmas classics from prior to the “rock era” still dominate the holiday charts – such as “Let It Snow! Let It Snow! Let It Snow!”, “Winter Wonderland”, “Sleigh Ride” and “Have Yourself a Merry Little Christmas”.  Songs from the rock era to enter the top tier of the season’s canon include Wonderful Christmastime by Paul McCartney, All I Want for Christmas Is You by Mariah Carey and Last Christmas by Wham!

The most popular set of these titles—heard over airwaves, on the Internet, in shopping malls, in elevators and lobbies, even on the street during the Christmas season—have been composed and performed from the 1930s onward. (Songs published before 1925 are all out of copyright, are no longer subject to ASCAP royalties and thus do not appear on their list.)  In addition to Bing Crosby, major acts that have popularized and successfully covered a number of the titles in the top 30 most performed Christmas songs in 2015 include Frank Sinatra, Elvis Presley, Andy Williams, and the Jackson 5.

Since the mid-1950s, much of the Christmas music produced for popular audiences have explicitly romantic overtones, only using Christmas as a setting.  The 1950s also featured the introduction of novelty songs that used the holiday as a target for satire and a source for comedy.  Exceptions such as The Christmas Shoes (2000) have re-introduced Christian themes as complementary to the secular Western themes, and myriad traditional carol cover versions by various artists have explored virtually all music genres.

Read more about United States here.

United Kingdom And Ireland

Most Played Songs

A collection of chart hits recorded in a bid to be crowned the UK Christmas number one single during the 1970s and 1980s have become some of the most popular holiday tunes in the United Kingdom.  Band Aid’s 1984 song Do They Know It’s Christmas? is the second-best-selling single in UK chart history.  Fairytale of New York, released by The Pogues in 1987, is regularly voted the British public’s favourite-ever Christmas song.  It is also the most-played Christmas song of the 21st century in the UK.  British glam rock bands had major hit singles with Christmas songs in the 1970s.  Merry Xmas Everybody by Slade, I Wish It Could Be Christmas Everyday by Wizzard, and Lonely This Christmas by Mud all remain hugely popular.

The top ten most played Christmas songs in the UK based on a 2012 survey conducted by PRS for Music are as follows:

Ranked No. 1:
Fairytale of New York by The Pogues with Kirsty MacColl.

Ranked No. 2:
All I Want for Christmas Is You by Mariah Carey.

Ranked No, 3:
Do They Know It’s Christmas? by Band Aid.

Ranked No. 4:
Last Christmas by Wham!

Ranked No. 5:
Santa Claus Is Comin’ to Town by Harry Reser and his orchestra (sung by Tom Stacks).

Ranked No. 6:
Do You Hear What I Hear? by Bing Crosby.

Ranked No. 7:
Happy Xmas (War Is Over) John Lennon with Yoko/Plastic Ono Band and the Harlem Community Choir. 

Ranked No. 8:
Wonderful Christmastime by Paul McCartney.

Ranked No. 9:
I Wish It Could Be Christmas Everyday by Wizzard.

Ranked No. 10:
Merry Xmas Everybody by Slade.

Included in the 2009 and 2008 lists are such other titles as Jona Lewie’s Stop the Cavalry, Bruce Springsteen’s Santa Claus is Coming to Town, Elton John’s Step into Christmas, Mud’s Lonely This Christmas, Walking in the Air by Aled Jones, Shakin’ Stevens’ Merry Christmas Everyone, Chris Rea’s Driving Home for Christmas and Mistletoe and Wine and Saviour’s Day by Cliff Richard.

Christmas Number Ones

The “Christmas Number One” – songs reaching the top spot on either the UK Singles Chart, the Irish Singles Chart, or occasionally both, on the edition preceding Christmas – is considered a major achievement in the United Kingdom and Ireland.  The Christmas number one, and to a lesser extent, the runner-up at number two, benefit from broad publicity. Social media campaigns have been used to try to encourage sales of specific songs so that they could reach number one.

These songs develop an association with Christmas or the holiday season from their chart performance, but the association tends to be shorter-lived than for the more traditionally-themed Christmas songs.  Notable longer-lasting examples include Band Aid’s “Do They Know It’s Christmas?” (No. 1, 1984, the second-biggest selling single in UK Chart history; two re-recordings also hit No. 1 in 1989 and 2004), Slade’s “Merry Xmas Everybody” (No. 1, 1973), and Wham!’s “Last Christmas” (No. 2, 1984).  Last Christmas would go on to hold the UK record for highest-selling single not to reach No. 1, until it finally topped the chart on 1 January 2021, helped by extensive streaming in the final week of December 2020.

