YouTube

YouTube Logo
Image © YouTube via Wikipedia

YouTube began in 2005, and most of you reading this are aware of it and have used it, or do use it often, unless you live on another planet!

I created my YouTube channel in 2006 and, sadly, I haven’t done much on it due to many personal and health reasons, mainly because of struggling with my Mental Health. I planned to do more, I planned to get better confidence wise and content wise and then my life got in the way and shit happened and often, but now, in 2026, I am trying hard to rectify all that.  I can’t change the past, and I am not looking into the future, but right now, I am doing the best I can to make the present a better place to live in for my state of mind.  I take every day as it comes, and working on My YouTube Channel and website is an important part of that for me.

The original videos I put up were about my favourite Football team Birmingham City, my beloved, and sadly missed, pets, Rocky and Rosie, a Black Country L.P. that was my Dad’s and one about fire! 

I added some short videos more recently and plan to add more related content that tie in with my website a.s.ap.   You can see my channel here.  However, on this page, you can read all about the history of YouTube. 

About YouTube 

YouTube is an American online video sharing platform owned by Google and is headquartered in San Bruno, California, U.S.A.  YouTube was founded on February the 14th, 2005 and is the second-most-visited website in the world, after Google itself.  In January 2024, YouTube had more than 2.7 billion monthly active users, who collectively consumed more than one billion hours of video content every day.  As of May 2019, videos were being uploaded to the platform at a rate of more than 500 hours of content per minute, and as of mid-2024, there were approximately 14.8 billion videos in total.

On November, the 13th, 2006, YouTube was purchased by Google for 1.65 billion dollars (equivalent to 2.44 billion dollars in 2025).  Google expanded YouTube’s business model from generating revenue through advertisements alone to offering paid content such as movies and exclusive content explicitly produced for YouTube.  It also offers YouTube Premium, a paid subscription option for watching content without ads.  YouTube incorporated the Google AdSense program, generating more revenue for both YouTube and approved content creators.  In 2023, YouTube’s advertising revenue totalled $31.7 billion, a 2% increase from the $31.1 billion reported in 2022.  From financial quarter 4 2023 to financial quarter 2024, YouTube’s combined revenue from advertising and subscriptions exceeded $50 billion.

Since its purchase by Google, YouTube has expanded beyond the core website, creating mobile apps, network television, games, and the ability to link with other platforms.  Video categories on YouTube include music videos, video clips, news, short and feature films, songs, documentaries, movie trailers, teasers, TV spots, live streams, vlogs, and more.  Most content is generated by individuals, including collaborations between YouTubers and corporate sponsors.  Established media, news, and entertainment corporations have also created and expanded their visibility on YouTube channels to reach bigger audiences.

YouTube has had unprecedented social impact, influencing popular culture, internet trends, and creating multimillionaire celebrities.  Despite its growth and success, the platform has been criticised for its facilitation of the spread of misinformation and copyrighted content, routinely violating its users’ privacy, excessive censorship, endangering the safety of children and their well-being, and for its inconsistent implementation of platform guidelines.

YouTube Logo Used Since 2025
Image © YouTube via Wikipedia

YouTube’s logo, used since June 2024.

The YouTube logo was introduced in June 2024, using a custom font based on YouTube New typeface.  It is similar to the 2017 logo except that the font is thinner and the play button symbol uses a more pinky shade of red.  As of February 2026, this logo has almost rolled out completely.  The 2017 logo is still used in a few instances.

The History Of YouTube

Founding And Initial Growth (2005 – 2006)

YouTube was founded by Chad Hurley, Steve Chen and Jawed Karim.  They were former employees of PayPal.  They had become wealthy after Google’s acquisition of the company on November the 13th, 2006.   It was purchased for 1.65 billion dollars (equivalent to 2.44 billion dollars in 2025).  Hurley had studied design at the Indiana University of Pennsylvania, and Chen and Karim studied computer science together at the University of Illinois Urbana-Champaign.

According to a story that has often been repeated in the media, Hurley and Chen developed the idea for YouTube during the early months of 2005, after they had experienced difficulty sharing videos that had been shot at a dinner party at Chen’s flat in San Francisco.  Karim did not attend the party and denied that it had occurred, but Chen remarked that the idea that YouTube was founded after a dinner party that was probably very strengthened by marketing ideas around creating a very digestible story.

Karim said the inspiration for YouTube came from the Super Bowl XXXVIII half-time show controversy when Janet Jackson’s breast was briefly exposed by Justin Timberlake during the half-time show.  Karim could not easily find video clips of the incident and the 2004 Indian Ocean tsunami online, which led to the idea of a video-sharing site.  Hurley and Chen said that the original idea for YouTube was a video version of an online dating service and had been influenced by the website Hot or Not.  They created posts on Craigslist asking attractive women to upload videos of themselves to YouTube in exchange for a $100 reward.  Difficulty in finding enough dating videos led to a change of plans, with the site’s founders deciding to accept uploads of any video.

YouTube began as a venture capital–funded technology startup. Between November 2005 and April 2006, the company raised money from various investors, with Sequoia Capital and Artis Capital Management being the largest two.  YouTube’s early headquarters were situated above a pizzeria and a Japanese restaurant in San Mateo, California.  In February 2005, the company registered www.youtube.com. The first video was uploaded on April the 23rd, 2005.  Titled Me at the zoo, it shows co-founder Jawed Karim at the San Diego Zoo and can still be viewed on the site.  The same day, the company launched a public beta and by November, a Nike ad featuring Ronaldinho became the first video to reach one million total views.  The site exited beta in December 2005, by which time the site was receiving 8 million views a day.  Clips at the time were limited to 100 megabytes, as little as 30 seconds of footage.

YouTube was not the first video-sharing site on the Internet, there was also Vimeo.  That was founded in November 2004, though that site remained a side project of its developers from CollegeHumor.  On December, the 17th, 2005, the same week YouTube exited beta, NBCUniversal Saturday Night Live ran a sketch called Lazy Sunday by The Lonely Island.  Besides helping to bolster ratings and long-term viewership for Saturday Night Live, the video‘s status as an early viral video helped establish YouTube as an important website.  Unofficial uploads of the skit to YouTube drew in more than five million collective views by February 2006 before they were removed when NBCUniversal requested it two months later based on copyright concerns.  Despite eventually being taken down, these duplicate uploads of the skit helped popularise YouTube’s reach and led to the upload of more third-party content.  The site grew rapidly.  In July 2006, the company announced that more than 65,000 new videos were being uploaded every day and that the site was receiving 100 million video views per day.

The choice of the name youtube.com led to problems for a similarly named website, utube.com.  That site’s owner, Universal Tube & Rollform Equipment (Universal Tube), filed a lawsuit against YouTube in November 2006, after being regularly overloaded by people looking for YouTube.  Universal Tube subsequently changed its website to www.utubeonline.com. 

Chad Hurley
Image © The Bui Brothers via Wikipedia

Chad Hurley.

Steve Chen
Image © TaiwanPlus via Wikipedia

Steve Chen.

Jawed Karim
Image © Robin Brown via Wikipedia and is in the public domain

Jawed Karim.

Original YouTube Logo Used Until 2007
Image © YouTube via Wikipedia and is in the public domain

The YouTube logo used from its launch until 2007.

It returned in 2008 before being removed again in 2010. Another version without “Broadcast Yourself” was used until 2011.

Broadcast Yourself Era (2006 – 2013)

On October the 9th, 2006, Google announced that they had acquired YouTube for 1.65 billion dollars in Google stock.  The deal was finalised on November the 13th, 2006.  Google’s acquisition launched newfound interest in video-sharing sites IAC, which now owned Vimeo, focused on supporting the content creators to distinguish itself from YouTube.  It was at this time that YouTube adopted the slogan Broadcast Yourself.  The company experienced rapid growth. The Daily Telegraph wrote that in 2007, YouTube consumed as much bandwidth as the entire Internet in 2000.  By 2010, the company had reached a market share of around 43% and more than 14 billion views of videos, according to comScore.  That year, the company simplified its interface to increase the time users would spend on the site.

In 2011, more than three billion videos were being watched each day with 48 hours of new videos uploaded every minute.  Most of these views came from a relatively small number of videos, according to a software engineer at that time, 30% of videos accounted for 99% of views on the site.  That year, the company again changed its interface and at the same time, introduced a new logo with a darker shade of red.  A subsequent interface change, designed to unify the experience across desktop, T.V., and mobile, was rolled out in 2013.  By that point, more than 100 hours were being uploaded every minute, increasing to 300 hours by November 2014.

During that time, the company also went through some organisational changes.  In October 2006, YouTube moved to a new office in San Bruno, California.  Hurley announced that he would be stepping down as chief executive officer of YouTube to take an advisory role and that Salar Kamangar would take over as head of the company in October 2010.  In April 2009, YouTube partnered with Vevo.  In April 2010, Lady Gaga’s Bad Romance became the most-viewed video, becoming the first video to reach 200 million views on May the 9th, 2010.

YouTube faced a major lawsuit by Viacom International in 2011 that nearly resulted in the discontinuation of the website.  The lawsuit was filed due to alleged copyright infringement of Viacom’s material by YouTube.  However, the United States Court of Appeals for the Second Circuit ruled that YouTube was not liable, and thus, YouTube won the case in 2012.

901 Cherry Avenue, San Bruno, California
Image © Coolcaesar via Wikipedia and is in the public domain

YouTube’s headquarters at 901 Cherry Avenue, San Bruno, California in April 2017.

Susan Wojcicki’s Leadership (2014 – 2023)

Susan Wojcicki was appointed C.E.O. of YouTube in February 2014.  In January 2016, YouTube expanded its headquarters in San Bruno by purchasing an office park for $215 million.  The complex has 51,468 square metres (554,000 square feet) of space and can house up to 2,800 employees.  YouTube officially launched the polymer redesign of its user interfaces based on Material Design language as its default, as well as a redesigned logo that is built around the service’s play button emblem in August 2017.

Through this period, YouTube tried several new ways to generate revenue beyond advertisements.  In 2013, YouTube launched a pilot program for content providers to offer premium, subscription-based channels.  This effort was discontinued in January 2018 and relaunched in June, with $4.99 channel subscriptions.  These channel subscriptions complemented the existing Super Chat ability, launched in 2017, which allows viewers to donate between $1 and $500 to have their comment highlighted.  In 2014, YouTube announced a subscription service known as Music Key, which bundled ad-free streaming of music content on YouTube with the existing Google Play Music service.  The service continued to evolve in 2015 when YouTube announced YouTube Red, a new premium service that would offer ad-free access to all content on the platform (succeeding the Music Key service released the previous year), premium original series, and films produced by YouTube personalities, as well as background playback of content on mobile devices.  YouTube also released YouTube Music, a third app oriented towards streaming and discovering the music content hosted on the YouTube platform.

