E-books are fine but you can’t beat a real book in your hands, it heightens all your senses. However, you will find both on my website.
LubosHouska on Pixabay – The image shown at the top of this page is the copyright of LubosHouska. You can find more great work from the photographer Lubos and lots more free stock photo’s at Pixabay.
If I collect something you will read about it here. That will be to do with masks, horror, Doctor Who, comics or retro gaming related items etc.
I will put relevant information associated with them in their related section, and where possible, from the decade they originally belonged to in my decades section. Check them out and the blog posts that go with them.
InspiredImages on Pixabay – The image shown at the top of this page is the copyright of InspiredImages. You can find more great work from the photographer Anthony and lots more free stock photo’s at Pixabay.
The history of our past has shaped our present-day and our present-day will shape our future, for better or worse.
On this page. via blog posts, you will see events and traditions that have brought us to the present day and they should NEVER be erased or changed to appease ANYONE because they don’t fit their narrative.
These events will be shown in my decades section and you will read about local history relevant to me there as well. Check them out and the blog posts that go with them.
axonia on Pixabay – The image shown at the top of this page is the copyright of axonia. You can find more great work from the photographer and lots more free stock photo’s at Pixabay.
As with horror, science fiction is another cool way to escape from the real world and let your imagination take over.
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d0ran on Pixabay – The image shown at the top of this page is the copyright of d0ran. You can find more great work from the photographer and lots more free stock photo’s at Pixabay.
What is there not to like about horror? It is an escapism from the real world and so damn cool. I love so much about it. This page concentrates on the Horror genre and anything I post about that can be seen in Blog Posts below.
I have been a fan of Horror, particularly Horror films since I was little. I have loved Universal classic monsters, for it is they that started my love of Horror off, even if they scared the hell out of me at first and I hid under my Mom’s arm or behind the settee at first watching them., ha ha. That changed the older I got.
If you mention anything to do with horror then it is inevitable Halloween is mentioned.
Growing up in England from a child to a teenager in the 1960’s, 1970’s and 1980’s, Halloween was an American thing you saw on the telly. There was no dressing up and trick-or-treating, not in my family home anyway. Even when my kids were younger I never really bothered much about Halloween. It was just all too American for me and just liked the English traditions I was brought up with. They had fun wearing masks, bobbing for apples etc. but we never went out dressed up knocking on people’s doors. in fact, I don’t recall ever seeing anyone else do it either.
Nowadays all of the above is a common sight. I am no killjoy and I don’t knock anyone who really enjoys it. I admit it’s a fun thing for kids to do and a good excuse for a party for the adults which I have enjoyed going to in the past few years. When you have suffered from depression and anxiety for as long as I have, just to be included can be a lifesaver.
The main thing I like about Halloween is dressing up and the Horror theme to it. I have never celebrated Halloween in my life in the past because, since I was a kid, I have loved horror. Every day is Halloween for me, ha ha.
Horror is a genre of fiction that is intended to disturb, frighten or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as “a piece of fiction in prose of variable length… which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing”. Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.
Prevalent elements include ghosts, demons, vampires, monsters, zombies, werewolves, the Devil, serial killers, extraterrestrial life, killer toys, psychopaths, gore, torture, evil clowns, cults, cannibalism, vicious animals, the apocalypse, evil witches, dystopia and man-made or natural disasters.
The Raven by Gustave Dore.
This is an illustration of the 1884 edition of Edgar Allan Poe’s The Raven. It is referring to the illustration “Doubting, dreaming dreams no mortal ever dared to dream before.”
The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person. These manifested in stories of beings such as demons, witches, vampires, werewolves and ghosts. European horror fiction became established through the works of the Ancient Greeks and Ancient Romans. Mary Shelley’s well-known 1818 novel about Frankenstein was greatly influenced by the story of Hippolytus, whom Asclepius revives from death. Euripides wrote plays based on the story, Hippolytos Kalyptomenos and Hippolytus. In Plutarch’s The Lives of the Noble Grecians and Romans in the account of Cimon, the author describes the spirit of a murderer, Damon, who himself was murdered in a bathhouse in Chaeronea.
Pliny the Younger (61 to circa 113) tells the tale of Athenodorus Cananites, who bought a haunted house in Athens. Athenodorus was cautious since the house seemed inexpensive. While writing a book on philosophy, he was visited by a ghostly figure bound in chains. The figure disappeared in the courtyard and the following day, the magistrates dug in the courtyard and found an unmarked grave.
Elements of the horror genre also occur in Biblical texts, notably in the Book of Revelation.
The Witch of Berkeley by William of Malmesbury has been viewed as an early horror story. Werewolf stories were popular in medieval French literature. One of Marie de France’s twelve lais is a werewolf story titled Bisclavret.
The Countess Yolande commissioned a werewolf story titled Guillaume de Palerme. Anonymous writers penned two werewolf stories, Biclarel and Melion.
Much horror fiction derives from the cruellest personages of the 15th century. Dracula can be traced to the Prince of Wallachia Vlad III, whose alleged war crimes were published in German pamphlets. A 1499 pamphlet was published by Markus Ayrer, which is most notable for its woodcut imagery. The alleged serial killer sprees of Gilles de Rais have been seen as the inspiration for Bluebeard. The motif of the vampiress is most notably derived from the real-life noblewoman and murderer, Elizabeth Bathory, and helped usher in the emergence of horror fiction in the 18th century, such as through Laszlo Turoczi’s 1729 book Tragica Historia.
Vlad The Impaler.
This is a portrait of Vlad Tzepesh (Vlad III). He was the inspiration for Count Dracula. Tzepesh ruled from 1455 – 1462 and 1483 – 1496.
The 18th century saw the gradual development of Romanticism and the Gothic horror genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with Horace Walpole’s seminal and controversial 1764 novel, The Castle of Otranto. In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator. Once revealed as modern, many found it anachronistic, reactionary, or simply in poor taste but it proved immediately popular. Otranto inspired Vathek (1786) by William Beckford, A Sicilian Romance (1790), The Mysteries of Udolpho (1794) and The Italian (1796) by Ann Radcliffe and The Monk (1797) by Matthew Lewis. A significant amount of horror fiction of this era was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle.
Horace Walpole by Joshua Reynolds.
Athenodorus by Henry Justice Ford.
Here Athenodorus confronts the Spectre. It is from The Strange Story Book by Leonora Blanche Lang and Andrew Lang.
The Gothic tradition blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the Brothers Grimm’s Hansel and Gretel (1812), Mary Shelley’s Frankenstein (1818), John Polidori’s The Vampyre (1819), Charles Maturin’s Melmoth the Wanderer (1820), Washington Irving’s The Legend of Sleepy Hollow (1820), Jane C. Loudon’s The Mummy!: Or a Tale of the Twenty-Second Century (1827), Victor Hugo’s The Hunchback of Notre Dame (1831), Thomas Peckett Prest’s Varney the Vampire (1847), the works of Edgar Allan Poe, the works of Sheridan Le Fanu, Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde’s The Picture of Dorian Gray (1890), H. G. Wells’ The Invisible Man (1897), and Bram Stoker’s Dracula (1897). Each of these works created an enduring icon of horror seen in later re-imaginings on the page, stage and screen.
Mary Shelley By Richard Rothwell.
A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example, Gaston Leroux serialised his Le Fantome de l’Opera (The Phantom Of The Opera) before it became a novel in 1910. One writer who specialised in horror fiction for mainstream pulps, such as All-Story Magazine, was Tod Robbins, whose fiction deals with themes of madness and cruelty. In Russia, the writer Alexander Belyaev popularised these themes in his story Professor Dowell’s Head (1925), in which a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue, and which was first published as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, prominent among them were Weird Tales and Unknown Worlds.
Influential horror writers of the early 20th century made inroads into these mediums. Particularly, the venerated horror author H. P. Lovecraft, and his enduring Cthulhu Mythos transformed and popularised the genre of cosmic horror, and M. R. James is credited with redefining the ghost story in that era.
The serial murderer became a recurring theme. Yellow journalism and sensationalism of various murderers, such as Jack the Ripper, and lesser so, Carl Panzram, Fritz Haarman, and Albert Fish, all perpetuated this phenomenon. The trend continued in the postwar era, partly renewed after the murders committed by Ed Gein. In 1959, Robert Bloch, inspired by the murders, wrote Psycho. The crimes committed in 1969 by the Manson Family influenced the slasher theme in horror fiction of the 1970’s. In 1981, Thomas Harris wrote Red Dragon, introducing Dr. Hannibal Lecter. In 1988, the sequel to that novel, The Silence of the Lambs, was published.
Early cinema was inspired by many aspects of horror literature and started a strong tradition of horror films and subgenres that continues to this day. Up until the graphic depictions of violence and gore on the screen commonly associated with 1960’s and 1970’s slasher films and splatter films, comic books such as those published by EC Comics (most notably Tales From The Crypt) in the 1950’s satisfied readers’ quests for horror imagery that the silver screen could not provide. This imagery made these comics controversial, and as a consequence, they were frequently censored.
The modern zombie tale dealing with the motif of the living dead harks back to works including H. P. Lovecraft’s stories Cool Air (1925), In The Vault (1926), and The Outsider (1926), and Dennis Wheatley’s Strange Conflict (1941). Richard Matheson’s novel I Am Legend (1954) influenced an entire genre of apocalyptic zombie fiction emblematized by the films of George A. Romero.
In the late 1960’s and early 1970’s, the enormous commercial success of three books – Rosemary’s Baby (1967) by Ira Levin, The Exorcist by William Peter Blatty, and The Other by Thomas Tryon encouraged publishers to begin releasing numerous other horror novels, thus creating a horror boom.
One of the best-known late-20th-century horror writers is Stephen King, known for Carrie, The Shining, It, Misery and several dozen other novels and about 200 short stories. Beginning in the 1970’s, King’s stories have attracted a large audience, for which he was awarded by the U.S. National Book Foundation in 2003. Other popular horror authors of the period included Anne Rice, Brian Lumley, Graham Masterton, James Herbert, Dean Koontz, Richard Laymon, Clive Barker, Ramsey Campbell, and Peter Straub.