The Beatles, Spice Girls, and LadBaby are the only artists to have achieved consecutive Christmas number-one hits on the UK Singles Chart.  The Beatles annually between 1963 and 1965 (with a fourth in 1967), the Spice Girls between 1996 and 1998, and LadBaby in 2018, 2019 and 2020 (with the novelty songs We Built This City, I Love Sausage Rolls and Don’t Stop Me Eatin’).  Bohemian Rhapsody is the only recording to have ever been Christmas number one twice, in both 1975 and 1991.  Three of the four different Band Aid recordings of “Do They Know It’s Christmas?” have been number one in Christmas week.

At the turn of the 21st century, songs associated with reality shows became a frequent source of Christmas number ones in the UK.  In 2002, Popstars: The Rivals produced the top three singles on the British Christmas charts.  The “rival” groups produced by the series—the girl group Girls Aloud and the boy band One True Voice—finished first and second respectively on the charts.  Failed contestants The Cheeky Girls charted with a novelty hit, Cheeky Song (Touch My Bum), at third. Briton Will Young, the winner of the first Pop Idol, charted at the top of the Irish charts in 2003.

The X Factor also typically concluded in December during its run; the winner’s debut single earned the Christmas number one in at least one of the two countries every year from 2005 to 2014, and in both countries in five of those ten years.  Each year since 2008 has seen protest campaigns to outsell the X Factor single (which benefits from precisely-timed release and corresponding media buzz) and prevent it from reaching number one.  In 2009, as the result of a campaign intended to counter the phenomenon, Rage Against the Machine’s 1992 single “Killing in the Name” reached number one in the UK instead of that year’s X Factor winner, Joe McElderry.  In 2011, Wherever You Are, the single from a choir of military wives assembled by the TV series The Choir, earned the Christmas number-one single in Britain—upsetting X Factor winners Little Mix.  With the Military Wives Choir single not being released in Ireland, Little Mix won Christmas number one in Ireland that year.

Read lots more about Christmas Music here.

Favourite Christmas Music Index

A Cradle In Bethlehem – Nat King Cole.

All I Want For Christmas (Is My Two Front Teeth) – Spike Jones And His City Slickers.

A Marshmallow World – Dean Martin.

An Old Christmas Card – Jim Reeves.

Away In A Manger – Andy Williams.

Baby, It’s Cold Outside – Dean Martin.

Blue Christmas – Elvis Presley.

Carol Of The Bells – Pentatonix. 

C-H-R-I-S-T-M-A-S – Jim Reeves.

Christmas Time (Don’t Let The Bells End) – The Darkness.

Deck The Halls – Nat King Cole.

Do You Hear What I Hear? – Bing Crosby.

Frosty The Snowman – Gean Autry.

Gaudette – Erasure.

Guardian Angels – Mario Lanza.

Good King Wenceslas – Bing Crosby.

God Rest Ye Merry, Gentlemen – Mario Lanza.

Happy Holiday / The Holiday Season – Andy Williams.

Happy New Year – Abba.

Happy Xmas (War Is Over) – John Lennon With Yoko / Plastic Ono Band And The Harlem Community Choir.

Hark! The Herald Angles Sing – Mario Lanza.

Have Yourself A Merry Little Christmas – Frank Sinatra.

Here Comes Santa Claus (Right Down Santa Claus Lane) – Elvis Presley.

Here We Come A-Caroling / We Wish You A Merry Christmas – Perry Como.

Holly Jolly Christmas – Burl Ives.

If Every Day Was Like Christmas – Elvis Presley.

I’ll Be Home For Christmas – Elvis Presley.

I Saw Three Ships – Mario Lanza.

It’s Beginning To Look A Lot Like Christmas – Perry Como And The Fontane Sisters. 

It’s Christmas Time All Over The World – Sammy Davis Jr.

I Wish It Could Be Christmas Everyday – Wizzard.

Jingle Bells – Jim Reeves.

Joy To The World – Nat King Cole.

Last Christmas – Wham!

Let It Snow! Let It Snow! Let It Snow! – Dean Martin.

Lonely This Christmas – Mud.

Mama Liked The Roses – Elvis Presley.

Mary’s Boy Child / Oh My Lord – Boney M.

Mary, Did You Know? – Pentatonix.

Merry Christmas Everyone – Shakin’ Stevens.

Merry Xmas Everybody – Slade.

Mistletoe And HollyFrank Sinatra.

O Come All Ye Faithfull – Nat King Cole.

O Holy Night – Nat King Cole.

O Little Town Of Bethlehem – Nat King Cole.

O Tannenbaum – Nat King Cole.