The company also attempted to create products appealing to specific viewers.  YouTube released a mobile app known as YouTube Kids in 2015, which was designed to provide an experience optimised for children.  It features a simplified user interface, curated selections of channels featuring age-appropriate content, and parental control features.  Also in 2015, YouTube launched YouTube Gaming.  This is a video gaming-oriented vertical and app for videos and live-streaming, intended to compete with the Amazon.com owned Twitch.  In April 2018, a shooting occurred at YouTube’s headquarters in San Bruno, California, which wounded four and resulted in the death of the shooter.

By February 2017, one billion hours of YouTube videos were being watched every day, and 400 hours worth of videos were uploaded every minute.  Two years later, the uploads had risen to more than 500 hours per minute.  During COVID, when most of the world was under stay-at-home orders, usage of services like YouTube significantly increased.  Forbes estimated that YouTube accounted for 16% of all internet traffic, as of 2024, up from 11% in 2018, before COVID.  In response to E.U. officials requesting that such services reduce bandwidth to make sure medical entities had sufficient bandwidth to share information, YouTube and Netflix said they would reduce streaming quality for at least thirty days as to cut bandwidth use of their services by 25% to comply with the E.U.’s request.  YouTube later announced that they would continue with this move worldwide saying “We continue to work closely with governments and network operators around the globe to do our part to minimise stress on the system during this unprecedented situation.”

After a 2018 complaint alleging violations of the Children’s Online Privacy Protection Act (C.O.P.P.A.), the company was fined $170 million by the FTC for collecting personal information from minors under the age of 13.  YouTube was also ordered to create systems to increase children’s privacy.  Following criticisms of its implementation of those systems, YouTube started treating all videos designated as made for kids as liable under C.O.P.P.A. on January the 6th, 2020.  Joining the YouTube Kids app, the company created a supervised mode, designed more for tweens, in 2021.  Additionally, to compete with TikTok and Instagram Reels, YouTube released YouTube Shorts, a short-form video platform.  During that period, YouTube entered disputes with other tech companies.  For over a year, in 2018/ 19, no YouTube app was available for Amazon Fire products.  In 2020, Roku removed the YouTube TV app from its streaming store after the two companies were unable to reach an agreement.

After testing earlier in 2021, YouTube removed public display of dislike counts on videos in November 2021, claiming the reason for the removal was, based on its internal research, that users often used the dislike feature as a form of cyberbullying and brigading.  While some users praised the move as a way to discourage trolls, others felt that hiding dislikes would make it harder for viewers to recognise clickbait or unhelpful videos and that other features already existed for creators to limit bullying.  YouTube co-founder Jawed Karim referred to the update as a stupid idea and said that the real reason behind the change was not a good one, and not one that will be publicly disclosed.  He felt that users’ ability on a social platform to identify harmful content was essential, saying that the process works, and there’s a name for it –  the wisdom of the crowds.  He said the process breaks when the platform interferes with it and then, the platform invariably declines.  Shortly after the announcement, software developer Dmitry Selivanov created Return YouTube Dislike, an open-source, third-party browser extension for Chrome and Firefox that allows users to see a video’s number of dislikes.  In a letter published on January the 25th, 2022, by then YouTube C.E.O. Susan Wojcicki, acknowledged that removing public dislike counts was a controversial decision, but reiterated that she stands by this decision, claiming that it reduced dislike attacks.

In 2022, YouTube launched an experiment where the company would show users who watched longer videos on T,V,’s a long chain of short unskippable adverts, intending to consolidate all ads into the beginning of a video.  Following public outrage over the unprecedented amount of unskippable ads, YouTube ended the experiment on September the 19th of the same year.  In October, YouTube announced that they would be rolling out customisable user handles in addition to channel names, which would also become channel U.R.L’s.

YouTube Logo Used Since 2025
Image © YouTube via Wikipedia and is in the public domain

YouTube’s logo from 2015 until 2017.

Neal Mohan’s Leadership (2023 – Present)

On February the 16th, 2023, Wojcicki announced that she would step down as C.E.O., with Neal Mohan named as her successor.  Wojcicki took on an advisory role for Google and parent company Alphabet.  Wojcicki died a year and a half later from non-small-cell lung cancer, on August the 9th, 2024.  In late October 2023, YouTube began cracking down on the use of ad blockers on the platform.  Users of ad blockers may be given a pop-up warning saying “Video player will be blocked after 3 videos.” Users of ad blockers are shown a message asking them to allow ads or inviting them to subscribe to the ad-free YouTube Premium subscription plan.  YouTube says that the use of ad blockers violates its terms of service.  In April 2024, YouTube announced it would be strengthening their enforcement on third-party apps that violate YouTube’s Terms of Service, specifically ad-blocking apps.  Starting in June 2024, Google Chrome announced that it would be replacing Manifest V2 in favour of Manifest V3, effectively killing support for most ad-blockers.  Around the same time, YouTube started using server-side ad injection, which allows the platform to inject the ads directly into the video, instead of having the ad as a separate file which can be blocked.

In September 2023, YouTube announced an in-app gaming platform called Playables.  It was made accessible to all users in May 2024, expanding from an initial offering limited to premium subscribers.  In December 2024, YouTube began testing a new multiplayer feature for that service, supporting multiplayer functionality across desktop and mobile devices.  As of December 2024, the Playables catalogue has over 130 games in various genres, including trivia, action, and sports.  In December 2024, YouTube introduced new guidelines prohibiting videos with clickbait titles to enhance content quality and combat misinformation.  The platform aims to penalise creators using misleading or sensationalised titles, with potential actions including video removal or channel suspension.  According to YouTube, this guideline will gradually roll out in India first, but will expand to more countries in the coming months.

On February, the 14th, 2025, YouTube celebrated 20 years since its founding.  On July 30, 2025, amid the implementation of the Online Safety Act 2023 in the United Kingdom, Google announced that it would begin to enforce age assurance policies for selected users in the United States as a trial.  Machine learning will be used to determine the age of the user (regardless of any account information indicating their age) and restrict access to certain content and features across all Google properties, including YouTube (including, in particular, disabling personalised advertising and enabling certain digital wellbeing limits), if they are assumed to be under 18.  On YouTube, this will be based on factors such as searches and video history, and the age of the account.  The user must go through age verification via payment, scanned ID, or selfie to access all features if they are detected to be a minor.  On April, the 9th, 2025, YouTube expressed support for the NO FAKES Act of 2025, introduced by Senator Chris Coons (D-DE) and Senator Marsha Blackburn (R-TN), and announced an expansion of its pilot program that is designed to identify content generated by A.I.

YouTube's Logo From August 2017 Until February 2025
Image © YouTube via Wikipedia and is in the public domain

YouTube’s logo from August 2017 until February 2025.

YouTube Features

YouTube offers different features based on user verification, such as standard or basic features like uploading videos, creating playlists, and using YouTube Music, with limits based on daily activity (verification via phone number or channel history increases feature availability and daily usage limits), intermediate or additional features like longer videos (over 15 minutes), live-streaming, custom thumbnails, and creating podcasts, advanced features like content I.D. appeals, embedding live streams, applying for monetisation, clickable links, adding chapters, and pinning comments on videos or posts.

Read more here.

YouTube Videos

In January 2012, it was estimated that visitors to YouTube spent an average of 15 minutes a day on the site, in contrast to the four or five hours a day spent by a typical U.S. citizen watching television.  In 2017, viewers on average watched YouTube on mobile devices for more than an hour every day.  In December 2012, two billion views were removed from the view counts of Universal and Sony Music videos on YouTube, prompting a claim by The Daily Dot that the views had been deleted due to a violation of the site’s terms of service, which ban the use of automated processes to inflate view counts.  That was disputed by Billboard, which said that the two billion views had been moved to Vevo, since the videos were no longer active on YouTube.

On August, the 5th, 2015, YouTube patched the formerly notorious behaviour, which caused a video’s view count to freeze at 301 (later 301+) until the actual count was verified to prevent view count fraud.  YouTube view counts again began updating in real time.  Since September 2019, subscriber counts are abbreviated.  Only three leading digits of channels’ subscriber counts are indicated publicly, compromising the function of third-party real-time indicators such as Social Blade.  Exact counts remain available to channel operators inside YouTube Studio.

On November, the 11th, 2021, after testing out this change in March of the same year, YouTube announced it would start hiding dislike counts on videos, making them invisible to viewers.  The company stated the decision was in response to experiments which confirmed that smaller YouTube creators were more likely to be targeted in dislike brigading and harassment.  Creators will still be able to see the number of likes and dislikes in the YouTube Studio dashboard tool, according to YouTube.  YouTube has an estimated 14.8 billion videos with about 4% of those never having a view.  Just over 85% have fewer than 1,000 views.

Read more here.

Copyright Issues

YouTube has faced numerous challenges and criticisms in its attempts to deal with copyright, including the site’s first viral video, Lazy Sunday, which had to be taken down due to copyright concerns.  At the time of uploading a video, YouTube users are shown a message asking them not to violate copyright laws.  Despite this advice, many unauthorised clips of copyrighted material remain on YouTube.  YouTube does not view videos before they are posted online, and it is left to copyright holders to issue a D.M.C.A. takedown notice pursuant to the terms of the Online Copyright Infringement Liability Limitation Act.  Any successful complaint about copyright infringement results in a YouTube copyright strike.  Three successful complaints for copyright infringement against a user account will result in the account and all of its uploaded videos being deleted.   From 2007 to 2009 organisations including Viacom, Mediaset, and the English Premier League have filed lawsuits against YouTube, claiming that it has done too little to prevent the uploading of copyrighted material.