Stephen King.
This photo of King was taken at the 2007 New York Comicon in America.
Best-selling book series of contemporary times exist in genres related to horror fiction, such as the werewolf fiction urban fantasy Kitty Norville books by Carrie Vaughn (2005 onward). Horror elements continue to expand outside the genre. The alternate history of more traditional historical horror in Dan Simmons’s 2007 novel The Terror sits on bookstore shelves next to genre mash-ups such as Pride and Prejudice and Zombies (2009), and historical fantasy and horror comics such as Hellblazer (1993 onward) and Mike Mignola’s Hellboy (1993 onward). Horror also serves as one of the central genres in more complex modern works such as Mark Z. Danielewski’s House of Leaves (2000), a finalist for the National Book Award. There are many horror novels for children and teens, such as R. L. Stine’s Goosebumps series or The Monstrumologist by Rick Yancey. Additionally, many movies for young audiences, particularly animated ones, use horror aesthetics and conventions, for example, ParaNorman. These are what can be collectively referred to as children’s horror. Although it is unknown for sure why children enjoy these movies (as it seems counter-intuitive), it is theorised that it is, in part, grotesque monsters that fascinate kids. Tangential to this, the internalised impact of horror television programs and films on children is rather under-researched, especially when compared to the research done on the similar subject of violence in TV and film’s impact on the young mind. What little research there is tends to be inconclusive on the impact that viewing such media has.
History of horror films.
One defining trait of the horror genre is that it provokes an emotional, psychological, or physical response within readers that causes them to react with fear. One of H. P. Lovecraft’s most famous quotes about the genre is “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”. This is the first sentence from his seminal essay, Supernatural Horror in Literature. Science fiction historian Darrell Schweitzer has stated, “In the simplest sense, a horror story is one that scares us” and “the true horror story requires a sense of evil, not in necessarily in a theological sense, but the menaces must be truly menacing, life-destroying, and antithetical to happiness.”
In her essay Elements of Aversion, Elizabeth Barrette articulates the need by some for horror tales in a modern world. She says, “The old fight or flight reaction of our evolutionary heritage once played a major role in the life of every human. Our ancestors lived and died by it. Then someone invented the fascinating game of civilization, and things began to calm down. Development pushed wilderness back from settled lands. War, crime, and other forms of social violence came with civilization and humans started preying on each other, but by and large daily life calmed down. We began to feel restless, to feel something missing, the excitement of living on the edge, the tension between hunter and hunted. So we told each other stories through the long, dark nights. when the fires burned low, we did our best to scare the daylights out of each other. The rush of adrenaline feels good. Our hearts pound, our breath quickens, and we can imagine ourselves on the edge. Yet we also appreciate the insightful aspects of horror. Sometimes a story intends to shock and disgust, but the best horror intends to rattle our cages and shake us out of our complacency. It makes us think, forces us to confront ideas we might rather ignore, and challenges preconceptions of all kinds. Horror reminds us that the world is not always as safe as it seems, which exercises our mental muscles and reminds us to keep a little healthy caution close at hand.”
In a sense similar to the reason a person seeks out the controlled thrill of a roller coaster, readers in the modern era seek out feelings of horror and terror to feel a sense of excitement. However, Barrette adds that horror fiction is one of the few mediums where readers seek out a form of art that forces themselves to confront ideas and images they “might rather ignore to challenge preconceptions of all kinds.”
One can see the confrontation of ideas that readers and characters would rather ignore throughout literature in famous moments such as Hamlet’s musings about the skull of Yorick, its implications of the mortality of humanity, and the gruesome end that bodies inevitably come to. In horror fiction, the confrontation with the gruesome is often a metaphor for the problems facing the current generation of the author.
There are many theories as to why people enjoy being scared. For example, people who like horror films are more likely to score highly for openness to experience, a personality trait linked to intellect and imagination.
It is a now commonly accepted view that the horror elements of Dracula’s portrayal of vampirism are metaphors for sexuality in a repressed Victorian era. But this is merely one of many interpretations of the metaphor of Dracula. Jack Halberstam postulates many of these in his essay Technologies of Monstrosity: Bram Stoker’s Dracula. He writes, “[The] image of dusty and unused gold, coins from many nations and old unworn jewels, immediately connects Dracula to the old money of a corrupt class, to a kind of piracy of nations and to the worst excesses of the aristocracy.”
Halberstram articulates a view of Dracula as manifesting the growing perception of the aristocracy as an evil and outdated notion to be defeated. The depiction of a multinational band of protagonists using the latest technologies (such as a telegraph) to quickly share, collate, and act upon new information is what leads to the destruction of the vampire. This is one of many interpretations of the metaphor of only one central figure of the canon of horror fiction, as over a dozen possible metaphors are referenced in the analysis, from the religious to the antisemitic.
Noel Carroll’s Philosophy of Horror postulates that a modern piece of horror fiction’s monster, villain, or a more inclusive menace must exhibit the following two traits which is a menace that is threatening (either physically, psychologically, socially, morally, spiritually, or some combination of the aforementioned) and a menace that is impure (that violates the generally accepted schemes of cultural categorisation.
The Irish Frankenstein by John Tenniel.
This illustration is from an 1882 issue of Punch and is anti-Irish propaganda. Tenniel conceives the Irish Fenian movement as akin to Frankenstein’s monster, in the wake of the Phoenix Park killings. Menacing villains and monsters in horror literature can often be seen as metaphors for the fears incarnate of a society.
In addition to those essays and articles shown above, scholarship on horror fiction is almost as old as horror fiction itself. In 1826, the gothic novelist Ann Radcliffe published an essay distinguishing two elements of horror fiction, terror and horror. Whereas terror is a feeling of dread that takes place before an event happens, horror is a feeling of revulsion or disgust after an event has happened. Radcliffe describes terror as that which expands the soul and awakens the faculties to a high degree of life, whereas horror is described as that which freezes and nearly annihilates them.
Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both Devandra Varma and S.L. Varnado make reference to the theologian Rudolf Otto, whose concept of the numinous was originally used to describe religious experience.
Achievements in horror fiction are recognised by numerous awards. The Horror Writers Association presents the Bram Stoker Awards for Superior Achievement, named in honour of Bram Stoker, author of the seminal horror novel Dracula. The Australian Horror Writers Association presents the annual Australian Shadows Awards. The International Horror Guild Award was presented annually to works of horror and dark fantasy from 1995 to 2008. The Shirley Jackson Awards are literary awards for outstanding achievement in the literature of psychological suspense, horror, and dark fantastic works. Other important awards for horror literature are included as subcategories within general awards for fantasy and science fiction in such awards as the Aurealis Award.
Some writers of fiction normally classified as horror tend to dislike the term, considering it too lurid. They instead use the terms dark fantasy or Gothic fantasy for supernatural horror, or psychological thriller for non-supernatural horror.
Alexas_Fotos on Pixabay – The image shown at the top of this page is the copyright of Alexas_Fotos. You can find more great work from the photographer Alexa and lots more free stock photos at Pixabay.
The image above of The Raven by Gustave Dore is via Wikipedia and is in the public domain.
The image above of Vlad the Impaler is unknown via Wikipedia and is in the public domain.
The image above of Horace Walpole by Joshua Reynolds is via Wikipedia and is in the public domain.
The image above of Athenodorus by Henry Justice Ford is via Wikipedia and is in the public domain.
The image above of Mary Shelley by Richard Rothwell is via Wikipedia and is in the public domain.
The image shown above of Stephen King is the copyright of Wikipedia user Pinguino Kolb. It comes with a Creative Commons licence (CC BY-SA 2.0).
The image above of The Irish Frankenstein by John Tenniel is via Wikipedia and is in the public domain.
Universal Pictures – U.K. official website.
Universal Pictures on YouTube.
Universal Pictures on Facebook.
Universal Pictures on Twitter.
Universal Studios – Official website.
Music is my therapy, my medicine, and an important part of my mental well-being. My mom loved music and I shared that passion with her. Because of her I have loved music from an early age. I grew up listening to my mom’s record collection, with her or mainly on my own. I particularly enjoyed listening to 50’s and 60’s stuff. When I left school in 1982 and was able to buy my own records and my Mom would enjoy most of them with me as well. The first vinyl single I bought was Ghosts by Japan and the first vinyl album I bought was Too-Rye-Aye by Dexys Midnight Runners. Happy memories.
I proudly own a LOT of Mom’s vinyl LP’s and a decent amount of singles as well as her CD’s. I still have some of mine too including the said Dexy’s album mentioned above (but sadly not the Japan single). I will show as many of these as I can, as well as my own, in the collectables section.
I have such a varied taste in music by different artists/bands in different genres, spanning decades and it would be IMPOSSIBLE to show them all on this one page! I will put the artists/groups I listen to most, relevant information like the year they were formed etc. via my Music Index below. You will also find here other music blog articles. These will be mentioned in their associated decade in my decades section as well.
Mick Haupt on Pexels – The image shown at the top of this page is the copyright of Mick Haupt. You can find more great work from the photographer Mick and lots more free stock photo’s at Pexels.
bluebrummie @ BLIP.fm – That’s me! Search for free music to stream. Listen to free music recommended by real people. Create your own free internet radio station on this excellent music website. I have been a DJ on there since December 31st, 2008. Join today and add me for lots of varied and fantastic tunes.
Not only am I proud of my Birmingham roots I am also proud of my Black Country roots too.
The Black Country is an area of the West Midlands county, in the United Kingdom covering most of the Metropolitan Boroughs of Dudley, Sandwell, and some minor parts of Walsall. Dudley and Tipton are generally considered to be the centre. It became industrialised during its role as one of the birthplaces of the Industrial Revolution across the English Midlands with coal mines, coking, iron foundries, glass factories, brickworks and steel mills, producing a high level of air pollution.