Peace On Earth / Little Drummer Boy – David Bowie And Bing Crosby.

Rockin’ Around The Christmas Tree – Brenda Lee.

Rudolph The Red-Nosed Reindeer – The Temptations.

Santa, Bring My Baby Back (To Me) – Elvis Presley.

Santa Claus Is Back In Town – Elvis Presley.

Santa Claus Is Coming To Town – Frank Sinatra.

Silent Night – Elvis Presley.

Silver And Gold – Burl Ives.

Silver Bells – Jim Reeves.

Someday At ChristmasThe Temptations.

Sweet Little Jesus Boy – Andy Williams.

Thank You – Pentatonix.

Thank God It’s Christmas – Queen.

The Christmas Song (Merry Christmas To You) – Nat King Cole.

The First Noel – Mario Lanza.

The Little Boy That Santa Claus Forgot – Nat King Cole.

The Merry Christmas Polka – Jim Reeves.

Up On The Housetop – Pentatonix.

Walking In The Air – Aled Jones.

We Three Kings Of Orient Are – Mario Lanza.

What Christmas Means To Me – Pentatonix.

When A Child Is Born – Johnny Mathis.

White Christmas – Bing Crosby.

Winter Wonderland / Don’t Worry Be Happy – Pentatonix And Tori Kelly.

You’re A Mean One, Mr. Grinch – Pentatonix.

‘Zat You Santa Claus – Louis Armstrong And The Commanders. 

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Notes And Links

Mick Haupt on Pexels – The image shown at the top of this page is the copyright of Mick Haupt.  You can find more great work from the photographer Mick and lots more free stock photos at Pexels.

The image above of Christmas decorations on sheet music is the copyright of neelam279 at Pixabay.

Television: Blue Peter

Image © of Max Rahubovskiy via Pexels

Although started in 1958, I associate Blue Peter in my life mainly to the 1970’s and 1980’s for it is in these decades I watched it the most.  I wouldn’t say I was a fan of the show, I preferred Magpie more,  but I watched it sometimes as a school kid back in the day when the mood took me.

When Jnr and Deb were kids I may have watched a few then but it was more on in the background and I never paid much attention to it as the nostalgia for it had gone for me by then.

Image © of BBC via CBBC

Blue Peter Logo.

About Blue Peter

Blue Peter is a British children’s television magazine programme created by John Hunter Blair.  It is the longest-running children’s TV show in the world, having been broadcast since October 1958.  It was broadcast primarily from BBC Television Centre in London until September 2011, when the programme moved to dock10 studios at MediaCityUK in Salford, Greater Manchester.  It is currently shown live on the CBBC television channel on Thursdays at 5 pm.

Following its original creation, the programme was developed by a BBC team led by Biddy Baxter; she became the programme editor in 1965, relinquishing the role in 1988.  Throughout the show’s history, there have been 40 presenters; currently, it is hosted by Richie Driss, Mwaksy Mudenda, and Adam Beales.

The show used a nautical title and theme.  Its content, which follows a magazine/entertainment format, features viewer and presenter challenges, competitions, celebrity interviews, popular culture and sections on making arts and crafts items from household items.  The show has had a garden in both London and Salford, known as the Blue Peter Garden, which is used during the summer and for outdoor activities.  The programme has featured a number of pets that became household names, such as dogs Petra, Shep, and Goldie, as well as other animals such as tortoises, cats, and parrots.  The longevity of Blue Peter has established it as a significant part of British culture and British heritage.

Blue Peter Theme Music

Click here to hear every Blue Peter opening theme from 1958 to the present day.

Blue Peter Content

Blue Peter‘s content is wide-ranging.  Most programmes are broadcast live but usually include at least one filmed report.  There will also often be a demonstration of an activity in the studio, or a music or dance performance.  Between the 1960s and 2011 the programme was made at BBC Television Centre, and often came from Studio 1, the fourth-largest TV studio in Britain and one of the largest in Europe.  This enabled Blue Peter to include large-scale demonstrations and performances within the live programme.  From the September 2007 series, the programme was broadcast from a small fixed set in Studio 2.  However, from 2009 the series began to use the larger studios once more; also more programmes were broadcast in their entirety from the Blue Peter Garden.  The show is also famous for its “makes”, which are demonstrations of how to construct a useful object or prepare food.  These have given rise to the oft-used phrase “Here’s one I made earlier”, as presenters bring out a perfect and completed version of the object they are making – a phrase credited to Christopher Trace, though Marguerite Patten is another possibility.  Trace also used the line “And now for something completely different”, which was later taken up by Monty Python.  Time is also often given over to reading letters and showing pictures sent in by viewers.