In August 2008, a U.S. court ruled in Lenz v. Universal Music Corp. that copyright holders cannot order the removal of an online file without first determining whether the posting reflected fair use of the material.  YouTube’s owner Google announced in November 2015 that they would help cover the legal cost in select cases where they believe fair use defences apply.  In the 2011 case of Smith v. Summit Entertainment LLC, professional singer Matt Smith sued Summit Entertainment for the wrongful use of copyright takedown notices on YouTube.  He asserted seven causes of action, and four were ruled in Smith’s favour.  In April 2012, a court in Hamburg ruled that YouTube could be held responsible for copyrighted material posted by its users.  On November, the 1st, 2016, the dispute with G.E.M.A. was resolved, with Google content I.D. being used to allow advertisements to be added to videos with content protected by G.E.M.A.

In April 2013, it was reported that Universal Music Group and YouTube have a contractual agreement that prevents content blocked on YouTube by a request from U.M.G. from being restored, even if the uploader of the video files a D.M.C.A. counter-notice.  As part of YouTube Music, Universal and YouTube signed an agreement in 2017, which was followed by separate agreements other major labels, which gave the company the right to advertising revenue when its music was played on YouTube.  By 2019, creators were having videos taken down or demonetised when Content I.D. identified even short segments of copyrighted music within a much longer video, with different levels of enforcement depending on the record label.  Experts noted that some of these clips said qualified for fair use.

Read more here and here.

Content I.D.

In June 2007, YouTube began trials of a system for automatic detection of uploaded videos that infringe copyright.  Google C.E.O. Eric Schmidt regarded this system as necessary for resolving lawsuits such as the one from Viacom, which alleged that YouTube profited from content that it did not have the right to distribute.  The system, which was initially called Video Identification and later became known as Content I.D., creates an I.D. File for copyrighted audio and video material, and stores it in a database.  When a video is uploaded, it is checked against the database, and flags the video as a copyright violation if a match is found.  When this occurs, the content owner has the choice of blocking the video to make it unviewable, tracking the viewing statistics of the video, or adding advertisements to the video.

An independent test in 2009 uploaded multiple versions of the same song to YouTube and concluded that while the system was surprisingly resilient in finding copyright violations in the audio tracks of videos, it was not infallible.  The use of Content I.D. to remove material automatically has led to controversy in some cases, as the videos have not been checked by a human for fair use.  If a YouTube user disagrees with a decision by Content I.D., it is possible to fill in a form disputing the decision.  Before 2016, videos were not monetised until the dispute was resolved.  Since April 2016, videos continue to be monetised while the dispute is in progress, and the money goes to whoever won the dispute.  Should the uploader want to monetise the video again, they may remove the disputed audio in the Video Manager.  YouTube has cited the effectiveness of Content I.D. as one of the reasons why the site’s rules were modified in December 2010 to allow some users to upload videos of unlimited length.

Read more here.

Russia

In 2021, two accounts linked to RT DE, the German channel of the Russian state-owned RT network, were removed for breaching YouTube’s policies relating to COVID.  Russia threatened to ban YouTube after the platform deleted two German RT channels in September 2021.  Shortly after the Russian invasion of Ukraine in 2022, YouTube removed all channels funded by the Russian state.  YouTube expanded the removal of Russian content from its site to include channels described as pro-Russian.  In June 2022, the War Gonzo channel run by Russian military blogger and journalist Semyon Pegov was deleted.

In July 2023, YouTube removed the channel of British journalist Graham Phillips, active in covering the war in Donbas from 2014.  In August 2023, a Moscow court fined Google 3 million rubles, around $35,000, for not deleting what it said was fake news about the war in Ukraine.  In October 2024, a Russian court fined Google 2 undecillion rubles (equivalent to $20 decillion) for restricting Russian state media channels on YouTube.  State news agency TASS reported that Google is allowed to return to the Russian market only if it complies with the court’s decision.  Kremlin spokesperson Dmitry Peskov labelled the court decision as symbolic and warned Google that it should not be restricting the actions of their broadcasters on its platform.

April Fools Gags

YouTube featured an April Fools’ prank on the site on April the 1st of every year from 2008 to 2016.  In 2008, all links to videos on the main page were redirected to Rick Astley’s music video Never Gonna Give You Up, a prank known as rick rolling.  The next year, when clicking on a video on the main page, the whole page turned upside down, which YouTube claimed was a new layout.  In 2010, YouTube temporarily released a TEXTp mode which rendered video imagery into A.S.C.I.I. art letters in order to reduce bandwidth costs by $1 per second.

The next year, the site celebrated its 100th anniversary with a range of sepia-toned silent, early 1900’s style films, including a parody of Keyboard Cat.  In 2012, clicking on the image of a D.V.D. next to the site logo led to a video about a purported option to order every YouTube video for home delivery on D.V.D.   In 2013, YouTube teamed up with satirical newspaper company The Onion to claim in an uploaded video that the video-sharing website was launched as a contest which had finally come to an end, and would shut down for ten years before being re-launched in 2023, featuring only the winning video.  The video starred several YouTube celebrities, including Antoine Dodson.  A video of two presenters announcing the nominated videos streamed live for 12 hours.

In 2014, YouTube announced that it was responsible for the creation of all viral video trends, and revealed previews of upcoming trends, such as Clocking, Kissing Dad, and Glub Glub Water Dance.  The next year, YouTube added a music button to the video bar that played samples from Sandstorm by Darude.  In 2016, YouTube introduced an option to watch every video on the platform in 360-degree mode with Snoop Dogg.

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YouTube Services

YouTube Premium

YouTube Premium (formerly Music Key and YouTube Red) is YouTube’s premium subscription service.  It offers advertising-free streaming, access to original programming, and background and offline video playback on mobile devices.  YouTube Premium was originally announced on November the 12th, 2014, as Music Key, a subscription music streaming service, and was intended to integrate with and replace the existing Google Play Music All Access service.  On October, the 28th, 2015, the service was relaunched as YouTube Red, offering ad-free streaming of all videos and access to exclusive original content.  As of November 2016, the service has 1.5 million subscribers, with a further million on a free-trial basis.  As of June 2017, the first season of YouTube Originals had received 250 million views in total.

Read more here.

YouTube's Premium Logo In 2024
Image © YouTube via Wikipedia and is in the public domain

YouTube’s Premium logo in 2024.

YouTube Kids

YouTube Kids is an American children’s video app developed by YouTube, a subsidiary of Google.  The app was developed in response to parental and government scrutiny on the content available to children.  The app provides a version of the service oriented towards children, with curated selections of content, parental control features, and filtering of videos deemed inappropriate viewing for children aged under 13, 8 or 5, depending on the age grouping chosen.  First released on February the 15th, 2015, as an Android and iOS mobile app, the app has since been released for LG, Samsung, and Sony smart T.V.’s, as well as for Android TV.  On May, the 27th, 2020, it became available on Apple TV.  As of September 2019, the app is available in 69 countries, including Hong Kong and Macau, and one province.  YouTube launched a web-based version of YouTube Kids on August the 30th, 2019.

Read more here.

YouTube's Kids Logo In 2019
Image © YouTube via Wikipedia and is in the public domain

YouTube’s Kids logo in 2024.

YouTube Music

On September, the 28th, 2016, YouTube named Lyor Cohen, the co-founder of 300 Entertainment and former Warner Music Group executive, the Global Head of Music.  In early 2018, Cohen began hinting at the possible launch of YouTube’s new subscription music streaming service, a platform that would compete with other services such as Spotify and Apple Music.  On May, the 22nd, 2018, the music streaming platform named YouTube Music was launched for people who mostly listen to music on YouTube.

Read more here.

YouTube's Music Logo In 2024
Image © YouTube via Wikipedia and is in the public domain

YouTube’s Music logo in 2024.

YouTube Movies & TV

YouTube Movies & TV is a video on demand (V.O.D.) service that offers movies and television shows for purchase or rental, depending on availability, along with a selection of movies (encompassing between 100 and 500 titles overall) that are free to stream, with interspersed ad breaks.  YouTube began offering free-to-view movie titles to its users in November 2018.  Selections of new movies are added and others removed, unannounced each month.  In March 2021, Google announced plans to gradually deprecate the Google Play Movies & TV app, and eventually migrate all users to the YouTube app’s Movies & TV store to view, rent and purchase movies and T.V. shows (first affecting Roku, Samsung, LG, and Vizio smart TV users on July the 15th).  Google Play Movies & TV formally shut down on January the 17th, 2024, with the web version of that platform migrated to YouTube as an expansion of the Movies & T.V. store to desktop users.  Other functions of Google Play Movies & TV were integrated into the Google TV service.

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YouTube Primetime Channels

On November the 1st, 2022, YouTube launched Primetime Channels, a channel store platform offering third-party subscription streaming add-ons sold a la carte through the YouTube website and app, competing with similar subscription add-on stores operated by Apple, Prime Video and Roku.  The add-ons can be purchased through the YouTube Movies & TV hub or through the official YouTube channels of the available services.  Subscribers of YouTube TV add-ons that are sold through Primetime Channels can also access their content via the YouTube app and website.  A total of 34 streaming services (including Paramount+, Showtime, Starz, MGM+, AMC+ and ViX+) were initially available for purchase.

NFL Sunday Ticket, as part of a broader residential distribution deal with Google signed in December 2022 that also made it available to YouTube TV subscribers, was added to Prime-time Channels as a standalone add-on on August the 16th, 2023.  The ad-free tier of Max was added to Prime-time Channels on December the 12th, 2023, coinciding with YouTube TV converting its separate HBO (for base plan subscribers) and HBO Max (for all subscribers) linear/V.O.D. add-ons into a single combined Max offering.

Read more here.

YouTube TV

On February, the 28th, 2017, in a press announcement held at YouTube Space Los Angeles, YouTube announced YouTube TV, an over-the-top M.V.P.D.-style subscription service that would be available for United States customers for $65 per month.  Initially launching in five major markets (New York City, Los Angeles, Chicago, Philadelphia and San Francisco) on April the 5th, 2017, the service offers live streams of programming from the five major broadcast networks (ABC, CBS, The CW, Fox and NBC, along with selected MyNetworkTV affiliates and independent stations in certain markets), as well as approximately 60 cable channels owned by companies such as The Walt Disney Company, Paramount Global, Fox Corporation, NBCUniversal, Allen Media Group and Warner Bros. Discovery (including among others Bravo, USA Network, Syfy, Disney Channel, CNN, Cartoon Network, E!, Fox Sports 1, Freeform, FX and ESPN).