The name dates from the 1840s and is believed to come from the soot that the heavy industries covered the area in, although the 30-foot-thick coal seam close to the surface is another possible origin.
The 14-mile (23 km) road between Wolverhampton and Birmingham was described as “one continuous town” in 1785.
Read more here.
A few Black Country places such as Wolverhampton, Bilston and Wednesfield are mentioned in Anglo-Saxon charters and chronicles and the forerunners of a number of Black Country towns and villages such as Cradley, Dudley, Smethwick, and Halesowen are included in the Domesday Book of 1086. At this early date, the area was mostly rural. A monastery was founded in Wolverhampton in the Anglo-Saxon period and a castle and priory were built at Dudley during the period of Norman rule. Another religious house, Premonstratensian Abbey of Halesowen, was founded in the early 13th century. A number of Black Country villages developed into market towns and boroughs in the twelfth and thirteenth centuries, notably Dudley, Walsall and Wolverhampton. Coal mining was carried out for several centuries in the Black Country, starting from medieval times, and metalworking was important in the Black Country area as early as the 16th century spurred on by the presence of iron ore and coal in a seam 30 feet (9 m) thick, the thickest seam in Great Britain, which outcropped in various places. The first blast furnace recorded in the Black Country was built at West Bromwich in the early 1560s. Many people had an agricultural smallholding and supplemented their income by working as nailers or smiths, an example of a phenomenon known to economic historians as proto-industrialisation. In 1583, the accounts of the building of Henry VIII’s Nonsuch Palace record that nails were supplied by Reynolde Warde of Dudley at a cost of 11s 4d per thousand. By the 1620s “Within ten miles [16 km] of Dudley Castle there were 20,000 smiths of all sorts”.
In the early 17th century, Dud Dudley, a natural son of the Baron of Dudley, experimented with making iron using coal rather than charcoal. Two patents were granted for the process: one in 1621 to Lord Dudley and one in 1638 to Dud Dudley and three others. In his work Metallum Martis, published in 1665, he claimed to have “made Iron to profit with Pit-cole”. However, considerable doubt has been cast on this claim by later writers.
An important development in the early 17th century was the introduction of the slitting mill to the Midlands area. In the Black Country, the establishment of this device was associated with Richard Foley, son of a Dudley nailer, who built a slitting mill near Kinver in 1628. The slitting mill made it much simpler to produce nail rods from iron bars.
Another development of the early 17th century was the introduction of glass making to the Stourbridge area. One attraction of the region for glass makers was the local deposits of fireclay, a material suitable for making the pots in which glass was melted.
In 1642 at the start of the Civil War, Charles I failed to capture the two arsenals of Portsmouth and Hull, which although in cities loyal to Parliament were located in counties loyal to him. As he had failed to capture the arsenals, Charles did not possess any supply of swords, pikes, guns, or shot; all these the Black Country could and did provide. From Stourbridge came shot, from Dudley cannon. Numerous small forges which then existed on every brook in the north of Worcestershire turned out successive supplies of sword blades and pike heads. It was said that among the many causes of anger Charles had against Birmingham was that one of the best sword makers of the day, Robert Porter, who manufactured swords in Digbeth, Birmingham, refused at any price to supply swords for “that man of blood” (A Puritan nickname for King Charles), or any of his adherents. As an offset to this sword-cutler and men like him in Birmingham, the Royalists had among their adherents Dud Dudley, now a Colonel in the Royalist army, who had experience in iron making, and who claimed he could turn out “all sorts of bar iron fit for making of muskets, carbines, and iron for great bolts”, both more cheaply, more speedily and more excellent than could be done in any other way.
In 1712, a Newcomen Engine was constructed near Dudley and used to pump water from coal mines belonging to Lord Dudley. This is the earliest documented working steam engine.
Read more here.
The above articles were taken from Wikipedia and are subject to change.
Gracie Sheppard interview – The image shown at the top of this page is the copyright of Gracie Sheppard. This interview is from the 16th August, 2019 with Black Country T-Shirts. Gracie designed the Black Country flag shown at the top of this page in 2013 when she was just 12 years old.
Black Country T-Shirts – Official website. Links to their social media sites are on there.
The city I was born in. I am proud of its history. There was only ever one football team for me to support when I was younger and that is Birmingham City. Blue is my favourite colour and I AM PROUD TO BE A BRUMMIE, it was a no brainer!
Although I do have a West Midlands section on my website, I could not justify sticking my home town as a subcategory of it. It deserves pride of place on its own in my website menu.
Read about it, and any memories regarding it in associated blog posts and my decades section as well.
Birmingham is a city and metropolitan borough in the West Midlands, England. It is the second-largest city, urban area and metropolitan area in England and the United Kingdom, with roughly 1.1 million inhabitants within the city area, 2.9 million inhabitants within the urban area and 3.6 million inhabitants within the metropolitan area. The city proper is the most populated English local government district. Birmingham is commonly referred to as the “second city of the United Kingdom”.
Located in the West Midlands county and region in England, approximately 100 miles (160 km) from Central London, Birmingham, as one of the United Kingdom’s major cities, is considered to be the social, cultural, financial, and commercial centre of the Midlands. Distinctively, Birmingham only has small rivers flowing through it, mainly the River Tame and its tributaries River Rea and River Cole – one of the closest main rivers are the Severn, approximately 20 miles (32 km) west of the city centre.
Historically a market town in Warwickshire in the medieval period. Birmingham grew during the 18th-century during the Midlands Enlightenment and during the Industrial Revolution, which saw advances in science, technology, and economic development, producing a series of innovations that laid many of the foundations of modern industrial society. By 1791, it was being hailed as “the first manufacturing town in the world”. Birmingham’s distinctive economic profile, with thousands of small workshops practising a wide variety of specialised and highly skilled trades, encouraged exceptional levels of creativity and innovation and provided an economic base for prosperity that was to last into the final quarter of the 20th century. The Watt steam engine was invented in Birmingham.
The resulting high level of social mobility also fostered a culture of political radicalism which, under leaders from Thomas Attwood to Joseph Chamberlain, was to give it a political influence unparalleled in Britain outside London, and a pivotal role in the development of British democracy. From the summer of 1940 to the spring of 1943, Birmingham was bombed heavily by the German Luftwaffe in what is known as the Birmingham Blitz. The damage done to the city’s infrastructure, in addition to a deliberate policy of demolition and new building by planners, led to extensive urban regeneration in subsequent decades.
Read more here.
Birmingham has seen 1400 years of growth, during which time it has evolved from a small 7th century Anglo Saxon hamlet on the edge of the Forest of Arden at the fringe of early Mercia to become a major city. A combination of immigration, innovation and civic pride helped to bring about major social and economic reforms and to create the Industrial Revolution, inspiring the growth of similar cities across the world.
The last 200 years have seen Birmingham rise from a market town into the fastest-growing city of the 19th century, spurred on by a combination of civic investment, scientific achievement, commercial innovation and a steady influx of migrant workers into its suburbs. By the 20th century, Birmingham had become the metropolitan hub of the United Kingdom’s manufacturing and automotive industries, having earned itself a reputation first as a city of canals, then of cars, and most recently as a major European convention and shopping destination.
By the beginning of the 21st century, Birmingham lay at the heart of a major post-industrial metropolis surrounded by significant educational, manufacturing, shopping, sporting and conferencing facilities.
Read more here.
The above articles were taken from Wikipedia and are subject to change.
Sunil060902’s page on Wikipedia – The image shown at the top of this page is the copyright of Sunhil060902. You can find more great work from the photographer Sunhil and lots more free stock photo’s at Wikipedia.
Birmingham History Forum – An excellent website for Birmingham related content covering plenty of different topics. Join today and look out for bluebrummie on their because that is me!
I am and forever will be a Blue Nose until the day I die. There is only one team in Birmingham worth supporting with true passion, and that is Birmingham. I have been supporting them since 1978 when Jim Smith was the manager. He is my favourite manager to date, with current manager Chris Davies coming a very close second.
Although I do have a section for Sport on my website, I could not justify sticking the Blues as a subcategory of it. They have been and are an important part of my life growing up to the present day, and as such deserve pride of place on its own in my website menu, joys, sorrows and all!
Read about them, and any memories regarding them, in the associated blog posts and my decades section as well.
For Blues fixtures, results and goalscorers for the current season, click here.
There is information, including kits, squads, etc., for the current season in the Blog Posts at the bottom of the page.
Birmingham City Football Club is a professional football club based in Birmingham, England. Formed in 1875 as Small Heath Alliance, it was renamed Small Heath in 1888, Birmingham in 1905, and Birmingham City in 1943. The club compete in the E.F.L. Championship, which is the second tier of the English football league system. Their nickname is Blues, after the colour of their kit, and the fans are known as Blue Noses.
As Small Heath, Blues played in the Football Alliance before becoming founder members and first champions of the Football League Second Division. The most successful period in our history was in the 1950’s and early 1960’s. We achieved our highest finishing position of sixth in the First Division in the 1955–56 season and reached the 1956 F.A. Cup Final. Blues played in two Inter-Cities Fairs Cup finals, in 1960, as the first English club side to reach a major European final, and again the following year. We won the League Cup in 1963 and again in 2011. Birmingham City have played in the top tier of English football for around half of their history. The longest period spent outside the top division was between 1986 and 2002, which included two brief spells in the third tier of English football, during which time we won the Football League Trophy twice.
St Andrew’s, renamed St. Andrew’s @ Knighthead Park in 2024 for sponsorship reasons (although many fans will still refer to it as St. Andrew’s, as I will), has been our home ground since 1906.
Blues have a long-standing and fierce rivalry with Aston Villa.
Keep Right On is one of the most well-known anthems in football, famously sung by Birmingham City fans.
The song originally came from Scotland. The song was written and sung by Sir Henry Lauder, a singer and a comedian. Lauder was very popular during the early 1900’s and he achieved international success.