Over 5,000 editions have been produced since 1958, and almost every episode from 1964 onwards still exists in the BBC archives.  This is unusual for programmes of that era.  Editor Biddy Baxter personally ensured that telerecordings and, from 1970, video recordings were kept of each episode.

Many items from Blue Peter‘s history have become embedded in British popular culture, especially moments when things have gone wrong, such as the much-repeated clip of Lulu the baby elephant (from a 1969 edition) who urinated and defecated on the studio floor, appeared to tread on the foot of presenter John Noakes and then proceeded to attempt an exit, dragging her keeper along behind her.  Although it is often assumed to have been broadcast live, the edition featuring Lulu was one of the rare occasions when the programme was pre-recorded, as the presenters were en route to Ceylon for the summer expedition at the time of transmission.  Other well-remembered and much-repeated items from this era include the Girl Guides’ campfire that got out of hand on the 1970 Christmas edition, John Noakes’s report on the cleaning of Nelson’s Column, and Simon Groom referring to a previous item on the production of a facsimile door knocker for Durham Cathedral which was displayed alongside the original, with the words ‘what a beautiful pair of knockers’.

Blue Peter History

Early Years

Blue Peter was first aired on 16 October 1958.  It had been commissioned to producer John Hunter Blair by Owen Reed, the head of children’s programmes at the BBC, as there were no programmes for children aged between five and eight.  Reed got his inspiration after watching Children’s Television Club, the brainchild of former radio producer, Trevor Hill, who created the latter show as a successor to his programme Out of School, broadcast on BBC Radio’s Children’s Hour; Hill networked the programme from BBC Manchester and launched it aboard the MV Royal Iris ferry on the River Mersey, Liverpool with presenter Judith Chalmers welcoming everyone aboard at the bottom of the gangplank.

It was subsequently televised about once a month.  Hill relates how Reed came to stay with him and his wife, Margaret Potter, in Cheshire and was so taken with the “Blue Peter” flag on the side of the ship and the programme in general, that he asked to rename it and take it to London to be broadcast on a weekly basis (see Reed’s obituary).  The “Blue Peter” is used as a maritime signal, indicating that the vessel flying it is about to leave, and Reed chose the name to represent ‘a voyage of adventure’ on which the programme would set out.  Hunter Blair also pointed out that blue was a popular colour with children, and Peter was a common name of a typical child’s friend.

The first two presenters were Christopher Trace, an actor, and Leila Williams, winner of Miss Great Britain in 1957.  The two presenters were responsible for activities that matched the traditional gender roles.  As broadcasting historian, Asa Briggs expressed it in 1995: “Leila played with dolls; Chris played with trains”.  They were supported on occasion by Tony Hart, an artist who later designed the ship logo, who told stories about an elephant called Packi (or Packie).  It was broadcast every Thursday for fifteen minutes (17.00–17.15) on BBC TV (which later became BBC One).  Over the first few months, more features were added, including competitions, documentaries, cartoons, and stories.  Early programmes were almost entirely studio-based, with very few filmed inserts being made.

1960 – 1969

From Monday 10 October 1960, Blue Peter was switched to every Monday and extended from 15 minutes to 20 minutes (17.00–17.20).  In 1961, Hunter Blair became ill and was often absent.  After he produced his last edition on 12 June 1961, a series of temporary producers took up the post.  Hunter Blair was replaced the following September by Clive Parkhurst.  He did not get along with Leila Williams, who recalled “he could not find anything for me to do”, and in October, Williams did not appear for six editions, and was eventually fired, leaving Christopher Trace on his own or with one-off presenters.  Parkhurst was replaced by John Furness, and Anita West joined Trace on 7 May 1962.  She featured in just 16 editions, making her the shortest-serving presenter, and was replaced by Valerie Singleton, who presented regularly until 1972 and on special assignments until 1981.  Following the departure of Furness, a new producer who was committed to Blue Peter was required, so Biddy Baxter was appointed.  At the time she was contracted to schools’ programmes on the radio, and therefore unable to take up her new post immediately.

It was suggested that Edward Barnes, a production assistant, would temporarily produce the show until Baxter arrived, at which point he would become her assistant.  This suggestion was turned down, and a more experienced producer, Leonard Chase, was appointed, with Barnes as his assistant.  Baxter eventually joined Blue Peter at the end of October 1962.