Subscribers can receive premium cable channels (including HBO (via a combined Max add-on that includes in-app and log-in access to the service), Cinemax, Showtime, Starz and MGM+) and other subscription services (such as NFL Sunday Ticket, MLB.tv, NBA League Pass, Curiosity Stream and Fox Nation) as optional add-ons for an extra fee, and can access YouTube Premium original content.  In September 2022, YouTube TV began allowing customers to purchase most of its premium add-ons (excluding certain services such as NBA League Pass and AMC+) without an existing subscription to its base package.

Read more here.

YouTube's TV Logo In 2018
Image © YouTube via Wikipedia and is in the public domain

YouTube’s TV logo in 2018.

YouTube Go

In September 2016, YouTube Go was announced, as an Android app created for making YouTube easier to access on mobile devices in emerging markets.  It was distinct from the company’s main Android app and allowed videos to be downloaded and shared with other users.  It also allowed users to preview videos, share downloaded videos through Bluetooth, and offered more options for mobile data control and video resolution.

In February 2017, YouTube Go was launched in India, and expanded in November 2017 to 14 other countries, including Nigeria, Indonesia, Thailand, Malaysia, Vietnam, the Philippines, Kenya, and South Africa.  On February, the 1st, 2018, it was rolled out in 130 countries worldwide, including Brazil, Mexico, Turkey, and Iraq.  Before it shut down, the app was available to around 60% of the world’s population.  In May 2022, Google announced that they would be shutting down YouTube Go in August 2022.

YouTube's Go Logo In 2025
Image © YouTube via Wikipedia and is in the public domain

YouTube’s Go logo in 2025.

YouTube Shorts

In September 2020, YouTube announced that it would be launching a beta version of a new platform of 15-second videos, similar to TikTok, called YouTube Shorts.  The platform was tested in India and later expanded to other countries, including the United States in March 2021, with videos allowed up to 1 minute long.  The platform is not a standalone app, but is integrated into the main YouTube app. Like TikTok, it gives users access to built-in creative tools, including the possibility of adding licensed music to their videos.  The platform had its global beta launch on July the 13th, 2021.  On October, the 15th, 2024, the platform officially extended the length of shorts to 3 minutes.

Read more here.

YouTube Stories

In 2018, YouTube started testing a new feature initially called YouTube Reels.  The feature was nearly identical to Instagram Stories and Snapchat Stories.  YouTube later renamed the feature YouTube Stories.  It was only available to creators who had more than 10,000 subscribers and could only be posted/seen in the YouTube mobile app.  On May the 25th, 2023, YouTube announced that they would be shutting down this feature on June the 26th, 2023.

YouTube VR

In November 2016, YouTube released YouTube VR, a dedicated version with an interface for V.R. devices, for Google’s Daydream mobile V.R. platform on Android.  In November 2018, YouTube VR was released on the Oculus Store for the Oculus Go headset.  YouTube VR was updated since for compatibility with successive Quest devices, and was ported to Pico 4.

YouTube VR allows for access to all YouTube-hosted videos, but particularly supports headset access for 360° and 180°-degree video (both in 2D and stereoscopic 3D).  Starting with the Oculus Quest, the app was updated for compatibility with mixed-reality pass-through modes on V.R. headsets.  In April 2024, YouTube VR was updated to support 8K SDR video on Meta Quest 3.

Read more here.

Playables

In 2010, YouTube added Snake as a hidden game inside their video player.  In May 2024, YouTube introduced Playables, a set of around 75 free-to-play games that can be played on the platform.

Automatic Language Dubbing

In December 2024, YouTube added the functionality of automatic language dubbing, which uses A.I. to produce translations of videos into different languages.  However, the feature has initially been criticised for providing robotic-sounding dubs, mistranslations, and lack of an option for the user to disable auto-dubbed voices.

Criticism And Controversies

YouTube has faced various criticisms over the years, particularly regarding content moderation, offensive content, and monetisation.  YouTube has faced criticism over aspects of its operations, its recommendation algorithms perpetuating videos that promote falsehoods and hosting videos ostensibly targeting children but containing violent or sexually suggestive content involving popular characters, videos of minors attracting paedophilic activities in their comment sections, and fluctuating policies on the types of content that is eligible to be monetised with advertising.

YouTube has also been blocked by several countries.  As of 2018, public access to YouTube was blocked by countries including China, North Korea, Iran, Turkmenistan, Uzbekistan, Tajikistan, Eritrea, Sudan and South Sudan.

Read more here.

Privacy Concerns

Since its founding in 2005, YouTube has been faced with a growing number of privacy issues, including allegations that it allows users to upload unauthorised copyrighted material and allows personal information from young children to be collected without their parents’ consent.

In September 2024, the Federal Trade Commission released a report summarising 9 company responses (including from YouTube) to orders made by the agency pursuant to Section 6(b) of the Federal Trade Commission Act of 1914 to provide information about user and non-user data collection (including of children and teenagers) and data use by the companies that found that the companies’ user and non-user data practices put individuals vulnerable to identity theft, stalking, unlawful discrimination, emotional distress and mental health issues, social stigma, and reputational harm.

Read more here.

Censorship And Bans

Read more here.

State Censorship Of YouTube Content

YouTube has been censored, filtered, or banned for a variety of reasons, including:

Limiting public access and exposure to content that may ignite social or political unrest.

Preventing criticism of a ruler (e.g. in North Korea), government (e.g. in China) or its actions (e.g. in Morocco), government officials (e.g. in Turkey and Libya), or religion (e.g. in Pakistan).

Morality-based laws, e.g. in Iran.

Access to specific videos is sometimes prevented due to copyright and intellectual property protection laws (e.g. in Germany), violations of hate speech, and preventing access to videos judged inappropriate for youth, which is also done by YouTube with the YouTube Kids app and with restricted mode.  Businesses, schools, government agencies, and other private institutions often block social media sites, including YouTube, due to its bandwidth limitations and the site’s potential for distraction.

As of 2018, public access to YouTube is blocked by China, North Korea, Iran, Turkmenistan, Uzbekistan, Tajikistan, Eritrea, Sudan and South Sudan mostly due to freedom of speech laws.  In some countries, YouTube is blocked for more limited periods of time, such as during periods of unrest, the run-up to an election, or in response to upcoming political anniversaries.  In cases where the entire site is banned due to one particular video, YouTube will often agree to remove or limit access to that video to restore service.

Reports emerged that since October 2019, comments posted with Chinese characters insulting the Chinese Communist Party (共匪 communist bandit or 五毛 50 Cent Party, referring to state-sponsored commentators) were being automatically deleted within 15 seconds.  Specific incidents where YouTube has been blocked include:

Thailand blocked access in April 2007 over a video said to be insulting the Thai king.

Morocco blocked access in May 2007, possibly as a result of videos critical of Morocco’s occupation of Western Sahara.  YouTube became accessible again on May the 30th, 2007, after Maroc Telecom unofficially announced that the denied access to the website was a mere technical glitch.

Turkey blocked access between 2008 and 2010 after controversy over videos deemed insulting to Mustafa Kemal Atatürk.  In November 2010, a video of the Turkish politician Deniz Baykal caused the site to be blocked again briefly, and the site was threatened with a new shutdown if it did not remove the video.  During the two and a half-year block of YouTube, the video-sharing website remained the eighth-most-accessed site in Turkey.  In 2014, Turkey blocked the access for the second time, after a high-level intelligence leak.

Libya blocked access on January the 24th, 2010, because of videos that featured demonstrations in the city of Benghazi by families of detainees who were killed in Abu Salim prison in 1996, and videos of family members of Libyan leader Muammar Gaddafi at parties.  The blocking was criticised by Human Rights Watch.  In November 2011, after the Libyan Civil War, YouTube was once again allowed in Libya.

Social Impact

Read more here.

Private individuals, as well as large production corporations, have used YouTube to grow their audiences.  Indie creators have built grassroots followings numbering in the thousands at very little cost or effort, while mass retail and radio promotion proved problematic.  Concurrently, old media celebrities moved into the website at the invitation of a YouTube management that witnessed early content creators accruing substantial followings and perceived audience sizes potentially larger than that attainable by television.  While YouTube’s revenue-sharing Partner Program made it possible to earn a substantial living as a video producer, its top five hundred partners each earning more than $100,000 annually and its ten highest-earning channels grossing from $2.5 million to $12 million (in 2012 C.M.U. business editor), characterised YouTube as a free-to-use promotional platform for the music labels.  In 2013, Katheryn Thayer of Forbes asserted that digital-era artists’ work must not only be of high quality, but must elicit reactions on the YouTube platform and social media.  Videos of the 2.5% of artists categorized as mega, mainstream and mid-sized received 90.3% of the relevant views on YouTube and Vevo in that year.  By early 2013, Billboard had announced that it was factoring YouTube streaming data into calculation of the Billboard Hot 100 and related genre charts.

Observing that face-to-face communication of the type that online videos convey has been fine-tuned by millions of years of evolution, TED curator Chris Anderson referred to several YouTube contributors and asserted that what Gutenberg did for writing, online video can now do for face-to-face communication.  Anderson asserted that it is not far-fetched to say that online video will dramatically accelerate scientific advance, and that video contributors may be about to launch the biggest learning cycle in human history.  In education, for example, the Khan Academy grew from YouTube video tutoring sessions for founder Salman Khan’s cousin into what Forbes Michael Noer called the largest school in the world, with technology poised to disrupt how people learn.  YouTube was awarded a 2008 George Foster Peabody Award, the website being described as a Speakers’ Corner that both embodies and promotes democracy.  The Washington Post reported that a disproportionate share of YouTube’s most-subscribed channels feature minorities, contrasting with mainstream television in which the stars are largely white.  A Pew Research Center study reported the development of visual journalism, in which citizen eyewitnesses and established news organisations share in content creation.  The study also concluded that YouTube was becoming an important platform by which people acquire news.

Some YouTube videos have themselves had a direct effect on world events, such as TED curator Chris Anderson who described a phenomenon by which geographically distributed individuals in a certain field share their independently developed skills in YouTube videos, thus challenging others to strengthen their own skills, and spurring invention and evolution in that field.  Journalist Virginia Heffernan stated in The New York Times that such videos have surprising implications for the dissemination of culture and even the future of classical music. 

In response to fifteen-year-old Amanda Todd’s video My story: Struggling, bullying, suicide, self-harm, legislative action was undertaken almost immediately after her suicide to study the prevalence of bullying and form a national anti-bullying strategy.  In May 2018, after London Metropolitan Police claimed that drill music videos glamorising violence gave rise to gang violence, YouTube deleted 30 videos.

Read more here.