The song was written and composed in 1924 by Lauder and William Dillon. The song was then released in 1925.
The song was inspired by personal tragedy. Lauder wrote the song after his son was killed in action during the First World War.
For Lauder’s original Keep Right On, the lyrics went like this:
“Every road through life is a long, long road.
Filled with joys and sorrows too.
As we journey on how your heart will yearn.
For the things most dear to you.
With wealth and love ‘tis so.
But onward we must go.
Keep right on to the end of the road.
Keep right on to the end.
Though the way be long, let your heart be strong.
Keep right on round the bend.
If you’re tired and weary still journey on.
Till you come to your happy abode.
Where all you love and you’re dreaming of.
Will be there at the end of the road.
Keep right on to the end of the road.
With a big stout heart to a long steep hill.
We may get there with a smile.
With a good kind thought and an end in view.
We can cut short many a mile.
So let courage every day.
Be your guiding star always.
Keep right on to the end of the road.
Keep right on to the end.
Though the way be long, let your heart be strong.
Keep right on round the bend.
If you’re tired and weary still journey on.
Till you come to your happy abode.
Where all you love and you’re dreaming of.
Will be there at the end of the road.
Keep right on to the end of the road.
Keep right on to the end.
Though the way be long, let your heart be strong.
Keep right on round the bend.
If you’re tired and weary still journey on.
Till you come to your happy abode.
Where all you love and you’re dreaming of.
Will be there at the end of the road.”
Keep Right On To The End Of The Road by Harry Lauder.
Keep Right On arrived into the terraces of St Andrews in the mid-1950’s.
Blues were on our way to Leyton Orient in the fourth round of the F.A. Cup and manager Arthur Turner got the squad to sing the anthem as a pre-match ritual to calm the nerves before a big game.
Birmingham City legend Alex Govan, a winger who played for Blues during the 1950’s, introduced the team to Lauder’s famous song as the club went on to reach the FA Cup final in 1956.
Since then, the song has been adopted as the club’s anthem and the rest is history.
Govan once said to BBC WM: “We always had a sing-song on the coach wherever we went away from home… And Arthur Turner turned and said “Come on Alex, give us something from Scotland.””
“I couldn’t sing “I belong to Glasgow”, he continued, “so I sang “Keep right on to the end of the road”, it was the easiest one to sing… The fans heard us through the windows and it’s been magic ever since.”
As we all know, Keep Right On, has fans’ hairs standing up on the backs of their necks whenever it is belted around St Andrews. You have to be there to truly experience the magic of it all.
Two great examples of this anthem at its finest were before the Carling Cup final in 2011, and after Paul Caddis scored the equaliser against Bolton at the then-named Reebok Stadium, which saved Blues from relegation to League One on the final day of the season.
Birmingham City Legend Alex Govan.
As you go through life it’s a long, long road.
There’ll be joys and sorrows too.
As we journey on we will sing this song.
For the boys in royal blue.
We’re often partisan.
We will journey on.
Keep right on to the end of the road.
Keep right on to the end.
Though the way be long.
Let your heart beat strong.
Keep right on to the end.
Though you’re tired and weary.
Still journey on.
Till you come to your happy abode.
Where all the love you’ve been dreaming of will be there.
Where?
At the end of the road.
Birmingham.
Birmingham.
Birmingham.
Birmingham City fans singing Keep Right On To The End Of The Road before The Carling Cup Final Kick-Off.
Read more here.
Birmingham City was founded as Small Heath Alliance in 1875, and from 1877 we played our home games at Muntz Street in Small Heath, Birmingham. The club turned professional in 1885 and three years later became the first football club to become a limited company with a board of directors, under the name of Small Heath F.C. Ltd. From the 1889 – 90 season Blues played in the Football Alliance, which ran alongside the Football League. In 1892, Small Heath, along with the other Alliance teams, was invited to join the newly formed Football League Second Division. We finished as champions, but failed to win promotion via the test match system. The following season promotion to the First Division was secured after a second-place finish and test match victory over Darwen. The club adopted the name Birmingham Football Club in 1905 and moved into their new home, St Andrew’s, the following year. Matters on the field failed to live up to their surroundings. Birmingham was relegated in 1908, obliged to apply for re-election two years later, and remained in the Second Division until after the First World War.
Frank Womack’s captaincy and the creativity of Scottish international playmaker Johnny Crosbie contributed much to Birmingham winning Blues a second Division Two title in 1920–21. Womack went on to make 515 appearances, a club record for an outfielder, over a twenty-year career. 1920 also saw the debut of the 19-year-old Joe Bradford, who went on to score a club record 267 goals in 445 games and won 12 caps for England. In 1931, manager Leslie Knighton led the club to their first FA Cup Final, which they lost 2–1 to Second Division club West Bromwich Albion. Though Birmingham remained in the top flight for 18 seasons, we struggled in the league, with much reliance placed on England goalkeeper Harry Hibbs to make up for the lack of goals, Bradford excepted, at the other end. Blues were finally relegated in 1939, the last full season before the Football League was abandoned for the duration of the Second World War.
Second Division Champions Small Heath F.C. in 1893.
The name Birmingham City F.C. was adopted in 1943. Under Harry Storer, appointed manager in 1945, the club won the Football League South wartime league and reached the semifinal of the first post-war F.A. Cup. Two years later Blues won our third Second Division title, conceding only 24 goals in the 42-game season. Storer’s successor Bob Brocklebank, though unable to stave off relegation in 1950, brought in players who made a major contribution to the club’s successes of the next decade. When Arthur Turner took over as manager in November 1954, he made them play closer to their potential, and a 5 – 1 win on the last day of the 1954 – 55 season confirmed Birmingham City as champions. In our first season back in the First Division, Birmingham achieved our highest league finish of sixth place. We also reached the F.A. Cup final, losing 3 – 1 to Manchester City in the game notable for City’s goalkeeper Bert Trautmann playing the last 20 minutes with a broken bone in his neck. The following season the club lost in the F.A. Cup semi-final for the third time since the war, this time beaten 2 – 0 by Manchester United’s Busby Babes.
Birmingham became the first English club side to take part in European competition when they played their first group game in the inaugural Inter-Cities Fairs Cup competition on the 15th of May 1956. We went on to reach the semi-final where we drew 4 – 4 on aggregate with Barcelona, losing the replay 2 – 1. We were also the first English club side to reach a European final, losing 4 – 1 on aggregate to Barcelona in the 1960 Fairs Cup final and 4 -2 to A.S. Roma the following year. In the 1961 semi-final, Blues beat Internazionale home and away and no other English club won a competitive game in the San Siro until Arsenal managed it in 2003. Gil Merrick’s side saved their best form for cup competitions. Though opponents in the 1963 League Cup final, local rivals Aston Villa, were pre-match favourites, Birmingham raised their game and won 3 – 1 on aggregate to lift their first major trophy. In 1965, after ten years in the top flight, we returned to the Second Division.
Businessman Clifford Coombs took over as chairman in 1965, luring Stan Cullis out of retirement to manage the club. Cullis’s team played attractive football which took Blues to the semi-finals of the League Cup in 1967 and of the F.A. Cup in 1968, but league football needed a different approach. Successor Freddie Goodwin produced a team playing skilful, aggressive football that won promotion as well as reaching an F.A. Cup semi-final. Two years later, the club raised money by selling Bob Latchford to Everton for a British record fee of £350,000, but without his goals, the team struggled. Sir Alf Ramsey briefly managed the club before Jim Smith took over in 1978 (the year I started supporting them). With relegation a certainty, the club sold Trevor Francis to Nottingham Forest, making him the first player transferred for a fee of £1 million. Francis had scored 133 goals in 329 appearances over his nine years at Blues.
Smith took Birmingham City straight back to the First Division, but a poor start to the 1981 – 82 season saw him replaced by Ron Saunders, who had just resigned from Aston Villa. Saunders’ team struggled to score goals and was relegated in 1984. Blues bounced back up the following season. Saunders quit after F.A. Cup defeat to non-League team Altrincham, staff were laid off, the training ground was sold, and by 1989 Birmingham was in the Third Division for the first time in their history.
In April 1989 the Kumar brothers, owners of a clothing chain, bought the club. A rapid turnover of managers, the absence of promised investment, and a threatened mass refusal of players to renew contracts were relieved only by a victorious trip to Wembley in the Associate Members’ Cup. Terry Cooper delivered promotion, but the collapse of the Bank of Credit and Commerce International (B.C.C.I.) put the Kumars’ businesses into receivership. In November 1992 B.C..C.I.’s liquidator put up for sale their 84% holding in the football club.
The club continued in administration for four months, until Sport Newspapers’ proprietor David Sullivan bought it for £700,000, installed the then 23-year-old Karren Brady as managing director and allowed Cooper money for signings. On the last day of the season, the team avoided relegation back to the third tier, but after a poor start to the 1993–94 season, manager Terry Cooper was replaced by Barry Fry. The change did not prevent relegation, but Fry’s first full season brought promotion back to the second tier as champions, and victory over Carlisle United in the Football League Trophy via Paul Tait’s golden goal completed the lower-league Double. After one more year, Fry was dismissed to make way for the return of Trevor Francis.
Reinforced by players with top-level experience, including Manchester United captain Steve Bruce, Francis’s team narrowly missed out on a play-off position in 1998, and three years of play-off semi-final defeats followed. Blues reached the 2001 League Cup final against Liverpool at Cardiff’s Millennium Stadium. Birmingham equalised in the last minute of normal time, but the match went to a penalty shoot-out which Liverpool won. By October 2001, lack of progress had made Francis’s position untenable and after a 6–0 League Cup defeat to Manchester City, he left by mutual consent. Bruce’s return as manager shook up a stale team. He took them from mid-table to the play-offs and beat Norwich City on penalties in the final to secure promotion to the Premier League.