During this period, many iconic features of Blue Peter were introduced.  The first appeal took place in December 1962, replacing the practice of reviewing toys that children would ask for themselves.  Blue Peters first pet, a brown and white mongrel dog named Petra, was introduced on 17 December 1962.  The puppy soon died of distemper, and having decided against upsetting young viewers over the news, Barnes and Baxter had to search London pet shops for a convincing clandestine replacement.  Features such as “makes” (normally involving creating something such as an advent crown, out of household junk) and cooking became regular instalments on Blue Peter and continue to be used today.  The Blue Peter badge was introduced in 1963, along with the programme’s new logo designed by Tony Hart.  Baxter introduced a system that ensured replies sent to viewers’ letters were personal; as a girl, she had written to Enid Blyton and twice received a standard reply, which had upset her.

The next year, from 28 September 1964, Blue Peter began to be broadcast twice weekly, with Baxter becoming the editor in 1965, and Barnes and Rosemary Gill (an assistant producer who had joined as a temporary producer while Baxter was doing jury service) becoming the programme’s producers.  The first Blue Peter book, an annual in all but name, was published that year, and one was produced nearly every year after that, until 2010.  A third presenter, John Noakes, was introduced at the end of 1965 and became the longest-serving presenter.  A complete contrast to Trace, Noakes set the scene for “daredevil” presenters that have continued through the generations of presenters.  Trace left Blue Peter in July 1967, and was replaced by Peter Purves in November.  The trio of Valerie Singleton, John Noakes and Peter Purves lasted five years, and according to Richard Marson were ‘the most famous presenting team in the show’s history.  In 1965, the first Summer Expedition (a filming trip abroad) was held in Norway, and continued every year (except 1986 and 2011) until 2012, all over the world.

1970 – 1999

The first colour edition of Blue Peter aired on 14 September 1970, and the last black and white edition on 24 June 1974.  A regular feature of the 1970s was the Special Assignments, which were essentially reports on interesting topics, filmed on location.  Singleton took this role, and in effect became the programme’s “roving reporter”.   Blue Peter also offered breaking news on occasion, such as the 1971 eruption of Mount Etna, as well as unique items such as the first appearance of Uri Geller on British television.  In May 1976, presenter Lesley Judd interviewed Otto Frank, father of Anne Frank, after he had agreed to bring his daughter’s diaries to Britain.  From 1971 the summer expedition from the previous year was edited into special programmes broadcast under the title Blue Peter Flies The World, televised during the summer break when the team were recording the latest expedition.  The first was shown in July 1971 and featured the expedition to Jamaica.

In 1974, the Blue Peter Garden was officially opened in a green space outside the Television Centre restaurant block.  By this time, Blue Peter had become an established children’s programme, with regular features which have since become traditions.  In 1978, the show celebrated its twentieth anniversary with a nationwide balloon launch from five regional cities during a special edition of the programme when Christopher Trace, Leila Williams, Valerie Singleton and Peter Purves returned.  John Noakes contributed a message pre-recorded on film.  At this time, Trace introduced the Blue Peter Outstanding Endeavour Award.   Its theme music was updated by Mike Oldfield in 1979, and at the end of the decade a new presenting team was brought in, consisting of Simon Groom, Tina Heath and Christopher Wenner. They were overshadowed by the success of the previous two decades and failed to make as much of an impact.  Heath decided to leave after a year when she discovered she was pregnant but agreed to have a live scan of her baby, something which had never been done on television before.  Blue Peter was praised for this by the National Childbirth Trust who told the BBC that in ‘five minutes, Blue Peter had done more to educate children about birth than they’d achieved in ten years of sending out leaflets’.  Wenner decided to leave along with Heath on 23 June 1980.

Sarah Greene and Peter Duncan both joined in 1980, and a new producer, Lewis Bronze, joined in 1982.  The 1980s saw the Blue Peter studio become more colourful and bright, with the presenters gradually wearing more fashionable outfits, in contrast to the more formal appearance of previous decades.  Several videos of Blue Peter were made available from 1982, the first being Blue Peter Makes, and an omnibus comprising the two weekly editions appeared in 1986 on Sunday mornings.  Ahead of the show’s 25th anniversary in October 1983, BBC1 ran a series Blue Peter Goes Silver, revisiting previous summer expeditions.  The 25th anniversary itself was commemorated by a documentary presented by Valerie Singleton shown on BBC1 on Sunday, 16 October 1983.  This was followed the next day by a special edition of the programme when Christopher Trace presented the annual Outstanding Endeavour Award and Valerie Singleton, Peter Purves, Christopher Wenner, Tina Heath and Sarah Greene returned to celebrate the show’s birthday with the current presenting trio of Simon Groom, Peter Duncan and Janet Ellis who launched a national balloon treasure hunt.  On 27 June 1988, Baxter took part in her final show, after nearly 26 years of involvement, and Bronze took her place as editor.  Around this time, Blue Peter became distinctively environmentally aware and introduced a green badge in November 1988 for achievements related to the environment.  Shortly before, in October 1988, the show celebrated its thirtieth anniversary with a competition to design the cover of a commemorative issue of the ‘Radio Times’ and Valerie Singleton presented the Outstanding Endeavour Award on the birthday show itself.  The following year, the award was presented for the last time.