Jordan Hoffner
Image © Anders Krusberg via Wikipedia

YouTube’s Finances

Before 2020, Google did not provide detailed figures for YouTube’s running costs, and YouTube’s revenues in 2007 were noted as not material in a regulatory filing.  In June 2008, a Forbes magazine article projected the 2008 revenue at 200 million dollars, noting progress in advertising sales.  In 2012, YouTube’s revenue from its ads program was estimated at 3.7 billion dollars.  In 2013, it nearly doubled and estimated to hit 5.6 billion dollars according to e-Marketer, while others estimated 4.7 billion dollars.  The vast majority of videos on YouTube are free to view and supported by advertising.  In May 2013, YouTube introduced a trial scheme of 53 subscription channels with prices ranging from 99 cents to $6.99 a month.  The move was seen as an attempt to compete with other providers of online subscription services such as Netflix, Amazon Prime, and Hulu.

Google first published exact revenue numbers for YouTube in February 2020 as part of Alphabet’s 2019 financial report.  According to Google, YouTube had made 15.1 billion dollars in ad revenue in 2019, in contrast to 8.1 billion dollars in 2017 and 11.1 billion dolars in 2018.  YouTube’s revenues made up nearly 10% of the total Alphabet revenue in 2019.  These revenues accounted for approximately 20 million subscribers combined between YouTube Premium and YouTube Music subscriptions, and 2 million subscribers to YouTube TV.  YouTube had 29.2 billion dollars ads revenue in 2022, up by 398 million dollars from the prior year.  In the financial quarter 2, 2024, ad revenue rose to 8.66 billion dollars, up 13% in the financial quarter 1.

Partnership With Corporations

YouTube entered into a marketing and advertising partnership with NBC in June 2006.  In March 2007, it struck a deal with the B.B.C. for three channels with B.B.C. content, one for news and two for entertainment.  In November 2008, YouTube reached an agreement with MGM, Lions Gate Entertainment, and CBS, allowing the companies to post full-length films and television episodes on the site, accompanied by advertisements in a section for U.S. viewers called Shows.  The move was intended to create competition with websites such as Hulu, which features material from NBC, Fox, and Disney.  In November 2009, YouTube launched a version of Shows available to U.K. viewers, offering around 4,000 full-length shows from more than 60 partners.  In January 2010, YouTube introduced a film rentals service, available in many countries, and T.V. shows can be bought in several countries.  The service offers over 6,000 films.  

YouTuber Earnings

In May 2007, YouTube launched its Partner Program (Y.P.P.), a system based on AdSense which allows the uploader of the video to share the revenue produced by advertising on the site.  YouTube typically takes 45 percent of the advertising revenue from videos in the Partner Program, with 55 percent going to the uploader.  There are over two million members of the YouTube Partner Program.  According to TubeMogul, in 2013 a pre-roll advertisement on YouTube (one that is shown before the video starts) cost advertisers on average $7.60 per 1000 views.  Usually, no more than half of the eligible videos have a pre-roll advertisement, due to a lack of interested advertisers.

YouTube’s policies restrict certain forms of content from being included in videos being monetised with advertising, including videos containing violence, strong language, sexual content, controversial or sensitive subjects and events, including subjects related to war, political conflicts, natural disasters and tragedies, even if graphic imagery is not shown (unless the content is usually newsworthy or comedic and the creator intends to inform or entertain), and videos whose user comments contain inappropriate content.

In 2013, YouTube introduced an option for channels with at least a thousand subscribers to require a paid subscription for viewers to watch videos.  In April 2017, YouTube set an eligibility requirement of 10,000 lifetime views for a paid subscription.  On January, the 16th, 2018, the eligibility requirement for monetisation was changed to 4,000 hours of watch-time within the past 12 months and 1,000 subscribers.  The move was seen as an attempt to ensure that videos being monetised did not lead to controversy, but was criticised for penalising smaller YouTube channels.  YouTube Play Buttons, a part of the YouTube Creator Rewards, are a recognition by YouTube of its most popular channels.  The trophies are made of nickel-plated copper-nickel alloy, golden-plated brass, silver-plated metal, ruby, and red-tinted crystal glass.  They are given to channels with at least one hundred thousand, a million, ten million, fifty million, and one hundred million subscribers, respectively.

YouTube’s policies on advertiser-friendly content restrict what may be incorporated into videos being monetised.  This includes strong violence, language, sexual content, and controversial or sensitive subjects and events, including subjects related to war, political conflicts, natural disasters and tragedies, even if graphic imagery is not shown, unless the content is usually newsworthy or comedic and the creator’s intent is to inform or entertain.  In September 2016, after introducing an enhanced notification system to inform users of these violations, YouTube’s policies were criticised by prominent users, including Philip DeFranco and Vlogbrothers.  DeFranco argued that not being able to earn advertising revenue on such videos was censorship by a different name. A YouTube spokesperson stated that while the policy itself was not new, the service had improved the notification and their appeal process to ensure better communication to creators.   In the United States as of November 2020, and June 2021 worldwide, YouTube reserves the right to monetise any video on the platform, even if their uploader is not a member of the YouTube Partner Program.  This will occur on channels whose content is deemed advertiser-friendly, and all revenue will go directly to Google without any share given to the uploader.

Revenue To Copyright Holders

The majority of YouTube’s advertising revenue goes to the publishers and video producers who hold the rights to their videos; the company retains 45% of the ad revenue.  In 2010, it was reported that nearly a third of the videos with advertisements were uploaded without permission from the copyright holders.  YouTube gives an option for copyright holders to locate and remove their videos or to have them continue running for revenue.  In May 2013, Nintendo began enforcing its copyright ownership and claiming the advertising revenue from video creators who posted screenshots of its games.  In February 2015, Nintendo agreed to share the revenue with the video creators through the Nintendo Creators Program.  On March, the 20th, 2019, Nintendo announced on Twitter (now known as X) that the company will end the Creators program.  Operations for the program ceased on March the 20th, 2019.

See Also

Lawsuits:

Ouellette v. Viacom International Inc.

Viacom International, Inc. v. YouTube, Inc.

Lists:

Comparison of video hosting services.

List of Google Easter eggs.

List of Internet phenomena.

List of most-disliked YouTube videos.

List of most-liked YouTube videos.

List of most-subscribed YouTube channels.

List of most-viewed YouTube videos.

List of online video platforms.

List of YouTubers.

Alternative mediaMedia sources that differ from established or dominant types of media.

blip.tvAmerican media platform for web series.

BookTube YouTube book community.

BreadTube Group of left-wing YouTubers.

Criticism of Google.

Google Video – Discontinued free video hosting service.

iFilm – Defunct video sharing website.

Invidious – A free and open-source alternative frontend to YouTube.

Metacafe – Defunct Israeli video-sharing website.

Multi-channel network – Type of online media organisation.

Reply girl – Female YouTube user uploading video responses.

Revver – Former video hosting website.

VideoSift – Video aggregation website.

vMix – Multimedia mixing software for Windows.

YouTube Awards – Promotion that rewarded YouTubers with the best video on the platform.

YouTube copyright issues.

YouTube Creator Awards – Media awards.

YouTube Instant – Real-time search engine.

YouTube Music Awards.

YouTube Poop – Video genre.

YouTube Rewind – Discontinued annual event on YouTube (2010–2019).

YouTube Theater – Music and theatre venue in Inglewood, California.

The above articles were taken from Wikipedia and are subject to change.

Blog Posts

Links

The YouTube image shown at the top of this page and the ones below of YouTube’s logo used since June 2024, the YouTube logo used from its launch until 2007, YouTube’s logo from 2015 until 2017, YouTube’s logo from August 2017 until February 2025, YouTube’s Premium logo in 2024, YouTube’s Kids logo in 2019, YouTube’s Music logo in 2024 and YouTube’s TV logo in 2018 are copyright of YouTube via Wikipedia and are in the public domain.

The image above of Chad Hurley is the copyright of Wikipedia users The Bui Brothers.   It comes with a Creative Commons licence (CC BY-SA 2.0).  You can see more of their photos on Flikr here.

The image above of Steve Chen is the copyright of Wikipedia user TaiwanPlus.  It comes with a Creative Commons licence (CC BY-SA 3.0).  

The image above of Jawed Karim is the copyright of Robin Brown and is in the public domain.

The image above of YouTube’s headquarters at 901 Cherry Avenue, San Bruno, California in April 2017 is the copyright of Wikipedia user Coolcaesar and is in the public domain.  It comes with a Creative Commons licence (CC BY-SA 4.0).

The image above of Jordan Hoffner is the copyright of Robin Brown.  It comes with a Creative Commons licence (CC BY-SA 2.0). 

YouTube on Facebook.

YouTube on X.

YouTube on Instagram

 

My YouTube Channel

Facebook And Instagram Profile Picture
Image © Frank Parker

YouTube began in 2005, and most of you reading this are aware of it and have used it, or do use it often, unless you live on another planet!

I created my YouTube channel in 2006 and, sadly, I haven’t done much on it due to many personal and health reasons, mainly because of struggling with my Mental Health.  I planned to do more, I planned to get better confidence wise and content wise and then my life got in the way and shit happened and often, but now, in 2026, I am trying hard to rectify all that.  I can’t change the past, and I am not looking into the future, but right now, I am doing the best I can to make the present a better place to live in for my state of mind.  I take every day as it comes and working on my YouTube channel and website are an important part of that for me.

The original videos I put up were about my favourite Football team Birmingham City, my beloved, and sadly missed, pets, Rocky and Rosie, a Black Country L.P. that was my Dad’s and one about fire! 

Since then, I added short videos to update the channel with more short and long website related content to come.

Below are links to all my YouTube channel playlists, blog posts, etc. 

To all my original subscribers, if you are still around THANK YOU so much for sticking with me, and if you are new, then THANK YOU equally as much for joining.

I hope you enjoy looking at my videos and if you do please like them, share them and subscribe. This means a lot to me and helps me grow my channel, which will only boost my confidence further.

Playlists

Click here to view a list of all my current playlists.

Blog Posts

Links

The image shown at the top is the copyright of Frank Parker.

YouTube on Facebook.

YouTube on X.

YouTube on Instagram.

 

Universal Classic Monsters

Image © of Universal Pictures via Wikipedia

Ever since I was little I have loved Universal classic monsters, for it is they that started my love of Horror off, even if they scared the hell out of me at first and I hid under my Mom’s arm or behind the settee at first watching them, ha ha.  That changed the older I got. 