Motivated by the inspirational Christophe Dugarry, Birmingham’s first top-flight season for 16 years finished in mid-table. Loan signing Mikael Forssell’s 17 league goals helped Blues to a top-half finish in 2003 – 04, but when he was injured, the 2004 – 05 team struggled for goals. In July 2005, chairman David Gold said it was time to start talking about being as good as anyone outside the top three or four with the best squad of players for 25 years.
Injuries, loss of form, and lack of transfer window investment saw us get relegated in a season whose lowlight was a 7 – 0 F.A. Cup defeat to Liverpool. Jermaine Pennant and Emile Heskey left for record fees, and many others were released, but Bruce’s amended recruitment strategy, combining free-transfer experience with young hungry players and shrewd exploitation of the loan market, brought automatic promotion at the end of a season which had included calls for his head.
Manager Steve Bruce at a pre-season tournament at Weiden, Germany in 2004.
Bruce led Birmingham City to promotion to the Premier League in 2002 and 2007.
In July 2007, Hong Kong-based businessman Carson Yeung bought 29.9% of shares in the club, making him the biggest single shareholder, with a view to taking full control in the future. Uncertain as to his future under possible new owners, Bruce left in mid-season. His successor, Scotland national team manager Alex McLeish, was unable to stave off relegation but achieved promotion back to the Premier League at the first attempt. Yeung’s company completed the takeover in 2009, and the team finished in ninth place, our highest in 51 years. In 2011, we combined a second League Cup, defeating favourites Arsenal 2 – 1 with goals from Nikola Zigic and Obafemi Martins and securing qualification for the Europa League, with relegation back to the second-tier, after which McLeish resigned to join Aston Villa.
Birmingham narrowly failed to reach the knockout rounds of the Europa League and the play-off final. With the club in financial turmoil and under a transfer embargo, manager Chris Hughton left. Under Lee Clark, Blues twice retained our divisional status, albeit through Paul Caddis’s 93rd-minute goal in the last match of 2013 – 14 to avoid relegation on goal difference, but continued poor form saw him dismissed in October 2014. Gary Rowett stabilised the team and led us to two tenth-place finishes before being controversially dismissed by new owners Trillion Trophy Asia in favour of the pedigree of Gianfranco Zola, who would aid the club’s strategic, long-term view to take the club in a new direction.
Two wins from 24 matches under Zola left Birmingham needing two wins from the last three games to stay up, which they achieved under the managership of Harry Redknapp. Redknapp lasted another month, his former assistant Steve Cotterill five months, leaving successor Garry Monk another (ultimately successful) relegation battle. Despite budgetary restrictions and a nine-point deduction for breaches of the League’s Profitability and Sustainability (P&S) rules, Blues finished 17th in 2018 – 19. However, Monk was sacked in June after conflict with the board. He was succeeded by his assistant, Pep Clotet, initially as caretaker. In the 2019 – 20 season, a season that was suspended from March to June 2020 due to COVID, the club once again avoided relegation despite a 14-match winless run at the end of the season and the threat of a further points deduction. Academy product Jude Bellingham was sold to Borussia Dortmund in the summer for a club-record deal reported to be worth up to £30 million, after which Aitor Karanka lasted eight months as head coach before being replaced by former Birmingham player Lee Bowyer. After 16 months and yet another relegation struggle, amid rumours of an imminent takeover, Bowyer was replaced by John Eustace.
After two takeover attempts fell through, Shelby Companies Ltd, a subsidiary of US-based Knighthead Capital Management and fronted by that company’s co-founder Tom Wagner, purchased a controlling stake in the club and full ownership of the stadium on the 13th of July 2023. Former Manchester City C.E.O. Garry Cook was appointed to the corresponding role at Birmingham City, and the club gained considerable publicity from the arrival of American football player Tom Brady as minority owner.
In early October, with the team in the play-off places, John Eustace was sacked as manager. In a move that echoed Gary Rowett’s replacement by Gianfranco Zola seven years prior, the board stressed the need for a winning mentality and a culture of ambition across the club and a new appointment with responsibility for creating an identity and clear no-fear playing style. After former England international player Wayne Rooney‘s two wins from 15 matches left Birmingham in 20th place, Tony Mowbray was appointed manager. His need for medical leave brought the interim appointment of Gary Rowett, whose 11 points from the last eight games was not enough to prevent relegation to League One after 29 years at a higher level. On the 6th of June, 2024, Blues announced that our new manager would be Chris Davies who was previously at Tottenham Hotspur as their assistant manager.
Click here to read more about the start of the New Era of Birmingham City in 2023.
The Small Heath Alliance members decided among themselves that their colours would be blue. In the early days, they wore whatever blue shirt they had. The first uniform kit was a dark blue shirt with a white sash and white shorts. Several variations on a blue theme were tried and the one that stuck was the royal blue shirt with a white V, adopted during the First World War and retained until the late 1920’s. Though the design changed, royal blue remained. In 1971 Blues adopted the penguin strip (royal blue with a broad white central front panel) which lasted five years. This is probably most Blues fans, of a certain age’s favourite kit (it certainly is mine). Since then we have generally worn plain, nominally royal blue tops, though the actual shade used has varied. Shorts have been either blue or white, and socks usually blue, white or a combination. White, yellow, red and black, on their own or in combination, have been the most frequently used colours for the away kit.
There were aberrations: the 1992 kit, sponsored by Triton Showers, was made of a blue material covered with multicoloured splashes. The home shirt has only once featured stripes. In 1999, the blue shirt had a front central panel in narrow blue and white stripes.
You can view all of Birmingham City’s football kits past and present here.
When the club changed its name from Small Heath to Birmingham in 1905 it adopted the city’s coat of arms as its badge, although this was not always worn on the Blues tops. The 1970’s penguin top carried the letters B.C.F.C. intertwined at the centre of the chest. The Sports Argus newspaper ran a competition in 1972 to design a new badge for the club. The winning entry, a line-drawn globe and ball, with a ribbon carrying the club’s name and date of foundation, in plain blue and white, was adopted by the club but not worn on playing shirts until 1976, after the design was granted by the College of Arms in 1975. The design recorded at the College did not include the ribbon and was blazoned as a football ensigned by a terrestrial globe proper. This was granted as a heraldic badge to the English Football League and was licensed to Birmingham City. An experiment was made in the early 1990’s with colouring in the globe and ball, but was soon abandoned.
The first sponsor to have its name on the shirt was Birmingham-based brewery Ansell’s in 1983. They withdrew in mid-1985, and the shirts went unsponsored until January 1987, when Co-op Milk paid a five-figure sum to have its name displayed until the end of the season, which was a relief to the club not only financially; the vice-chairman claimed that as a “big club… people expect us to have a shirt sponsor and we have been lagging behind”. Later sponsors included car retailer P.J. Evans/Evans Halshaw (1988 – 1989), Mark One (1989 – 1992), Triton Showers (1992 – 1995), Auto Windscreens (1995 – 2001), Phones 4u (2001 – 2003), Flybe (2003 – 2007), F&C Investments (2007 – 2011), foreign exchange company RationalFX (2011 – 2012), lifestyle and leisure business EZE Group (2012 – 2013 and 2015 – 2016), e-cigarette company Nicolites (2013 – 2014), mobile payment enabler Zapaygo (2014 – 2015), 888sport (2016 – 2019) and Irish bookmaker BoyleSports (2019 – 2023). L.A.-based sports brand Undefeated is the current sponsor (2023 – ) which is supplied by Nike.
Click here to see the current Birmingham City kits.
Small Heath Alliance’s first football kit from 1875.
Birmingham City’s club badge.
Small Heath Alliance played their first home games on waste ground off Arthur Street in Bordesley Green, Birmingham. As interest grew, we moved to a fenced-off field in Ladypool Road, Sparkbrook, where admission could be charged. A year later, we moved again, to a field adjoining Muntz Street, Small Heath, Birmingham, near the main Coventry Road, with a capacity of about 10,000. The Muntz Street ground was adequate for 1880’s friendly matches, and the capacity was gradually raised to around 30,000, but when several thousand spectators scaled walls and broke down turnstiles to get into a First Division match against Aston Villa, it became clear that it could no longer cope with the demand.
Director Harry Morris identified a site for a new ground in Small Heath, Bordesley Green, Birmingham, some three-quarters of a mile from Muntz Street towards the city centre. The site was where a brickworks once operated. The land sloped steeply down to stagnant pools, yet the stadium was constructed in under twelve months from land clearance to the opening ceremony on Boxing Day 1906. Heavy snow nearly prevented the opening; volunteers had to clear the pitch and terraces before the match, a goalless draw against Middlesbrough, could go ahead. The ground is reputed to have been cursed by gypsies evicted from the site; although gypsies are known to have camped nearby, there is no contemporary evidence for their eviction by the club.
The original capacity of St Andrew’s was reported as 75,000, with 4,000 seats in the Main Stand and space for 22,000 under cover. By 1938, the official capacity was 68,000, and February 1939 saw the attendance record set at the fifth round FA Cup tie against Everton, variously recorded as 66,844 or 67,341. On the outbreak of the Second World War, the Chief Constable ordered the ground’s closure because of the danger from air raids; it was the only ground to be thus closed and was only re-opened after the matter was raised in Parliament. It was badly damaged during the Birmingham Blitz: the Railway End and the Kop as a result of the bombing, while the Main Stand burnt down when a fireman mistook petrol for water.
The replacement Main Stand used a propped cantilever roof design, which meant fewer pillars to block spectators’ view of the pitch. Floodlights were installed in 1956 and officially switched on for a friendly match against Borussia Dortmund in 1957. By the early 1960’s a stand had been built at the Railway End to the same design as the Main Stand, roofs had been put on the Kop and Tilton Road End, and the ground capacity was down to about 55,000.