On 13 September 1984, Champion trampolinist and professional performer Michael Sundin presented for the first time, as a replacement for Peter Duncan.  He had been talent-spotted by the Blue Peter team when they filmed an item on the set of “Return to OZ” (Sundin was playing the part of Tik-Tok.)  After 77 appearances as a Blue Peter presenter, his contract was not renewed.  It has since been explained by Biddy Baxter, that he attracted complaints from viewers, stating in her Autobiography that homophobia was not the reason for his departure, “he came across as a whinger….and an effeminate whinger to boot”, “… it was nothing to do with his sexual proclivities”.  Sundin successfully continued his performing career but lost his life to an AIDS-related illness in 1989.

In 1989 (and again in 1992 and 1994), new arrangements of the theme tune were introduced.  Due to falling ratings in BBC children’s programming, BBC1 controller Alan Yentob suggested airing a third edition of Blue Peter each week from 1995.  This meant that it was sometimes pre-recorded; Joe Godwin, the director, suggested that the Friday edition should be a lighter version of Blue Peter, which would concentrate on music, celebrities and games.  Helen Lederer presented a documentary on BBC2 to celebrate the show’s 35th anniversary Here’s One I Made Earlier, with a special edition of the regular programme featuring the returns of Leila Williams, John Noakes and Lesley Judd amongst many other presenters. Neither Noakes nor Judd had appeared in the studio since leaving the programme and Williams was returning for the first time in 15 years.  A fourth presenter, Katy Hill, was introduced in 1995, but unlike earlier decades, there was little stability in the line-up, with resignations and new additions made almost every year of the decade.  The 1990s also saw many more live broadcasts on location, with many shot entirely away from the studio.  Blue Peter was also one of the first television series to launch a website.  Oliver Macfarlane replaced Bronze as editor in 1996.

1998 marked the 40th anniversary of the TV show.  Apart from two summer proms concerts, the most talked about event to celebrate the milestone was a trip behind LNER Peppercorn Class A2 60532 Blue Peter on an Edinburgh to London rail tour.  The special train in question was Days out Limited’s “Heart of Midlothian” from London Kings Cross to Edinburgh Waverley on Sun 19 April 1998, with 60532 working the train from Edinburgh.  Due to safety rules, none of the presenters was supposed to ride onboard the footplate during the trip.  Peter Kirk, who was in charge onboard the train and who was presenting from the footplate, however, allowed Stuart Miles to travel onboard the footplate between Newark-on-Trent and Peterborough.  This was the stretch of track which, on 3 July 1938, saw the world speed record for steam locomotives of 126 mph (203 km/h) set by LNER A4 Locomotive no. 4468 Mallard.

In October 1998, Richard Bacon was sacked, following reports in News of the World that he had taken cocaine.  This incident followed shortly after the show’s 40th anniversary when previous presenters returned for a special programme.  Those returning included Leila Williams, Valerie Singleton, John Noakes, Peter Purves, Diane Louise Jordan, Anthea Turner, John Leslie, Tim Vincent, Yvette Fielding, Caron Keating, Mark Curry, Janet Ellis, Peter Duncan, Sarah Greene, Tina Heath, Simon Groom and Christopher Wenner.  Steve Hocking then replaced Macfarlane as editor, at what was regarded as a difficult period for the programme.  He introduced a further re-arrangement of the theme tune and a new graphics package in September 1999.

2000 – 2010

The 2000s began with the opening of two previously buried time capsules.  Former presenters including Singleton, Purves and Noakes were invited back to assist, and the programme also looked at life in the 1970s when the first capsule was buried.  With Hill’s departure and replacement by Liz Barker in 2000, the new team of herself, Konnie Huq, Simon Thomas, and Matt Baker were consistent for the next few years.  The Friday edition, as in the previous decade, featured games, competitions and celebrities, but additionally, there was a drama series, The Quest, which featured cameos of many former presenters.

It was at this time that the new Head of the BBC Children’s Department, Nigel Pickard, asked for Blue Peter to be broadcast all year round.  This was achieved by having two editions per week instead of three during the summer months and using pre-recorded material.  The early 2000s also introduced Christmas productions, in which the presenters took part.  In 2003, Richard Marson became the new editor, and his first tasks included changing the output of Blue Peter on the digital CBBC.  The first year of the channel’s launch consisted of repeated editions, plus spin-off series Blue Peter Unleashed and Blue Peter Flies the World.  This new arrangement involved a complex schedule of live programmes and pre-recorded material, being broadcast on BBC One and CBBC. Marson also introduced a brand new set, graphics and music.