When Halloween comes around you can be sure someone is wearing an Halloween costume that relates to one of the classic monsters mentioned below.

There will be more references to Universal Classic Monsters in the appropriate Decades sections and articles via the Horror index below.

Universal Classic Monsters

Universal Classic Monsters (also known as Universal Monsters and Universal Studios Monsters) is a media franchise based on a series of horror films primarily produced by Universal Pictures from the 1930s to the 1950s.  Although not initially conceived as a franchise, the enduring popularity and legacy of the films and the characters featured in them have led the studio to market them under the collective brand name of Universal Studios Monsters.  Steve Jones of USA Today described Universal’s most famous monsters as pop culture icons, specifically Dracula, Frankenstein, The Mummy and The Wolf Man.

Universal Pictures image from the Internet Archive via Wikipedia and is in the public domain

Bela Lugosi as Dracula.

This is a screenshot from the Internet Archive of the classic 1931 film Dracula.  You can see the trailer it came from here

Universal Pictures image via Wikipedia and is the public domain

Boris Karloff as The Mummy.

This is a screenshot from the Internet Archive of the classic 1932 film The Mummy.  You can see the trailer it came from here

Universal Pictures image via IMDb

Boris Karloff as Frankenstein’s Monster.

Directed by James Whale.

You can see the trailer for the classic Frankenstein film from 1931 via The Internet Archive here.

Universal Pictures image via Wikipedia and is the public domain

Lon Chaney Jnr. as The Wolf Man.

This promotional photo is from the classic1941 film The Wolf Man.

You can see the trailer for The Wolf Man via The Internet Archive here.

See more photos and relevant information further down below.

Universal Monsters Films 

For an extensive list of Universal Monsters Films click here.

Universal Monsters Films Free To Watch

Below are just some of the great Universal Monsters films for you to enjoy.

They are not all classic films to me but if I have watched one and I think it is I will say so.

The Phantom Of The Opera 1925 Silent Film In Full

Watch the classic 1925 silent film The Phantom Of The Opera starring Lon Chaney via The Internet Archive here.

See information about this classic film further down at the top of the page.

Dracula 1931 In Full

Watch the classic 1931 film Dracula starring Bela Lugosi via The Internet Archive here.

See information about this classic film at the top of the page.

Frankenstein 1931 In Full

Watch the classic 1931 film Frankenstein starring Boris Karloff via The Internet Archive here.

See information about this classic film at the top of the page.

The Mummy 1932 In Full

Watch the classic 1932 film The Mummy starring Boris Karloff via The Internet Archive here.

See information about this classic film at the top of the page.

The Invisible Man 1933 In Full

Watch the classic 1933 film The Invisible Man starring Claude Rains via The Internet Archive here.

See information about this classic film further down at the bottom of the page.

The Bride Of Frankenstein 1935 In Full

Watch the 1935 film The Bride Of Frankenstein starring Boris Karloff via The Internet Archive here.

See information about this film further down at the bottom of the page.

Frankenstein Meets The Wolf Man 1942 In Full

Watch the 1942 film Frankenstein Meets The Wolf Man starring Boris Karloff and Lon Chaney Jnr via The Internet Archive here.

See information about this film further down at the bottom of the page.

Universal Classic Monsters Home Video 

Image © of Universal Pictures via Wikipedia

Universal Classic Monsters logo.

This is the official franchise logo as displayed on home video releases

Louis Feola was the head of Worldwide Home Video for Universal Studios and said in 1999 that “a couple of years ago” he decided to “reinvigorate and re-market” Universal’s Classic Monsters catalogue which included the series Dracula, Frankenstein, The Invisible Man, The Phantom of the Opera, The Wolf Man, and The Mummy.  In 1992, in an interview with Billboard, Feola stated that to market and sell home video, the most important thing was the packaging of their sales which was “probably our single biggest priority and has been for a number of years”, and that it was key to make the series of films “look like a line”.

In 1995, MCA/Universal released a collection of the film on home video under the title The Universal Studios Monsters Classic Collection.  This series included Frankenstein, Dracula, The Mummy, The Invisible Man, and The Creature From the Black Lagoon series.  A collection of stamps featuring Universal Classic Monsters was also released in September 1997 titled the Universal Classic Movie Monsters series.  Other characters included in the series included the Mummy and Frankenstein’s monster, both played by Boris Karloff), the Phantom of the Opera played by Lon Chaney and the Wolf Man played by Lon Chaney Jnr.

Universal Classic Monsters Merchandising

After the Universal horror films were syndicated to television, this led to a rise in the popularity of merchandise based on Frankenstein’s monster and Dracula.  Throughout the 1960s and into the 1970s, the Universal monsters were promoted via merchandising which included: Halloween costumes, Aurora model kits, paperback novelizations, makeup how-to manuals, T-shirt iron-ons, posters, trading cards, and more.  Since 1991, Halloween Horror Nights at Universal Parks & Resorts have featured characters from the Universal Classic Monsters franchise.  From 2006 to 2014, the characters also appeared in the year-round walk-through attraction, Universal’s House of Horrors, at Universal Studios Hollywood.  The franchise is also the central theme of Universal’s Horror Make-Up Show.  The live show opened in 1990 at Universal Studios Florida and is still in operation.  Merchandising of the characters in formats such as clothing and board games has continued into the 21st century.

Universal Monsters Comics

Dark Horse Comics

You can read more about Dark Horse Comics here

Dark Horse Comics released comic adaptions of several of the films, featuring four one-shots and one collected edition, in 1993 and 2006, respectively.  

You can see which comics Dark Horse Comics produced here.

Skybound Entertainment 

You can read more about Skybound Entertainment here.

Skybound Entertainment, an Image Comics company, will publish a new series of Universal Monsters comic books.

You can read more about Image Comics here.

You can see which comics Skybound Entertainment produced here.

Universal Monsters Photos

Below are just some of the great Universal Monsters films photos for you to enjoy.  They are not all classic films to me but if I have watched one and I  think it is I will say so.

Universal Pictures image via IMDb

Lon Chaney as The Phantom Of The Opera.

This photo is from the classic 1925 silent film The Phantom Of The Opera.  

You can see the trailer for The Phantom Of The Opera via the Internet Archive here.

Universal Pictures image by unknown via Wikipedia and is the public domain

The Phantom Of The Opera 1925 film poster.

Universal Pictures image by unknown via Wikipedia and is the public domain

Dracula 1931 film poster.

See information about this classic film at the top of the page.

Universal Pictures image by Karoly Grosz via Wikipedia and is the public domain

Frankenstein 1931 film poster.

See information about this classic film at the top of the page.

Image © Universal via Universal Studios and Trick Or Treat Studios
Image © Universal via Universal Studios and Trick Or Treat Studios
Image © Universal via Universal Studios and Trick Or Treat Studios

The EXCELLENT Frankenstein mask from Trick Or Treat Studios.

This is a very cool Universal Classic Monsters mask I purchased for Halloween 2023.  It is officially licenced by Universal Studios and made for Trick Or Treat StudiosIt is, to date, the favourite mask I have in my mask collection and what I have worn for Halloween parties.  To see me in this and many more masks click here.

Universal Pictures image by Karoly Grosz via Wikipedia and is the public domain

The Mummy 1932 film poster.

See information about this classic film at the top of the page.

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Directed by James Whale.

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Ben Chapman as The Creature From The Black Lagoon. 

There were two men playing the creature in the film, Ricou Browning in the water and Ben Chapman out of the water (shown here).  None of them were credited which was unfair in my opinion considering they were both playing the actual monster in the film title and for that reason, I have rightly acknowledged them both here.

This photo is from the 1954 film Creature From The Black Lagoon

You can see the trailer for Creature From The Black Lagoon via the Internet Archive here.

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Doctor Who

Image © BBC via Wikipedia

I started watching Doctor Who back in the late 70’s when John Pertwee was the 3rd Doctor.  After him, it was the 4th Doctor played by Tom Baker.  I watched him up until 1981.  After that, the show started going downhill with the 5th Doctor played by Peter Davinson, the 6th played by Colin Baker and the 7th played by Sylvester McCoy.  I never watched that many with them in it and it got cancelled in 1989.  None of the Doctor’s after Tom Baker entertained me. 

I started watching it again when it came back for a TV Movie in 1996 with Paul McGann as 8th Doctor.  It was OK, watchable.  Then, in 2005, the series was back properly with Russel T. Davies as the showrunner and I enjoyed watching Christopher Eccleston as the 9th Doctor but more so David Tennant as the 10th Doctor a year after him.  In 2008 a new showrunner, Steven Moffat took over and Matt Smith became the 11th Doctor.  He was was good, as was the 12th Doctor Peter Capaldi in 2013.  The show under Moffat was good but often at times lacked decent writers and was far from as exciting as the Davies years.  Then Moffat left and Chris Chibnall was replaced as the new showrunner bringing in Jodie Whittiker as the first female Doctor, Doctor number 13 and then the show started going tits up.  I had no problems with it being a female Doctor, although my preference is with a male as the lead role, as long as the writing was good.  It was clearly virtue-signalling from the BBC which the seeds were sown under Moffat. when the Master was changed to Missy.  Little did we know it was the start of worse things to come.  Under Chibnall the show became typical BBC woke shit and he has fucked up the show by retconning everything. Now the 1st Doctor is not the 1st one at all! 

For almost 60 years Doctor Who has been a much-loved show for die-hard fans, like me, and we have every right to be upset over the fact that Chibnall and Whittaker have ruined it.  Both are leaving in 2021 and good riddance to them.

Davies returns in 2022 as showrunner, which is good news, but I can’t see it ever being as good as it was in the past.  I can’t see the BBC allowing anything to change from the woke bollocks we have to suffer now.  Sadly I see it as the beginning of the end but we shall see in time. 

About Doctor Who

 

Doctor Who is a British science-fiction television programme broadcast by BBC One since 1963.  The programme depicts the adventures of a Time Lord called the Doctor, an extraterrestrial being who appears to be human.  The Doctor explores the universe in a time-travelling spaceship called the TARDIS.  The TARDIS exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired.  With various companions, the Doctor combats foes works to save civilisations and helps people in need.