Resulting from the 1986 Popplewell Report into the safety of sports grounds and the later Taylor Report, the capacity of St Andrew’s was set at 28,235 for safety reasons, but it was accepted that the stadium had to be brought up to modern all-seated standards. After the last home game of the 1993 – 94 season, the Kop and Tilton Road terraces were demolished (fans took home a significant proportion as souvenirs) to be replaced at the start of the new season by a 7,000-seat Tilton Road Stand, continuing round the corner into the 9,500-seat Kop, which opened two months later. The 8,000-seat Railway Stand followed in 1999; ten years later, this was renamed the Gil Merrick Stand, in honour of the club’s appearance record-holder and former manager, but the Main Stand has still to be modernised. In 2019, the club website listed the stadium capacity as 29,409.
In 2004, a proposal was put forward to build a sports village comprising a 55,000-capacity City of Birmingham Stadium, other sports and leisure facilities, and a super casino, to be jointly financed by Birmingham City Council, Birmingham City F.C. (via the proceeds of the sale of St Andrew’s) and the casino group Las Vegas Sands. The feasibility of the plan depended on the government issuing a licence for a super casino and Birmingham being chosen as the venue, but this did not happen. The club have planning permission to redevelop the Main Stand, but the club and council continued to seek alternative sources of funding for the City of Birmingham Stadium project.
In 2013, the Birmingham City Supporters’ Trust’s application for listing St Andrew’s as an Asset of Community Value (A.C.V.). This is a building or other land whose main use furthers the social well-being or social interests of the local community and where it is realistic to believe it could do so in the future. The Localism Act 2011 was approved by Birmingham City Council. This requires any proposed sale to be notified to the Council and provides for a six-month moratorium on that sale to allow the Trust and other community groups to submit their own bid. In 2018, the club’s owners agreed to a three-year sponsorship deal under which the name became St Andrew’s Trillion Trophy Stadium. This would be changed back to St. Andrews in 2021. In 2024 Blues made an announcement that they had entered into a multi-million pound, multi-year naming rights agreement with Shelby Companies Limited, which is majority-owned by Knighthead and certain other minority investors, including seven-time Super Bowl champion and entrepreneur, Tom Brady. It is the largest commercial agreement in the Club’s history. Under the terms of the deal, the Club’s stadium was re-named St. Andrew’s @ Knighthead Park. The Club’s Wast Hills training ground was renamed The Knighthead Training and Academy Grounds, and a new fan entertainment zone @ Knighthead Park will be built, situated on Club-owned land close to the Tilton and Main Stand at the Stadium. These will be launched before the end of the 2023/24 Season.
On the 9th of April, 2024, Blues announced Knighthead’s acquisition of the 48-acre former Wheels site in Bordesley Park, East Birmingham, bringing their total land holding to more than 60 acres, excluding St. Andrew’s @ Knighthead Park. This is a key step toward creating a vibrant Sports Quarter and a new world-class stadium.
Read more about Muntz Street here.
Read more about St. Andrew’s here.
See more about the club’s plans for a new stadium here.
St. Andrews.
St. Andrews main stand in 2005.
In the first four weeks of owning Birmingham City, which included 100% of St. Andrew’s, Tom Wagner, Knighthead and Shelby Companies made it clear they were going to improve everything to do with Blues, on and off the pitch going forward. They did more for morale for Blues in the first four weeks since they took over than the previous Chinese owners ever did in sixteen years.
The stadium got a much-needed new look in that time that included a giant badge that lights up along with the new lettering and two large screens on either side of it. and what a fantastic improvement it turned out to be.
The following photos were taken before Blues first home game of the 2023/24 season against Leeds United.
Inside the new look St. Andrews showing the improved giant screen.
Inside the new look St. Andrews.
Outside the new look St. Andrews showing the new giant badge and lettering.
Inside the new look St. Andrews.
Inside the new look St. Andrews showing the improved dug-out seats.
Inside the new look St. Andrews showing the improved player’s tunnel.
Inside the new look St. Andrews showing the improved player’s changing room.
Despite all the brilliant work that has been done above, the contractor, Buckingham Group, responsible for working on the lower tiers of the Tilton and Kop stands (which include safe standing) had gone into administration. It was announced by Blues on the 17th of August, 2023. You can read about it here.
Birmingham fans consider our main rivals to be Aston Villa, our nearest neighbours geographically, with whom we contest the Second City derby. Lesser rivalries include fellow West Midlands clubs Wolverhampton Wanderers and West Bromwich Albion.
Blues supporters are generally referred to as Blue Noses in the media and by the fans themselves. A piece of public sculpture in the form of a ten-times-life-size head lying on a mound near St Andrew’s, Ondré Nowakowski’s Sleeping Iron Giant, has been repeatedly painted with blue paint on its nose. Between 1994 and 1997, the club mascot took the form of a blue nose, though it is now a dog named Beau Brummie (which had first appeared on our football programmes back in the 1960’s) , a play on the name Beau Brummell and Brummie, the slang word for a person from Birmingham.
A number of supporters’ clubs are affiliated with the football club, both in England and abroad. An action group was formed in 1991 to protest against chairman Samesh Kumar, the club blamed an internet petition for the collapse of the purchase of player Lee Bowyer in 2005, and antipathy towards the board provoked hostile chanting and a pitch invasion after the last match of the 2007 – 2008 season, but when the club was in financial difficulties, supporters contributed to schemes which funded the purchase of players Brian Roberts in 1984 and Paul Peschisolido in 1992. A supporters’ trust was formed under the auspices of Supporters Direct in 2012.
There have been several fanzines published by supporters. Made in Brum, first issued in 2000, was the only one regularly on sale in 2013. The Zulu began some years earlier and ran for at least 16 seasons.
Our fans’ anthem is Keep Right On (as mentioned above).
Birmingham City’s mascot Beau Brummie.
Birmingham City fans during the club’s first away appearance in the group stage of the U.E.F.A. Europa League in 2011.
Small Heath F.C. became a limited company in 1888. Its first share issue was to the value of £650. The board was made up of local businessmen and dignitaries until 1965, when the club was sold to Clifford Coombs. By the mid-1980’s the club was in financial trouble. Control passed from the Coombs family to former Walsall F.C. chairman Ken Wheldon, who cut costs, made redundancies, and sold off assets, including the club’s training ground. Still unable to make the club pay, Wheldon sold it to the Kumar brothers, owners of a clothing chain. Debt was still increasing when matters came to a head; the collapse of the Bank of Credit and Commerce International (BCCI) put the Kumars’ businesses into receivership. The club continued in administration for four months until Sport Newspapers’ proprietor David Sullivan bought the Kumars’ 84% holding for £700,000 from BCCI’s liquidator in March 1993. Birmingham City plc, of which the football club was a wholly owned subsidiary, was floated on the Alternative Investment Market (A.I.M.) in 1997 with an issue of 15 million new shares, raising £7.5 million of new investment. It made a pre-tax profit of £4.3M in the year ending on the 31st of August 2008.
In July 2007, Hong Kong businessman Carson Yeung, via the Hong Kong Stock Exchange (S.E.H.K.)-listed company Grandtop International Holdings Limited (G.I.H.), bought 29.9% of the plc from its directors. Although his intention to take full control of the club initially came to nothing, G.I.H. completed the purchase in October 2009 at a total cost of £81.5M, re-registered the club as a private company, and renamed the holding company Birmingham International Holdings (B.I.H.).
Trading in B.I.H. shares was suspended in June 2011 after Yeung’s arrest on charges of money laundering. Publication of financial results was repeatedly delayed, which led the Football League to impose a transfer embargo, and offers for the club were entertained from 2012 onwards. After Yeung resigned his positions with both club and company in early 2014, share trading resumed, and following his conviction, efforts intensified to dispose of the club, which had to be done piecemeal in order to retain B.I.H.’s share listing.
Going into 2015, the Football League made public their concerns over Yeung’s attempts to impose his choice of directors on the B.I.H.L. board despite his conviction disqualifying him from exerting influence over a club. Relationships became increasingly factional, as illustrated by the failure of three directors, including the club’s de facto chief executive Panos Pavlakis, to gain re-election, followed the next day by their reinstatement. On the 17th of February, 2015, the board voluntarily appointed receivers from accountants Ernst & Young to take over management of the company. Their statement stressed that no winding-up petition had been issued and the company was not in liquidation.
In June 2015, the receivers struck deals with the previous major shareholders such that legal action against them would be dropped in return for their agreement not to obstruct any transfer of ownership to their preferred bidder, the British Virgin Islands-registered investment vehicle Trillion Trophy Asia (T.T.A.), wholly owned by Chinese businessman Paul Suen Cho Hung, who in turn agreed that the company would not be sold on within two years. The process was completed in October 2016, leaving T.T.A. owning 50.64% of BIH’s share capital, a level of ownership that required them to make an offer for the remainder.
To keep the company running, T.T.A. arranged loans which it settled with discounted shares to the same value; the process of creating such shares diluted the percentage holding of all shareholders. Attempts to diversify the company’s holdings to make it less reliant on the football club were similarly funded. To reduce the club’s losses in light of breaches of the EFL’s Profitability and Sustainability Regulations, the stadium was sold for £22.8 million to Birmingham City Stadium Ltd, a new company wholly owned by the football club’s parent, and would be leased back to the club. In December 2020, 21.64% of the club and 25% of Birmingham City Stadium were sold to Vong Pech’s Oriental Rainbow, and in April 2021, the remaining 75% of the stadium was sold.
A June 2022 attempt to purchase the club by a group fronted by former Watford F.C. owner Laurence Bassini, involving financier Keith Harris and money loaned by David Sullivan, came to nothing. A consortium led by fashion industry businessman Paul Richardson and Argentine former footballer Maxi López announced in July that they were close to completing the purchase of a stake in the club, and later confirmed that they were providing operating funds, but pulled out in December citing a failure to agree revisions to the original terms of agreement. In April 2023, Richardson, López and their proposed chief executive, former Charlton Athletic chairman Matt Southall, were sanctioned by the EFL after admitting to breaching regulations by taking effective control of the club without approval.