In September 2007, a new editor, Tim Levell, took over.  At the same time, budget cuts meant that the programme came from a smaller studio.  In February 2008 the BBC One programme was moved from 5 pm to 4.35 pm to accommodate The Weakest Link, and as a result, Blue Peters ratings initially dropped to as low as 100,000 viewers in the age 6–12 bracket, before steadily improving.

As with the previous decade, numerous presenters joined and left the programme.  This included the exits of Thomas, Baker and Barker and the additions of Zöe Salmon, Gethin Jones and Andy Akinwolere.  Early 2008 saw the departure of Huq, who had become the longest-serving female presenter with over ten years on the show.  Later that year, Salmon and Jones both left and the presenting team of Akinwolere with new additions Helen Skelton and Joel Defries was introduced.

On 16 October 2008, Blue Peter celebrated its 50th Anniversary with a reception at Buckingham Palace hosted by Queen Elizabeth II and featuring several former presenters.  There was a special live edition of the show broadcast to celebrate the anniversary with many returning presenters and a 60-minute documentary on BBC1 featuring interviews with many previous presenters and production staff, including Edward Barnes, Biddy Baxter and Rosemary Gill.

Writing in the BBC’s in-house magazine, Ariel, in 2009, BBC Children’s Controller Richard Deverell announced plans to re-invent the show to be more like the BBC’s motoring programme Top Gear.  Deverell hopes that by adding “danger and excitement”, Blue Peter will achieve the same “playground buzz” among children as Top Gear.

2011 – 2017

In January 2011 Barney Harwood was introduced to the programme as a replacement for Defries, who had departed in late 2010 after two years.  Unusually, Harwood was no stranger to Blue Peter viewers, having appeared as a presenter on CBBC for many years, on shows including Prank Patrol and Bear Behaving Badly.

On 29 March 2011 Blue Peter became the first programme in the UK to broadcast an entire show in 360 degrees on the web.  Viewers were able to watch the programme via their TVs and simultaneously interact with the television studio in front of and behind the cameras on the website.   Viewers were also challenged to play a game where they had to find particular crew members and staff dressed up in distinctive costumes.

The final edition of Blue Peter to broadcast from the BBC’s Television Centre in London was broadcast on 28 June 2011, before a move to the BBC’s new facilities at Dock10, MediaCityUK.  The set left behind at BBC Television Centre was subsequently purchased and installed at Sunderland University’s David Puttnam Media Centre in August 2013.

When the new series started on 26 September 2011, after the usual summer break, Harwood and Skelton revealed the new look Blue Peter studio along with the new music and title sequence.  Departed presenter Andy Akinwolere was not initially replaced, and for the first time in 50 years, only two presenters remained on the programme.  The new Blue Peter Garden, located outside the studios, was officially opened by Princess Anne in February 2012.

From 12 January 2012, Blue Peter has been broadcast all year round (with no break for summer) once a week, its original premiere being on CBBC on Thursdays at 5.45 pm, changed to 5.30 pm from April 2013 then 5:00 pm from March 2015.  It was usually repeated on Fridays on BBC One, although this ceased in December 2012.  A repeat airs at 9.00 am on Sundays. At this time, Levell left to work at BBC Radio 5 Live; he was replaced (initially in an acting capacity) as editor by Ewan Vinnicombe, who had worked on the programme as a producer since 2007.  The reformatted Blue Peter occasionally also included specials and spin-offs such as “Helen’s Polar Adventure” or the Stargazing Live special on other days of the week.

In 2013 Lindsey Russell was voted the 36th presenter via Blue Peter – You Decide!, a series of five programmes hosted by Dick and Dom, where ten aspiring presenters were set a number of challenges to prove that they were worthy of the position.  Judges Cel Spellman, Eamonn Holmes and Myleene Klass decided the final three before viewers were given the chance to vote online.  Russell joined Blue Peter in September of that year, shortly before Skelton’s departure and the introduction of her replacement Radzi Chinyanganya.