Beginning with William Hartnell, thirteen actors have headlined the series as the Doctor, and in 2017 Jodie Whittaker became the first woman to play the role.  The transition from one actor to another is written into the plot of the show with the concept of regeneration into a new incarnation, a plot device in which a Time Lord “transforms” into a new body when the current one is too badly harmed to heal normally.  Each actor’s portrayal is unique, but all represent stages in the life of the same character, and together, they form a single lifetime with a single narrative.  The time-travelling feature of the plot means that different incarnations of the Doctor occasionally meet.

Read more here.

The History Of Doctor Who

Doctor Who first appeared on BBC TV at 17:16:20 GMT on Saturday, 23 November 1963; this was eighty seconds later than the scheduled programme time, because of the assassination of John F. Kennedy the previous day.  It was to be a regular weekly programme, each episode 25 minutes of transmission length.  Discussions and plans for the programme had been in progress for a year. The head of drama Sydney Newman was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department (later head of serials) Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, story editor David Whitaker and initial producer Verity Lambert also heavily contributed to the development of the series.

The programme was originally intended to appeal to a family audience as an educational programme using time travel as a means to explore scientific ideas and famous moments in history.  On 31 July 1963, Whitaker commissioned Terry Nation to write a story under the title The Mutants.  As originally written, the Daleks and Thals were the victims of an alien neutron bomb attack but Nation later dropped the aliens and made the Daleks the aggressors.  When the script was presented to Newman and Wilson it was immediately rejected as the programme was not permitted to contain any “bug-eyed monsters”.  According to Lambert, “We didn’t have a lot of choice—we only had the Dalek serial to go … We had a bit of a crisis of confidence because Donald [Wilson] was so adamant that we shouldn’t make it.  Had we had anything else ready we would have made that.”  Nation’s script became the second Doctor Who serial – The Daleks (also known as The Mutants).  The serial introduced the eponymous aliens that would become the series’ most popular monsters and was responsible for the BBC’s first merchandising boom.

The BBC drama department’s serials division produced the programme for 26 seasons, broadcast on BBC 1.  Due to his increasingly poor health, the first actor to play the Doctor, William Hartnell, was replaced by the younger Patrick Troughton in 1966.  In 1970 Jon Pertwee replaced Troughton and the series at that point moved from black and white to colour.  In 1974 Tom Baker was cast as the Doctor.  His eccentric style of dress and quirky personality became hugely popular, with viewing figures for the show returning to a level not seen since the height of “Dalekmania” a decade earlier.  In 1981, after a record seven years in the role, Baker was replaced by Peter Davison, at 29 by far the youngest actor to be cast as the character in the series’ first run, and in 1984 Colin Baker replaced Davison.  In 1985 the channel’s controller Michael Grade attempted to cancel the series, but this became an 18-month hiatus instead.  He also had Colin Baker removed from the starring role in 1986.  The role was recast with Sylvester McCoy, but falling viewing numbers, a decline in the public perception of the show and a less-prominent transmission slot saw production ended in 1989 by Peter Cregeen, the BBC’s new head of series.  Although it was effectively cancelled with the decision not to commission a planned 27th season, which would have been broadcast in 1990, the BBC repeatedly affirmed, over several years, that the series would return.

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The Doctors

The First Doctor (1963 -1966)

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The First Doctor was played by William Hartnell and his portrayal of the character was initially a stubborn and abrasive old man who was distrustful of humans, but he mellowed out into a much friendlier, grandfatherly figure who adored his travels with his companions.  The First Doctor’s original companions were his granddaughter Susan, played by Carole Ann Ford, and her schoolteachers Ian Chesterton, played by William Russell and Barbara Wright, played by Jacqueline Hill.  In later episodes, he travelled alongside 25th-century orphan Vicki, played by Maureen O’Brien, space pilot Steven, played by Peter Purves, Trojan handmaiden Katarina played by Adrienne Hill, and sixties flower child Dodo Chaplet, played by Jackie Lane.  His final on-screen companions were the sailor Ben, played by Michael Craze and the posh and sophisticated Polly played by Anneke Wills.   Of the 134 episodes, Hartnell appeared in as a regular, 44 are missing.  He reprised the role once, in the tenth-anniversary story The Three Doctors (1973).  The character occasionally appeared in the series after Hartnell’s death, most prominently in 1983’s The Five Doctors where he was played by Richard Hurndall, and two episodes in 2017, in a cameo in “The Doctor Falls” and in the Christmas special, “Twice Upon a Time”, played by David Bradley.

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The Second Doctor (1966 – 1969)

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The Second Doctor was played by Patrick Troughton.  While the P. T. era of Doctor Who is well-remembered by fans and in that era’s Doctor Who literature, it is difficult to appraise in full; of his 119 episodes, 53 remain missing.  His Doctor was an outwardly scruffy, light-hearted and bumbling tramp nicknamed the Cosmic Hobo, who hid a more firm and slightly darker side he would often use to manipulate his enemies and allies alike for the greater good.  His original “swinging sixties” companions were the sophisticated socialite Polly, played by Anneke Wills and working-class sailor Ben Jackson, played by Michael Craze, who travelled with his previous incarnation.  They were later joined by 18th-century laird Jamie McCrimmon, played by Frazer Hines, who would become the Second Doctor’s most loyal and trusted companion.  Following Ben and Polly’s departures, the Doctor and Jamie were joined by the Victorian orphan Victoria Waterfield, played by Deborah Watling and 21st-century astrophysicist Zoe Heriot, played by Wendy Padbury.  Jamie and Zoe stayed with the Second Doctor until the Time Lords sent them back to their own times, with their memories of all but their first encounter with him wiped.

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The Third Doctor (1970 – 1974)

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The Third Doctor was played by Jon Pertwee and he portrays him as a dapper man of action in stark contrast to his wily but less action-orientated predecessors.  While previous Doctors’ stories had all involved time and space travel, for production reasons Pertwee’s stories initially depicted the Doctor stranded on Earth in exile, where he worked as a scientific advisor to the international military group UNIT.  Within the story, the Third Doctor came into existence as part of a punishment from his own race, the Time Lords, who forced him to regenerate and also disabled his TARDIS.  Eventually, this restriction is lifted and the Third Doctor embarks on more traditional time travel and space exploration stories. 

His initial companion is UNIT scientist Liz Shaw, played by Caroline John, who unceremoniously leaves the Doctor’s company between episodes to be replaced by the more wide-eyed Jo Grant, played by Katy Manning, who then continues to accompany the Doctor after he regains use of his TARDIS.  His final companion is intrepid journalist Sarah Jane Smith played by Elisabeth Sladen.

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The Fourth Doctor (1974 – 1981)

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The Fourth Doctor is played by Tom Baker and he portrays him as a whimsical and sometimes brooding individual whose enormous personal warmth is at times tempered by his capacity for righteous anger.  His initial companions were intrepid journalist Sarah Jane Smith, played by Elisabeth Sladen, who had travelled alongside his previous incarnation, and Surgeon-Lieutenant Harry Sullivan, played by Ian Marter of UNIT.  His later companions were savage warrior Leela, played by Louise Jameson, robotic dog K9, Time Lady Romana played by Mary Tamm and Lalla Ward, teen genius Adric, played by Matthew Waterhouse, alien teenage aristocrat Nyssa, played by Sarah Sutton, and Australian flight attendant Tegan played by Janet Fielding.

Baker portrayed the character for seven consecutive seasons, which remains the longest tenure of any actor to portray the lead, counting both the classic and modern series.  He is considered to be one of the most recognisable and iconic incarnations of the Doctor both in the United Kingdom and internationally.

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The Fifth Doctor (1982 – 1984)

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The Fifth Doctor is played by Peter Davison and he portrays the Fifth Doctor as having a vulnerable side and a tendency towards indecisiveness, dressed as a boyish Edwardian cricketer.  He travelled with a host of companions, including boy genius Adric, played by Matthew Waterhouse, alien aristocrat Nyssa, played by Sarah Sutton and Australian flight attendant Tegan Jovanka, played by Janet Fielding, whom he had travelled alongside in his previous incarnation.  He also shared later adventures alongside devious schoolboy Vislor Turlough, played by Mark Strickson and American college student Peri Brown, played by Nicola Bryant.

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The Sixth Doctor (1984 – 1986)

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The Sixth Doctor is played by Colin Baker and he portrays him as an arrogant, flamboyant character in brightly coloured, mismatched clothes whose brash, often patronising personality set him apart from all his previous incarnations.

Baker’s era was marked by the decision of the BBC controller Michael Grade to put the series on an 18-month “hiatus” between seasons 22 and 23, with only one new Doctor Who story, Slipback, made on the radio during the hiatus, broadcast as 6 parts (at 10 minutes each) on BBC Radio 4 from 25 July to 8 August 1985, as part of a children’s magazine show called Pirate Radio Four.   Baker had been signed up for four years as the previous actor Peter Davison had left after only three years.  Due to his decidedly short screen time, he appeared with only two companions, most notably the American college student Peri Brown, played by Nicola Bryant, before being briefly joined by Mel Bush, played by Bonnie Langford, a computer technician from his future he had yet to actually meet during his trial.

Prior to its postponement, season 23 was well advanced with episodes already drafted and in at least one case distributed to cast and production. Alongside “The Nightmare Fair”, “The Ultimate Evil”, “Mission to Magnus”, “Yellow Fever and How to Cure It”, the remaining stories were still under development in a 25-minute episode format after the season was postponed.  These were all dropped with the reconception of the season in mid-1985 in favour of the 14-episode story arc The Trial of a Time LordThe Sixth Doctor also appeared in the special Dimensions in Time.  There are also novels and audio plays featuring the Sixth Doctor, and the character has been visually referenced several times in the revived 2000s production of the show.

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The Seventh Doctor (1987 – 1989)

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The Seventh Doctor is played by Sylvester McCoy and he portrays him as a whimsical, thoughtful character who quickly becomes more layered, secretive, and manipulative.  His first companion was Melanie Bush, played by Bonnie Langford, a computer programmer who travelled with his previous incarnation, and who is soon succeeded by troubled teenager and explosives expert Ace, played by Sophie Aldred, who becomes his protégée.

McCoy first appeared on TV in 1987.  After the programme was cancelled at the end of 1989, the Seventh Doctor’s adventures continued in novels until the late 1990s.  He made an appearance at the start of the 1996 movie before the character was replaced by the Eighth Doctor, played by Paul McGann.