In April 2023, Birmingham Sports Holdings confirmed letters of intent had been signed to sell 24% of Birmingham City plc shares held by themselves and the 21.64% owned by Oriental Rainbow, as well as the whole of Birmingham City Stadium Ltd, to a then-unnamed potential purchaser, definitive agreements to be reached within a two-month exclusivity period. The purchaser was named Shelby Companies Ltd, a subsidiary of asset management company Knighthead Capital Management fronted by Tom Wagner, Knighthead’s co-founder and co-C.E.O. The agreements were subject to approval by the English Football League (E.F.L.), which was forthcoming in early June, and by the Hong Kong Stock Exchange (H.K.S.E.), and an extraordinary general meeting (E.G.M.) on the 13th of July, 2023, voted overwhelmingly to accept. Although B.S.H. retains 51% of the shares, Wagner confirmed that Shelby was responsible for the operations of the club moving forward and that nothing about the way the transaction is structured would prevent them from obtaining the long-term goals they have for the club.
On the 14th of July, 2023, Wagner installed Garry Cook as C.E.O. of the club. A lifelong Birmingham City fan, Cook said, “The landscape of Birmingham is continuing to positively change. It’s young, multicultural and dynamic. It is time for the football club that bears its name, and shares its values, to add to this exciting story. With the support of Tom and the Knighthead team, and in partnership with the city of Birmingham, we aim to be world-class in everything that we do.”
On the 3rd of August, 2023, it was announced that N.F.L. legend Tom Brady would become a minority owner and chairman of a new advisory board at the club, in partnership with Knighthead Capital Management L.L.C.
Birmingham City’s honours include the following:
Second Division / First Division / The Championship (level 2):
Champions:
1892 – 1993, 1920 – 1921, 1947 – 1948, 1954 – 1955.
Runners-up:
1893 – 1994, 1900 – 1901, 1902 – 1903, 1971 – 1972, 1984 – 1985, 2006 – 2007, 2008 – 2009.
Play-off winners:
2001 – 2002.
Third Division / Second Division (level 3):
Champions:
1994 – 1995.
Runners-up:
1991 – 1992.
F.A. Cup:
Runners-up:
1930 – 1931, 1955 – 56.
Football League Cup:
Winners:
1962 – 1963, 2010 – 11.
Runners-up:
2000 – 2001.
Inter-Cities Fairs Cup:
Runners-up:
1958 – 1960, 1960 – 1961.
Associate Members’ Cup / Football League Trophy:
Winners:
1990 – 91, 1994 – 95.
Birmingham Senior Cup:
Winners:
1905.
Football League South (wartime):
Champions:
1945 – 1946.
Birmingham City’s trophy cabinet showing the Carling Cup.
Read more about Records And Statistics here.
Blues achieved our highest finishing position, of sixth in the top flight, in the 1955 – 1956 First Division. Frank Womack holds the record for Birmingham league appearances, having played 491 matches between 1908 and 1928, closely followed by Gil Merrick with 485 between 1946 and 1959. If all senior competitions are included, Merrick has 551, less closely followed by Womack’s 515 which is the record for an outfield player. The player who won the most international caps while at the club is Maik Taylor with 58 for Northern Ireland.
The goalscoring record is held by Joe Bradford, with 249 league goals, 267 altogether, scored between 1920 and 1935; no other player comes close. Walter Abbott holds the records for the most goals scored in a season, in 1898 – 99, with 34 league goals in the Second Division and 42 goals in total.
The club’s widest victory margin in the league was 12 – 0, a scoreline which they achieved once in the Football Alliance, against Nottingham Forest in 1899, and twice in the Second Division, against Walsall Town Swifts in 1892 and Doncaster Rovers in 1903. They have lost a league match by an eight-goal margin on eight occasions: twice in the Football Alliance and five times in the First Division, all away from home, and once at home, beaten 8 – 0 by A.F.C. Bournemouth in the Championship in 2014. Our record F.A. Cup win was 10 – 0 against Druids in the fourth qualifying round of the 1899 competition; their record F.A. Cup defeat was 7 – 0 at home to Liverpool in the 2006 quarter-final.
Birmingham’s home attendance record was set at the fifth-round F.A. Cup tie against Everton on the 11th of February, 1939. It is variously recorded as 66,844 or 67,341. The highest transfer fee received for a Birmingham player is, according to the Sky Sports website, a guaranteed £25 million up front received in July 2020 from Borussia Dortmund for Jude Bellingham, which made him the most expensive 17-year-old in world football. The deal also included add-ons worth several millions more. The highest fee paid is £6.3m for Croatian midfielder Ivan Šunjić, who joined from Dinamo Zagreb in July 2019.
In appreciation of Jude Bellingham’s contribution in a short time with the first team. Bellingham was the club’s youngest debutant, at 16 years and 38 days, and the youngest goalscorer, he completed a full season before becoming Birmingham’s record transfer and the world’s most expensive 17-year-old, showing what can be achieved through talent, hard work and dedication while retaining a caring, humble and engaging off-the-field demeanour. The club retired his number 22 shirt to remember one of their own and to inspire others.
You can read about Birmingham City players’ past and present in-depth by clicking here.
Click here to see the current first team of Birmingham City and their squad numbers
Click here to see the current staff of Birmingham City.
For full information on Birmingham City’s Reserves and Academy players click here.
For full information on Birmingham City’s Women’s team click here.
Birmingham City Ladies mascot Belle Brummie.
Shelby Companies Ltd – 45.96%
Chairman:
Tom Wagner.
C.E.O:
Directors:
Matthew Alvarez.
Andrew Shannahan.
Kyle Kneisly.
Wenqing Zhao.
Gannan Zheng.
Chairman Of The Advisory Board: Tom Brady.
Directors: Matthew Alvarez, Andrew Shannahan, Kyle Kneisly, Laura Torrado, Wenqing Zhao and Gannan Zheng.
Read more from the Birmingham City page on Wikipedia here.
KEEP RIGHT ON.
The above information was sourced from the Birmingham City Wikipedia page except for “Birmingham City F.C. Anthem” which was sourced from the Birmingham Mail’s Birmingham City page.
Wikipedia content is subject to change.
The Birmingham City club logo shown at the top of this page and the 150th Year Anniversary Banner at the bottom is the copyright of Birmingham City F.C. and come from their website and social media pages.
The Home Kit photos are copyright of Birmingham City F.C. and came from their official website.
The Small Heath F.C. champions team photo from 1893 above is copyright unknown and came from Wikipedia.
The Steve Bruce photo from 2004 above is in the public domain and came from Wikipedia. It is copyright of Wikipedia user Struway.
The photo above of Beau Brummie is copyright of B.C.F.C and came from the Blues Store Online.
The photo above of Belle Brummie is copyright of B.C.F.C and came from the Blues Store.
The Small Heath F.C. original 1875 kit image from above is copyright of Historical Football Kits Birmingham City page.
The photo above of St. Andrews is copyright of photographer Slobozhansky and came from Wikimapia.
The photo above of St. Andrews in 2005 is copyright of photographer Struway and came from Wikipedia.
The photo above of Birmingham City away fans in 2011 is copyright of photographer Ratipok and came from Wikipedia.
The photo above of Birmingham City’s trophy cabinet is copyright of photographer Lokomotive74 and came from Wikipedia. You can view more of his or her great work here.
Birmingham City F.C. – Official website.
Birmingham City on Facebook – This is their official Facebook page.
Birmingham City on Twitter – This is their official Twitter page.
Birmingham City on YouTube – This is their official YouTube page.
Blues Store Online – Birmingham City’s official club store online.
List of Birmingham City F.C. seasons – List of seasons, including league division and statistics, cup results, top scorer and average league attendance from 1878 to the present day.
Birmingham Mail – Official website. The Birmingham Mail is a newspaper based in Birmingham, England but distributed around Birmingham, the Black Country, Solihull and parts of Warwickshire, Worcestershire and Staffordshire.
Historical Football Kits – Official website. They have a very detailed and comprehensive graphic archive of football kits available including every team from the English and Scottish Leagues.
Wikipedia – Official website. Its purpose is to benefit readers by acting as a widely accessible and free encyclopedia that contains information on all branches of knowledge. Funded and hosted by the Wikimedia Foundation, Wikipedia consists of freely editable content whose articles also provide numerous links to guide readers to related pages with more information.
Wikimapia – Official website. Wikimapia is a multilingual open-content collaborative map, where anyone can create place tags and share their knowledge. Their goal is to describe the whole world by compiling as much useful information about all geographical objects as possible, organising it, and providing free access to their data for the public domain.
I am English, NOT British, Not European, ENGLISH, AND PROUD. I class myself as an English patriot and it is on here where you will see that English Pride.
You can read more blog articles about England and the English, like the one on here, via my English Pride Index below.
The English people are an ethnic group and nation native to England, who speak the English language and share a common history and culture. The English identity is of early medieval origin when they were known in Old English as the Angelcynn (‘race or tribe of the Angles’). Their ethnonym is derived from the Angles, one of the Germanic peoples who migrated to Great Britain around the 5th century AD.
The English largely descend from two main historical population groups – the tribes who settled in southern Britain following the withdrawal of the Romans (including Angles, Saxons, Jutes and Frisians), and the partially Romanised Britons already living there. Collectively known as the Anglo-Saxons, they founded what was to become the Kingdom of England by the early 10th century, in response to the invasion and minor settlement of Danes that began in the late 9th century. This was followed by the Norman Conquest and limited settlement of Anglo-Normans in England in the later 11th century. Some definitions of English people include, while others exclude, people, descended from later migration into England.
England is the largest and most populous country of the United Kingdom of Great Britain and Northern Ireland. In the Acts of Union 1707, the Kingdom of England and the Kingdom of Scotland merged to become the Kingdom of Great Britain. Over the years, English customs and identity have become fairly closely aligned with British customs and identity in general.