From October 2013, the team consisted of Harwood, Russell and Chinyanganya.  The format adapted with slightly different branding and a more classic take on the show, as well as beginning Blue Peter Bites, which are five-minute clips showing just one challenge or video from episodes broadcast on CBBC.  Blue Peter guide pup Iggy joined the team in 2014 and Shelley the Tortoise continues to make occasional appearances.  The Blue Peter Garden is currently maintained by child gardener George who appears throughout the year.  The team made more use of the website with more quizzes and videos such as ‘Blue Peter VS…’ and ‘Ultimate Challenges’ as well as holding a fan club hour after the show where fans could leave comments as to the answers of riddles or headline suggestions and ask guests questions.  A popular game on the programme, Spot Shelley was also introduced, where, in most episodes, an animated version of Shelley the tortoise is hiding somewhere/on something and viewers must leave a comment on the website during the show, the first person to spot her wins a shout-out (or some more expensive or weird prizes as Harwood would often joke, such as a house in Spain or a unicorn called Eric).  From April 2017, the show reverted to 5:30 pm.  In September 2017, Harwood left the show, again leaving just two presenters.

In the summerBlue Peter often challenges its viewers to earn all of their Blue Peter badges (with the exception of orange and gold) through five weeks, where the team look at each individual badge for a week, finishing with the limited time Sports badge which appears every summer with a different design.  In the show before these weeks, the team show viewers how to make something to keep their badges in/on and continue the theme through the weeks, these have included the Badge Baton Relay in 2016, where badges stored within a baton tube and the Big Badge Boat Bonanza in 2017, where badges displayed on the iconic BP ship, a 2D model that can be made from paper.

Ahead of their Jubilee celebrations, Blue Peter introduced its first-ever Guest Editor to the show on 19 October 2017 which was children’s author Dame Jacqueline Wilson.  Guest Editors have control for the day and plan what they what to show on their edition, as well as taking control behind the scenes.

2018 – Present

A special programme broadcast on 1 February 2018, marked Blue Peter’s 5000th edition.  A brand new Diamond badge was revealed for the first time, designed by Henry Holland.  This was only to be awarded within the special 60th year of 2018.

On 12 October 2017, it was revealed that outside of MediaCityUK, a Hollywood style walk of fame would be created with the names of famous people who have received a Gold Blue Peter badge.  The walkway would lead up to the front of the studios and would help to mark 60 years of Blue Peter.

There were various celebrations across the UK for “The Big Birthday Year”.  In January, a competition was launched to design Blue Peters second birthday balloon to be flown.  In May, the Millennium Time Capsule formally buried under the Millennium Dome, which was dug up accidentally in 2017 by builders went on tour with various past presenters around the country.  A play, “Once Seen On Blue Peter”, ran at the Edinburgh Festival Fringe in August, with six former presenters appearing in it.

On 16 October 2018, a special one-hour live edition of the programme, entitled Blue Peter: Big 60th Birthday, was broadcast on CBBC.  Guests included The Vamps, Sophie Ellis-Bextor and Ed Sheeran, who was presented with a gold Blue Peter badge.  Former presenters returned for the show and contributed to the broadcast, including Leila Williams, Anita West, Valerie Singleton, Peter Purves, Lesley Judd, Sarah Greene, Peter Duncan, Janet Ellis, Yvette Fielding, John Leslie, Diane-Louise Jordan, Anthea Turner, Tim Vincent, Stuart Miles, Katy Hill, Romana D’Annunzio, Richard Bacon, Konnie Huq, Simon Thomas, Liz Barker, Zöe Salmon, Andy Akinwolere, Helen Skelton, Joel Defries and Barney Harwood.  Matt Baker contributed a pre-recorded message and Mark Curry was represented by a lego model as he had to cancel his contribution due to ill health.  The programme was repeated on BBC Two on 20 October.  The celebration was also marked by other BBC programming, including The One Show hosted by Matt Baker and former Blue Peter contributor Gabby Logan, which featured Sarah Greene, Mark Curry, Simon Thomas and Konnie Huq; ITV’s Lorraine, where Greene appeared with Leila Williams and Anthea Turner; and BBC Breakfast which featured Lesley Judd.  A documentary entitled Happy Birthday Blue Peter was broadcast that evening on BBC Radio 2.  It was hosted by Barney Harwood and featured interviews with past and present presenters, as well as members of the production team.  As part of the birthday celebrations, a new plant species was named “Blue Peter”.  In February 2019 a gritter was named and decorated “Blue Peter”, unveiled by Russell.

On 3 June 2021, the show received a refresh with a new logo, title sequence, music and studio.  This was the first major refresh since the show’s move to Salford in 2011.  The studio is environmentally-friendly and is composed of upcycled materials from past studios.

On 24 June 2021, Russell announced that she would be leaving the show, after eight years.  Her final show aired on 15 July 2021.

Read more about Blue Peter here.

The above articles were sourced from Wikipedia and are subject to change.

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