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The Eighth Doctor (1996)

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The Eighth Doctor is played by Paul McGann and he portrays him as a passionate, enthusiastic, and eccentric character.  The character was introduced in the 1996 TV film Doctor Who, a back-door pilot produced in an unsuccessful attempt to relaunch the series following its 1989 cancellation.  In 2013, the actor reprised the role in the mini-episode “The Night of the Doctor”, which depicts the Eighth Doctor’s final adventure and his regeneration into the War Doctor, played by John Hurt.  His only companion in the television film is Grace Holloway, played by Daphne Ashbrook, a medical doctor whose surgery is partly responsible for triggering his regeneration.  In the continued adventures of the character depicted in audio dramas, novels and comic books he travels alongside numerous other companions, including self-styled “Edwardian Adventuress” Charley, the alien Destrii and present-day humans Lucie and Sam.

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The War Doctor (2013)

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The War Doctor was portrayed by John Hurt.  Although he precedes Christopher Eccleston’s Ninth Doctor in the show’s fictional chronology, his first onscreen appearance came eight years after Eccleston’s; the War Doctor was retroactively created by showrunner Steven Moffat for productions celebrating the show’s 50th anniversary.

The War Doctor, not so named within the episodes in which he appears, is introduced as the incarnation of the Doctor who fought in the Time War of the show’s modern-day backstory.  He was created as a result of a conscious decision of the Eighth Doctor, played by Paul McGann, to take up arms and become a warrior; in accepting this duty, the War Doctor disowned the title of “Doctor”, and after the war’s end is viewed with disdain by his subsequent incarnations, who reclaim the title that the character is known by.  In the 50th anniversary special “The Day of the Doctor”, however, the Eleventh Doctor played by Matt Smith revises his opinion of this incarnation after revisiting the final moments of the war.

In his original conception of the show’s anniversary special, Moffat had written the Ninth Doctor as having ended the Time War.  However, he was “pretty certain” that Christopher Eccleston would decline to return to the role, which he did.  As he also had reservations about making Paul McGann’s Eighth Doctor the incarnation who had ended the war, he created a never-before-seen past incarnation of the Doctor, which allowed him “a freer hand” in writing the story, acknowledging that the success of doing this would be predicated on being able to cast an actor with a significant enough profile.

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The Ninth Doctor (2005)

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The Ninth Doctor is played by Christopher Eccleston during the first series of the show’s revival in 2005.  His Doctor was portrayed as a war-torn loner who disguises his trauma brought on by the Time War using a sense of humour and determination to protect the innocent.  He was intentionally different from his predecessors, with Eccleston playing the character as being less eccentric.

To fit in with a 21st-century audience, the Doctor was given a primary companion, Rose Tyler, played by Billie Piper, who was designed to be as independent and courageous as himself. He also briefly travels with Adam Mitchell, played by Bruno Langley, a self-serving boy genius who acts as a foil to the companions but ultimately proves unworthy, and Captain Jack Harkness, played by John Barrowman) a reformed con man from the 51st century.  The Doctor, Rose and Jack form a close team but are separated in the series finale in which each character has to make difficult choices and face sacrifice.

In 2006, readers of Doctor Who Magazine voted Eccleston’s Doctor the third most popular Doctor.  Both mainstream press and science fiction reviewers generally credit Eccleston and his incarnation of the character as helping to re-establish the show following its hiatus between 1996 and 2005.  The character’s interactions with his arch-enemies, the Daleks, were particularly praised.  Eccleston won several awards for his single series including the 2005 National Television Award for Best Actor.

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The Tenth Doctor (2005 – 2010)

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The Tenth Doctor is played by David Tennant in three series as well as nine specials.  As with previous incarnations of the Doctor, the character has also appeared in other Doctor Who spin-offs.  Tennant’s time as the Tenth Doctor is still very popular among fans of the show and is generally regarded as one of the most iconic incarnations of the character often ranked alongside Tom Baker’s Fourth Doctor.

Tennant’s portrayal of the Doctor is of an outwardly charismatic and charming adventurer whose likeable and easygoing attitude can quickly turn to righteous fury when provoked.

This incarnation’s companions include working class shop assistant Rose Tyler, played by Billie Piper, medical student Martha Jones, played by Freema Agyeman, and fiery temporary worker Donna Noble, played by Catherine Tate.  He eventually parts ways with them all by the end of the 2008 series finale, “Journey’s End”, after which he attempts to travel alone for the duration of the 2008–2010 specials before being accompanied by Donna’s grandfather Wilfred Mott, played by Bernard Cribbins on his final adventure in “The End of Time”.

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The Eleventh Doctor (2010 – 2013)

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The Eleventh Doctor is played by Matt Smith in three series as well as five specials.  As with previous incarnations of the Doctor, the character has also appeared in other Doctor Who spin-offs. The Eleventh Doctor has been very well received by fans of the show and critics often credit Smith’s portrayal of the character with achieving the “near-impossible” task of replacing David Tennant in the role.

Smith’s portrayal is a quick-tempered but compassionate character whose youthful appearance is at odds with his more discerning and world-weary temperament.

This incarnation’s main companions included feisty Scot Amy Pond, played by Karen Gillan, her husband Rory Williams, played by Arthur Darvill and the mysterious Clara Oswald, played b, Jenna-Louise Coleman.  He also frequently appeared alongside River Song, played by Alex Kingston, a fellow time traveller with whom he shared a romantic storyline, and he was the last Doctor to appear alongside the long-serving companion Sarah Jane Smith, played by Elisabeth Sladen prior to the actress’ death, featuring in two episodes of the spin-off programme The Sarah Jane Adventures.

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The Twelfth Doctor (2014 – 2017)

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The Twelfth Doctor is played by Peter Capaldi.  As with previous incarnations of the Doctor, the character has also appeared in other Doctor Who spin-offs.

Capaldi’s portrayal of the Doctor is a spiky, brusque, contemplative, and pragmatic character who conceals his emotions in the course of making tough and sometimes ruthless decisions.

This incarnation’s companions include school teacher Clara Oswald, played by Jenna Coleman), canteen assistant and student Bill Potts, played by Pearl Mackie and alien Nardole, plyed by Matt Lucas.  He also made a guest appearance in the Doctor Who spin-off series Class, appearing in the show’s first episode.

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The Thirteenth Doctor (2018 – Present day)

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The Thirteenth Doctor is played by Jodie Whittaker, the first woman to play the character in the series.  First appearing in the show’s eleventh series and continuing with the twelfth series, Whittaker is expected to leave the series as the Doctor following the thirteenth series and its associated specials.

Whittaker’s portayal is a light-hearted adventurer with a passion for building things, placing a high value on friendships and striving for non-violent solutions.

This incarnation’s companions include part-time warehouse worker Ryan Sinclair, played by Tosin Cole, retired bus driver and Ryan’s stepgrandfather Graham O’Brien, played by Bradley Walsh and probationary police officer Yasmin Khan, played by Mandip Gill, all of whom she met shortly after her regeneration.  She later crosses paths with former companion, Captain Jack Harkness, played by John Barrowman, and is subsequently joined by cheerful Scouser and food bank volunteer Dan Lewis, played by John Bishop.

Read more here.

Doctor Who Universe Creatures And Aliens

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Click here for a comprehensive list of fictional creatures and aliens from the Doctor Who universe, and spin-offs: Torchwood, The Sarah Jane Adventures, Class, K-9 and K-9 and Company.  Note that this list only covers alien races and other fictional creatures and not specific characters.

Doctor Who Villains 

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Click here for an extensive list of Doctor Who villains.

Doctor Who Henchmen

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Click here for an extensive list of henchmen, fictional characters serving villains and/or monsters and aliens in Doctor Who. 

Doctor Who Robots

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Click here for an extensive list of many robots featured in Doctor Who.  The Daleks and Cybermen are not listed as they are depicted as organic beings that become cyborgs as opposed to true robots.

Doctor Who Films (1965 – 1966: Non Canon)

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The character, portrayed by the actor Peter Cushing, appeared in two films produced by AARU Productions; Dr. Who and the Daleks (1965) and Daleks’ Invasion Earth 2150 A.D. (1966).  Plans for a third film were abandoned following the poor box office reception of the second film. 

Cushing made no mention of the films in his autobiography although he kept a collection of newspaper clippings about them in a scrapbook.

The Doctor’s Personality

Whereas the contemporary television incarnation of the character was depicted as an abrasive, patronising and cantankerous extraterrestrial, as portrayed by Cushing Doctor Who is an eccentric inventor who claims to have created a time machine, named Tardis, in his back garden.  He is a gentle, grandfatherly figure, naturally curious, sometimes absent-minded but not afraid to fight for justice. He is shown to have a keen and somewhat juvenile sense of humour, a strong sense of adventure, a will of iron and very strong morals.

Unlike his TV counterpart, for whom the character’s name is ambiguous, his surname is clearly stated to be “Who” in both films.

The Doctor’s Companions

In the first film, Dr. Who and the Daleks (1965), the Doctor travels with his two granddaughters: Susan, played by Roberta Tovey, who is portrayed as a younger character than the Susan depicted in the TV series, and Barbara, played by Jennie Linden.  They are joined by Ian Chesterton, played by Roy Castle, Barbara’s “new boyfriend”, who is depicted as a generally clumsy and comical figure (whereas the TV version of the character is more heroic, and his relationship with Barbara is amicable and professional rather than romantic.

In the sequel, Daleks’ Invasion Earth 2150 A.D. (1966), Susan is joined by Doctor Who’s niece Louise, played by Jill Curzon and police constable Tom Campbell, played by Bernard Cribbins.

The Tardis

The exterior of Dr. Who’s Tardis (not “the TARDIS”, as referred to in the television series) resembles a British police box, although the films, unlike the TV series, offer no explanation as to why the machine has this appearance.  Other than using the contrivance of the craft’s interior being larger than its exterior, the interior set bears no relation to the clean, high-tech TV version of the time.  In the first film, it is filled with a chaotic jumble of wiring and electronic equipment, replaced in the second film by a number of simple consoles adorned with buttons, gauges and lights.

Read more here.

Doctor Who Word Searches

There are word searches here that relate more to the series’ return after its cancellation in 1989. 

 

The above articles and Doctor’s images were sourced from Wikipedia and are subject to change.  The Doctor’s images are the copyright of the BBC except for the image of Peter Cushing which is the copyright of StudioCanal

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Science Fiction

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As with horror, science fiction is another cool way to escape from the real world and let your imagination take over.

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d0ran on Pixabay – The image shown at the top of this page is the copyright of d0ran.  You can find more great work from the photographer and lots more free stock photo’s at Pixabay.