England itself has no devolved government. The 1990s witnessed a rise in English self-awareness. This is linked to the expressions of national self-awareness of the other British nations of Wales, Scotland and Northern Ireland which take their most solid form in the new devolved political arrangements within the United Kingdom – and the waning of a shared British national identity with the growing distance between the end of the British Empire and the present.
Many recent immigrants to England have assumed a solely British identity, while others have developed dual or mixed identities. The use of the word “English” to describe Britons from ethnic minorities in England is complicated by most non-white people in England identifying as British rather than English. In their 2004 Annual Population Survey, the Office for National Statistics compared the ethnic identities of British people with their perceived national identity. They found that while 58% of white people in England described their nationality as “English”, the vast majority of non-white people called themselves “British”.
Read more about The English Nationality here.
Recent genetic studies have suggested that Britain’s Neolithic population was largely replaced by a population from North Continental Europe characterised by the Bell Beaker culture around 2400 BC, associated with the Yamnaya people from the Pontic-Caspian Steppe. This population lacked genetic affinity to some other Bell Beaker populations, such as the Iberian Bell Beakers, but appeared to be an offshoot of the Corded Ware single grave people, as developed in western Europe. It is currently unknown whether these Beaker peoples went on to develop Celtic languages in the British Isles, or whether later Celtic migrations introduced Celtic languages to Britain.
The close genetic affinity of these Beaker people to Continental North Europeans means that British and Irish populations cluster genetically very closely with other Northwest European populations, regardless of how much Anglo-Saxon and Viking ancestry was introduced during the 1st millennium.
The influence of later invasions and migrations on the English population has been debated, as studies that sampled only modern DNA have produced uncertain results and have thus been subject to a large variety of interpretations. More recently, however, ancient DNA has been used to provide a clearer picture of the genetic effects of these movements of people.
One 2016 study, using Iron Age and Anglo-Saxon era DNA found at grave-sites in Cambridgeshire, calculated that ten modern-day eastern English samples had 38% Anglo-Saxon ancestry on average, while ten Welsh and Scottish samples each had 30% Anglo-Saxon ancestry, with a large statistical spread in all cases. However, the authors noted that the similarity observed between the various sample groups was likely to be due to more recent internal migration.
Another 2016 study conducted using evidence from burials found in northern England, found that a significant genetic difference was present in bodies from the Iron Age and the Roman period on the one hand, and the Anglo-Saxon period on the other. Samples from modern-day Wales were found to be similar to those from the Iron Age and Roman burials, while samples from much of modern England, East Anglia in particular, were closer to the Anglo-Saxon-era burial. This was found to demonstrate a “profound impact” from the Anglo-Saxon migrations on the modern English gene pool, though no specific percentages were given in the study.
A third study combined the ancient data from both of the preceding studies and compared it to a large number of modern samples from across Britain and Ireland. This study found that modern southern, central and eastern English populations were of “a predominantly Anglo-Saxon-like ancestry” while those from northern and southwestern England had a greater degree of indigenous origin.
A major 2020 study, which used DNA from Viking-era burials in various regions across Europe, found that modern English samples showed nearly equal contributions from a native British “North Atlantic” population and a Danish-like population. While much of the latter signature was attributed to the earlier settlement of the Anglo-Saxons, it was calculated that up to 6% of it could have come from Danish Vikings, with a further 4% contribution from a Norwegian-like source representing the Norwegian Vikings. The study also found an average 18% admixture from a source further south in Europe, which was interpreted as reflecting the legacy of French migration under the Normans.
The first people to be called “English” were the Anglo-Saxons, a group of closely related Germanic tribes that began migrating to eastern and southern Great Britain, from southern Denmark and northern Germany, in the 5th century AD, after the Romans had withdrawn from Britain. The Anglo-Saxons gave their name to England (“Engla land”, meaning “Land of the Angles”) and to the English.
The Anglo-Saxons arrived in a land that was already populated by people commonly referred to as the “Romano-British”—the descendants of the native Brittonic-speaking population that lived in the area of Britain under Roman rule during the 1st–5th centuries AD. The multi-ethnic nature of the Roman Empire meant that small numbers of other peoples may have also been present in England before the Anglo-Saxons arrived. There is archaeological evidence, for example, of an early North African presence in a Roman garrison at Aballava, now Burgh-by-Sands, in Cumbria: a 4th-century inscription says that the Roman military unit “Numerus Maurorum Aurelianorum” (“unit of Aurelian Moors”) from Mauretania (Morocco) was stationed there. Although the Roman Empire incorporated peoples from far and wide, genetic studies suggest the Romans did not significantly mix into the British population.
The exact nature of the arrival of the Anglo-Saxons and their relationship with the Romano-British is a matter of debate. The traditional view is that a mass invasion by various Anglo-Saxon tribes largely displaced the indigenous British population in southern and eastern Great Britain (modern-day England with the exception of Cornwall). This is supported by the writings of Gildas, who gives the only contemporary historical account of the period and describes the slaughter and starvation of native Britons by invading tribes (aduentus Saxonum). Furthermore, the English language contains no more than a handful of words borrowed from Brittonic sources.
This view was later re-evaluated by some archaeologists and historians, with a more small-scale migration being posited, possibly based around an elite of male warriors that took over the rule of the country and gradually acculturated the people living there. Within this theory, two processes leading to Anglo-Saxonisation have been proposed. One is similar to culture changes observed in Russia, North Africa and parts of the Islamic world, where a politically and socially powerful minority culture becomes, over a rather short period, adopted by a settled majority. This process is usually termed “elite dominance”. The second process is explained through incentives, such as the Wergild outlined in the law code of Ine of Wessex which produced an incentive to become Anglo-Saxon or at least English speaking. Historian Malcolm Todd writes, “It is much more likely that a large proportion of the British population remained in place and was progressively dominated by a Germanic aristocracy, in some cases marrying into it and leaving Celtic names in the, admittedly very dubious, early lists of Anglo-Saxon dynasties. But how we identify the surviving Britons in areas of predominantly Anglo-Saxon settlement, either archaeologically or linguistically, is still one of the deepest problems of early English history.”
An emerging view is that the degree of population replacement by the Anglo-Saxons, and thus the degree of survival of the Romano-Britons, varied across England and that as such the overall settlement of Britain by the Anglo-Saxons cannot be described by any one process in particular. Large-scale migration and population shift seem to be most applicable in the cases of eastern regions such as East Anglia and Lincolnshire, while in parts of Northumbria, much of the native population likely remained in place as the incomers took over as elites. In a study of place names in northeastern England and southern Scotland, Bethany Fox found that the migrants settled in large numbers in river valleys, such as those of the Tyne and the Tweed, with the Britons moving to the less fertile hill country and becoming acculturated over a longer period. Fox describes the process by which English came to dominate this region as “a synthesis of mass-migration and elite-takeover models.”
From about 800 AD waves of Danish Viking assaults on the coastlines of the British Isles were gradually followed by a succession of Danish settlers in England. At first, the Vikings were very much considered a separate people from the English. This separation was enshrined when Alfred the Great signed the Treaty of Alfred and Guthrum to establish the Danelaw, a division of England between English and Danish rule, with the Danes occupying northern and eastern England.
However, Alfred’s successors subsequently won military victories against the Danes, incorporating much of the Danelaw into the nascent kingdom of England. Danish invasions continued into the 11th century, and there were both English and Danish kings in the period following the unification of England (for example, Æthelred II (978–1013 and 1014–1016) was English but Cnut (1016–1035) was Danish).
Gradually, the Danes in England came to be seen as ‘English’. They had a noticeable impact on the English language: many English words, such as anger, ball, egg, got, knife, take, and they, are of Old Norse origin, and place names that end in –thwaite and –by are Scandinavian in origin.
The English population was not politically unified until the 10th century. Before then, there were a number of petty kingdoms which gradually coalesced into a heptarchy of seven states, the most powerful of which were Mercia and Wessex. The English nation state began to form when the Anglo-Saxon kingdoms united against Danish Viking invasions, which began around 800 AD. Over the following century and a half, England was, for the most part, a politically unified entity, and remained permanently so after 959.
The nation of England was formed in 937 by Æthelstan of Wessex after the Battle of Brunanburh, as Wessex grew from a relatively small kingdom in the South West to become the founder of the Kingdom of the English, incorporating all Anglo-Saxon kingdoms and the Danelaw.
The Norman conquest of England during 1066 brought Anglo-Saxon and Danish rule of England to an end, as the new French speaking Norman elite almost universally replaced the Anglo-Saxon aristocracy and church leaders. After the conquest, “English” normally included all natives of England, whether they were of Anglo-Saxon, Scandinavian or Celtic ancestry, to distinguish them from the Norman invaders, who were regarded as “Norman” even if born in England, for a generation or two after the Conquest. The Norman dynasty ruled England for 87 years until the death of King Stephen in 1154, when the succession passed to Henry II, House of Plantagenet (based in France), and England became part of the Angevin Empire until 1214.
Various contemporary sources suggest that within 50 years of the invasion most of the Normans outside the royal court had switched to English, with Anglo-Norman remaining the prestige language of government and law largely out of social inertia. For example, Orderic Vitalis, a historian born in 1075 and the son of a Norman knight, said that he learned French only as a second language. Anglo-Norman continued to be used by the Plantagenet kings until Edward I came to the throne. Over time the English language became more important even in the court, and the Normans were gradually assimilated, until, by the 14th century, both rulers and subjects regarded themselves as English and spoke the English language.
Despite the assimilation of the Normans, the distinction between ‘English’ and ‘French’ survived in official documents long after it had fallen out of common use, in particular in the legal phrase Presentment of Englishry (a rule by which a hundred had to prove an unidentified murdered body found on their soil to be that of an Englishman, rather than a Norman if they wanted to avoid a fine). This law was abolished in 1340.
Read more about The History Of The English People and about The English People here.
The above articles were sourced from Wikipedia and are subject to change.
The English Democrats – The ONLY political party in this country that TRULY represent the needs and rights of ENGLAND and the ENGLISH.